Search Results (8)

Existing approaches to the automatic annotation of classical Chinese poetry often fail to generate precise source citations and depend heavily on manual segmentation, limiting their scalability and accuracy. To address these shortcomings, we propose a novel paradigm that integrates dictionary retrieval with retrieval-augmented large language model enhancements for automatic poetic annotation. Our method leverages the contextual understanding capabilities of large models to dynamically select appropriate lexical senses and employs an automated segmentation technique to minimize reliance on manual splitting. For poetic segments absent from standard dictionaries, the system retrieves pertinent information from a domain-specific knowledge base and generates definitions grounded in this auxiliary data, thereby substantially improving both annotation accuracy and coverage. The experimental results demonstrate that our approach outperforms general-purpose large language models and pre-trained classical Chinese language models on automatic annotation tasks; notably, it achieves a micro-averaged accuracy of 94.33% on key semantic segments. By delivering more precise and comprehensive annotations, this framework advances the computational analysis of classical Chinese poetry and offers significant potential for intelligent teaching applications and digital humanities research. Full article

This article compares the similar texts in historiography, legend, poetry, and law between the Hebrew Bible and Chinese classic works, emphasizing the mutual reflection and illumination of the two in terms of culture. This article holds that a literary work, just like an object, will release a certain form of energy, which will have an impact on other works and, at the same time, be influenced by other works. This article examines Chinese classic works from the perspective of the Hebrew Bible to gain new insights. By discussing the traditional comparative methods in biblical studies, the article emphasizes the possibility of comparison between different cultures. It is believed that, for similar stories and texts, it is important to analyze their specific cultural backgrounds and writing environments and to reveal the deep-seated reasons in terms of philosophy, history, society, culture, personal life experiences, etc., behind the phenomena of similarities and differences. Using this method, the article deeply analyzes the similarities and differences between the two kinds of texts in specific literary genres such as historiography, poetry, and law and gives examples to illustrate the similarities and differences between these two types of literary works. The study of these narratives within a comparative framework enables people to have a deeper understanding of these texts and the societies that produced them, while also respecting the unique backgrounds and meanings of each work. The article underlines the significance of cross-cultural comparison in the studies of the Bible and Chinese classic works. This research approach, as proposed, enriches the comprehension of these two literary traditions and their profound influence on the shaping of human history and culture. Full article

The imagery of wine and tea is important in classical and modern Chinese poetry, with an intricate relationship between the two especially evident in the work of Taixu 太虛 (1890–1947), a prominent poet–monk in 20th-century China. Taixu’s attitude toward wine—a drink that is deeply rooted in Chinese culture—evolves significantly over time, from initial approval to eventual condemnation due to its detrimental effects on both personal health and society. Nevertheless, it continues to feature prominently in his poetry. The same is true of tea, which Taixu often uses to evoke either Buddhist study or his own healthy lifestyle. This article explores this and other complex meanings in Taixu’s poems, such as his association of wine with knights and tea with hermits. It also discusses how he achieves a delicate balance between the two beverages, sometimes employing both types of imagery in a single poem—a literary innovation that helped to establish his reputation as a central figure in modern Chinese poetry. Full article

Taixu 太虛 (1890–1947), a prominent figure in modern Chinese Buddhism, produced a voluminous collection of poetry abounding with diverse classical Chinese images. Notably, the “lamp and candle” (dengzhu 燈燭) holds great significance, reflecting Taixu’s personal affinity with this imagery and an intimate connection to classical Chinese poetry. Acting as a potent Buddhist metaphor, it encapsulates multifaceted sentiments while also intertwining with other evocative images, such as the boat, the moon, and falling leaves. Symbolizing Taixu’s unwavering spirit, it represents his profound dedication to his craft. This article explores Taixu’s literary achievements as a poet by focusing on his adept utilization of “lamp and candle” imagery, complementing the study of his multifaceted and intricate identities. This detailed examination offers novel insights into Chinese literature and Buddhist studies, highlighting the interplay between spiritual practice and artistic expression. Full article

Authorship profiling is a subtask of authorship identification. This task can be regarded as an analysis of personal writing styles, which has been widely investigated. However, no previous studies have attempted to analyze the authorship of classical Chinese poetry. First, we provide an approach to evaluate the popularity of poets, and we also establish a public corpus containing the top 20 most popular poets in the Tang Dynasty for authorship profiling. Then, a novel poetry authorship profiling framework named multidimensional domain knowledge poet profiling (M-DKPP) is proposed, combining the knowledge of authorship attribution and the text’s stylistic features with domain knowledge described by experts in traditional poetry studies. A case study for Li Bai is used to prove the validity and applicability of our framework. Finally, the performance of M-DKPP framework is evaluated with four poem datasets. On all datasets, the proposed framework outperforms several baseline approaches for authorship attribution. Full article

In the history of Chinese Bible translation, the Psalms have been a privileged site for the encounter between biblical thinking, poetics, and Chinese classical literature. This encounter was initiated by the translators of the Delegates’ Version, followed by John Chalmers, and outstandingly represented in particular by John C. H. Wu吳經熊. In his version of the Psalms, underpinned by his cultural stance of “beyond East and West”, Wu borrows numerous Chinese idioms and popular verses and transposes Chinese traditions from Confucianism, Buddhism, and Daoism. Specifically, Wu’s rendition inaugurates an intertextual dialogue between the Psalms and Shijing, involving the disciplines of both comparative literature and comparative scripture at the same time. By adapting various Chinese classical poetry styles for his version of the Psalms, Wu transforms their spiritual traditions and broadens their representation spaces by injecting a Judeo-Christian spirit. Relocating the biblical texts among multifarious Chinese literary traditions, Wu’s translation of the Psalms achieves a deep interaction between the Bible and Chinese culture, provokes questions, and provides insights regarding the relation between biblical theology and intercultural poetics. Full article

This presentation examines the history of duckweeds in Chinese, Christian, Greek, Hebrew, Hindu, Japanese, Maya, Muslim, and Roman cultures and details the usage of these diminutive freshwater plants from ancient times through the Middle Ages. We find that duckweeds were widely distributed geographically already in antiquity and were integrated in classical cultures in the Americas, Europe, the Near East, and the Far East 2000 years ago. In ancient medicinal sources, duckweeds are encountered in procedures, concoctions, and incantations involving the reduction of high fever. In this regard, we discuss a potential case of ethnobotanical convergence between the Chinese Han and Classical Maya cultures. Duckweeds played a part in several ancient rituals. In one, the unsuitability of its roots to serve as a wick for Sabbath oil lamps. In another reference to its early use as human food during penitence. In a third, a prominent ingredient in a medicinal incantation, and in a fourth, as a crucial element in ritual body purifications. Unexpectedly, it emerged that in several ancient cultures, the floating duckweed plant featured prominently in the vernacular and religious poetry of the day. Full article

The computer generation of poetry has been studied for more than a decade. Generating poetry on a human level is still a great challenge for the computer-generation process. We present a novel Transformer-XL based on a classical Chinese poetry model that employs a multi-head self-attention mechanism to capture the deeper multiple relationships among Chinese characters. Furthermore, we utilized the segment-level recurrence mechanism to learn longer-term dependency and overcome the context fragmentation problem. To automatically assess the quality of the generated poems, we also built a novel automatic evaluation model that contains a BERT-based module for checking the fluency of sentences and a tone-checker module to evaluate the tone pattern of poems. The poems generated using our model obtained an average score of 9.7 for fluency and 10.0 for tone pattern. Moreover, we visualized the attention mechanism, and it showed that our model learned the tone-pattern rules. All experiment results demonstrate that our poetry generation model can generate high-quality poems. Full article