Search Results (40)

Focusing on concepts of community, authority and rule, this study re-thinks the traditional chronology and understanding of early western monastic rules. Beginning with the monastic programmes offered by early writers (Basil in Rufinus’ translation, Augustine, Jerome and Cassian), it questions the idea that the first western monastic rules emerged in the fifth century. It places the emergence of rules in the sixth century, highlighting the radical difference between their ideas of authority and community and those of the earlier texts whose words they often used, above all in the ‘abbatial turn’ that begins with the Rule of Benedict. Texts conventionally classified as early western rules for communal monasteries are re-identified as rules compiled in the seventh century for monasteries and satellite dependencies. Some are also interpreted as providing validation for the newer style of ‘Benedictine–Columbanian’ monasticism and use of the Rule of Benedict by means of a spurious early monastic provenance. Full article

This article explores “contestation” as a constitutive and enduring dimension of Christian monasticism. From its origins in the contemptus mundi and fuga mundi of the Desert Fathers to its modern cultural and ecological expressions, monasticism has embodied a form of resistance—spiritual, social, and existential—toward dominant models of life, thought, and power. This study examines the multiple modalities of monastic contestation: withdrawal and protest, spiritual combat, constructive critique, and the creation of alternative forms of living. Drawing upon sources ranging from Cassian and Benedict to contemporary thinkers such as Panikkar, Jonveaux, and Hervieu-Léger, the paper argues that monasticism’s critical stance toward the world is not mere negation but a creative search for simplicity, authenticity, and integral humanity. By analysing its expressions in education, economy, art, and ecology, the paper demonstrates that monastic contestation remains a vital, transformative force capable of renewing the dialogue between faith, culture, and society. Full article

The Monastery of San Nicolò l’Arena in Catania, a UNESCO World Heritage site, embodies a complex architectural and historical stratigraphy, reflecting successive construction phases, functional changes, and the impact of catastrophic events, including the 1669 lava flow and the 1693 earthquake. As part of the CHANGES project, this study combines historical–archaeological research with non-invasive in situ scientific analyses to investigate the materials and the conservation state of the monumental complex. Stratigraphic analysis identified multiple masonry and plaster units, allowing the reconstruction of five main construction phases and related functional changes. Portable X-ray Fluorescence (pXRF), Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFT), and handheld optical microscopy provided rapid insights into the chemical and mineralogical composition of plasters and mortars, highlighting lime-based binders with variable aggregate, including volcanic clasts, sand, and cocciopesto. In situ diagnostic analyses allowed us to distinguish pre- and post-earthquake materials, while historical data contextualized construction phases and functional transformations. The integration of archaeological and scientific approaches proved to be complementary: historical evidence guides the selection of analytical targets, while diagnostic results enrich and validate the interpretation of the building’s evolution. This interdisciplinary methodology establishes a robust framework for the understanding and valorization of complex cultural heritage sites. Full article

The Monastery of San Salvador de Oña (Burgos) is a Benedictine site that has undergone substantial modifications since its foundation in the 11th century and preserves a significant corpus of Medieval, Renaissance, and Baroque artistic remains. Among these, the refectory stands out as a particularly distinctive ensemble, exhibiting sculptural influences from the Burgundy region and serving as a notable example in terms of structure, craftsmanship, and decoration. Material characterization analyses of this ensemble have not only identified the range of pigments present but also documented metallic materials and applied decorative elements, providing the basis for a proposed chronological framework for the various pictorial strata and stages. A detailed examination of the metallic materials and their overlaying layers has facilitated a comprehensive analysis focused on materiality, manufacturing techniques, and methods of application, while also situating the decoration within its historical, artistic, and cultural context. Full article

Many contemporaries considered the crusader conquest of Jerusalem in 1099 as a significant moment in Salvation History. This article investigates how the reception of the Roman conquest of the city (70 CE) contributed to such an understanding. The important Benedictine exegete Rupert of Deutz (c. 1070–1129) refers to the Roman conquest in 79 passages within his opus, notably in his various biblical commentaries. This case study shows how the past event provided a rationale, exegetical and providential in nature, to understand three dimensions: (a) the role of the Jews, especially that it had been necessary to deprive them of the Holy Land; (b) the current situation of and purpose of Christians in the Holy Land; and (c) the End of Time, which was expected in Jerusalem, and which Rupert anchored already significantly in his own present. His commentary on John’s Revelation even asserted that the Roman conquest had opened the sixth of seven seals (Rev. 6:12). Therefore, the Apocalypse had been ongoing since 70 CE—but only in the Holy Land, a fact that made it necessary for Christians to travel there. The article thus demonstrates that biblical commentaries are potent sources for both crusade studies and historical research in general. Full article

Monastic life presents a contrast to many aspects of modern existence (the rule of ideology, consumerism, various forms of negativity, dominance of the virtual, forgetfulness). The following essay explores this contrast and its presence throughout the long history of monasticism, with a focus on early Northern and Western monasticism on the one hand, and the modern Benedictine tradition on the other. The counter-cultural dimensions of monastic life range from special landscapes and sacred space to the function of time, and from the transcendental role of prayer to the earthy nature of hard work. Not only do the traditions of monastic scholarship and the books gathered in monastic libraries help preserve the memory and reinforce the special counter-culture of monasteries, but the monasteries remain to this day places of healing and sources of hope. The poem “Pilgrimage” composed in 1929 by Austin Clarke captures the character of monastic life not only as something contrary, but as an essential way of life, which has survived from the founding of medieval Clonmacnoise up until today. Full article

While active female Benedictine monasteries in the United States presently are in a state of decline, the needs of the Church and world indicate that the Benedictine charism is greatly needed today. This article explores some of the historical developments that have played a part in bringing active Benedictine women’s monasteries to where they are, from their immigrant foundations through societal shifts around and since the time of Vatican II. This article then provides a review of key magisterial documents relating to religious life issued since the Council. In the themes enumerated, it can be seen that the Church provides and asks of women religious an identity that is both meaningful and fully in accord with Benedictine tradition. A synthesis of U.S. Benedictine women’s experience and developments in theology is proposed, along with some possible ways forward that could put this synthesis into action. Full article

The Inferno highlights many categories of sins and varieties of pains yet it has another unifying theme. From the earliest descriptions of Christian monastic discipline to the Benedictine Rule and beyond, “inner death” inspired contemplatives to confront the hell that awaits them if they succumb to pride, give way to sloth (acedia), or lack humility. Scholastic theologians (e.g., Thomas Aquinas, Bonaventure) developed the notion, and mendicant preachers brought it to laypeople like Dante Alighieri. Inner death has ironic force in the Inferno because it contradicts the inscription on the gates of hell: “Abandon all hope you who enter”. Yes, one must abandon all hope upon entering hell unless, through the cultivation of inner death, one does so “nel mezzo del cammin di nostra vita” (midway in the journey of our life—Singleton), while alive. Here is the irony; here is inner death. If living persons contemplate the consequences in hell of their faults in life, they transcend them and escape. Full article

This contribution reconstructs the reflection on witches of Johannes Trithemius (1462–1516), a German Benedictine who took up the pen on several occasions to declare against the spread of witchcraft and the need to solve this problem. The method adopted is to understand Trithemius’ thought from the analysis of his own works, specifically the Antipalus maleficiorum (1505–1508), the Liber octo quaestionum (1515) and what can be known of the De daemonibus (1507–1514). What will emerge will be an articulate reflection, which re-proposes the doctrine of the Malleus maleficarum (1486) enriched with original elements often drawn from popular superstitions. Thus, Trithemius proposes artifices to be immune from witches (e.g., apotropaic amulets) and provides specific indications on how to cure evil spells (exorcism), extending the dissertation to broader issues, such as the gender question, the relationship between witches and children (e.g., sacrifices, proselytes, victims) and developments in exorcism practice. Full article

This article aims to show how episcopal authority was built in the eastern part of the Kingdom of León (county of Castile), where a new kingdom and a vast diocese emerged in the mid-11th century. The monarchs of Castile empowered the strategic pre-urban town of Burgos in the northern Iberian Plateau as a single episcopal see, rather than the four that had existed in the area until then. The bishops were the agents that the monarchs needed in the long process that, from the destabilisation of the Visigothic diocese organisation caused by the Islamic invasion of the Iberian peninsula in the 8th century, led to the consolidation of episcopal power in the mid-13th century. The function and actions of the Burgalese bishops have been analysed in the three dimensions of their ecclesiastic authority and social significance: the patrimonial dimension (the bishop as the lord and owner of properties individually), the jurisdictional dimension and the pastoral dimension. This analysis has been able to establish three periods in the struggle of the Burgalese prelates: to define the territorial frame of their authority (the delimitation of the diocese boundaries), to recover the churches and jurisdictional rights (episcopal third and other ecclesiastic taxes) that were in the hands of the powerful Benedictine monasteries and lay people, and to affirm their hierarchical superiority over other diocese potestates. The study has identified the main strategies used by the bishops to reach those objectives: the signing of agreements to resolve disputes, the addition of abbots of collegial churches to the cathedral chapter to control key areas in the diocese, and the acquisition of properties in those areas. Full article

Choirs in female monastic and convent communities are spaces whose complexity has been highlighted because of their multipurpose and multifunctional nature. Although they are within the community’s private sphere of prayer of the divine office, it has also been noted that they play a liturgical role as the space from which the nuns ‘hear’ and follow the celebrations taking place in the church and even in the choral altars. The devotional–liturgical binomial is joined by other contrasting terms, like esglesia dintra–sgleya de fora, indicating a duality, as follows: the claustration (as an enclosed, internal and private space of the nuns) and the external church accessible to priests and laypeople, as well as private devotion versus community devotion. The Poor Clares of the monastery of Sant Antoni i Santa Clara actually mentioned the choir altar as nostro altar, underscoring the close bonds that joined them to a liturgical table in this private space, as opposed to those of the esglesia defora. The objective of this article is to study the choirs of three female monasteries in Barcelona during the fourteenth and fifteenth centuries—Sant Pere de les Puel·les (Benedictines), Sant Antoni i Santa Clara and Santa Maria de Pedralbes (both Clarissan)—from a holistic standpoint, including spaces, functions, goods, furnishings and decorations. Full article

This paper explores the rituals enacted in or connected with two medieval churches, one walrus ivory cross and a central topic of medieval devotion, Christ’s passion. During Easter Week these memorialised the site in Jerusalem dedicated to the burial of Christ, the holiest place in Christendom. It focuses on the physical elements, the spaces, the paintings and sculpture, the ceremonial objects and relics and the performative nature of rituals associated with them. The Regularis Concordia, composed in Winchester at the end of the 10th century for the use of Benedictine monasteries included sung liturgical enactments based on the gospel accounts of Christ’s burial and resurrection. At the same time, in Saxony, the Abbey at Gernrode was founded for the use of women, secular canonesses, with a space in the south aisle that seems to have represented Christ’s place of burial and was later incorporated into two chambers evoking the Holy Sepulchre Chapel in Jerusalem. In the 12th century in Winchester Cathedral, a Holy Sepulchre Chapel was decorated with wall paintings depicting Christ’s death and resurrection. Around this time, the walrus ivory cross known as the Cloisters Cross was created and appears to have been designed for use in the increasingly elaborate liturgical enactments. The paintings at Winchester Cathedral, the sculpture at Gernrode and the Cloisters Cross each evidence the significance of evoking Christ’s passion and how liturgical space and objects served to bring it to life. Full article

This article examines the use of contemplation in the religious poetry of John Lydgate, a fifteenth-century Benedictine monk and poet from England. While our understanding of Lydgate as a Benedictine poet has gained scholarly momentum, his paraliturgical writings have received less sustained attention. In this article, I argue that Lydgate democratizes the millennium-old monastic practice of lectio and meditatio by introducing a new contemplative mode for lay- and non-Latinate people in the vernacular, which I refer to as a performative lectio domini. This lectio is on an image instead of scripture and takes place within the context of the liturgy. Lydgate offers directions for participation in a liturgical ritual, enabling his readers to fully inhabit the surplus of materiality, somatic movements, and figurative language emanating from the liturgy in order for them to abandon themselves to contemplation in the crux of the rite. By looking at the poem On Kissing at Verbum caro factum est as a case study, I demonstrate how for Lydgate the liturgical kiss becomes a threshold of encounter with Christ through the incarnation. Rather than producing an emotive response, as is often characterized, the liturgical kiss fosters an intellectual illumination and deeper knowledge of Christ crucified. Full article

The monastic reforms of the 10th century greatly increased the role of the psalter, a biblical book that became the main tool of a monk in personal and collective prayer. The Odbert Psalter, produced in Saint-Bertin around 999, opens with a scene of Pentecost in which we see Christ represented as a king who is static and in a space distinct from the apostles, exhibiting an attitude of meditation. This is not a narrative image: this scene is an indication for the reader of the Psalms. If he follows the example of the apostles, he will arrive at the vision of God, which can only be attained through continuous meditation on the Psalms as it was defined by the reforms. This image serves as a medium for the act of contemplation itself: according to the three modes of vision defined by Saint Augustine, the image of Christ constitutes a pathway from corporeal vision to intellectual vision. By constituting the support of divine contemplation, the psalter and its images are set up here as perfect mediators of the power of the intellect. Full article

This work is part of research conducted within the Di3A Landscape Design and Redevelopment Laboratory at the University of Catania. Its objective is to improve the enjoyment of public spaces through the study of landscape design in highly urbanised and historical areas. The case study used was the historical centre of the city of Catania in Sicily. This study focused on the green aspects of the redevelopment of some open spaces of the Antico Corso district using international and national thematic studies on public spaces as a reference. In particular, the research concentrated on the design of the Garden of Via Biblioteca inside the former Benedictine Monastery of San Nicolò La Rena, a UNESCO world heritage site redeveloped by the famous architect Giancarlo De Carlo. After a careful analysis of the area, we decided to use contemporary project themes with the aim of enhancing the present historical elements and nature-based solutions, which, through the introduction of carefully selected plant species, favour biodiversity in the urban environment. The method adopted was divided into three main phases: (1) spatial analysis; (2) a SWOT analysis method; and (3) the planning and design of the green redevelopment of places to be reconverted into public spaces. This methodology has already been tested on the open spaces of the former Vittorio Emanuele Hospital inside the Antico Corso District, showing how the multidisciplinary approach applied can be replicated in other urban contexts in historical centres. The results of these studies may be useful in the context of urban planning reforms envisaged by Regional Law No. 19/2020 and Regional Law 13/2015 in Sicily and to help the Superintendencies of Landscape and Cultural Heritage to preserve and to enhance historical greenery. The adopted strategies may also be useful in the application of the PUI (Integrated Urban Plan) of the Province of Catania that follows the PNRR (National Plan of Reconstruction and Resilience) parameters to provide local services to the municipalities involved. These pilot projects should be extended to bigger areas. The applicability of the methodology could be tested in other parts of the Municipality of Catania with a particular focus on run-down areas, followed by further testing on territorial sections of the province. Full article