Exploring Contemporary Historical Fiction

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: closed (1 December 2019) | Viewed by 11467

Special Issue Editor


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Guest Editor
School of Social, Historical and Literary Studies, University of Portsmouth, Milldam Building, Burnaby Road, Portsmouth PO1 3AS, UK
Interests: contemporary historical fiction; neo-historical novel; literature and history of science; postcolonial writing

Special Issue Information

Dear Colleagues,

This special issue is dedicated to a field that is currently experiencing a veritable explosion: contemporary historical fiction. In recent years the genre has been successful in securing coveted literary prizes and in attracting the efforts of some of the best contemporary writers of fiction. It also seems to have become the mode par excellence of addressing some of the most important issues faced in the present: climate change, war, dwindling notions of national identity in a globalised world, the ethical implications of scientific research, new understandings of sexual identity, and the redefinition of gender roles and gender relations, to name but a few, have all been addressed in contemporary historical fiction. This special issue invites contributions that reflect on the function of these imaginative returns to the past, and that consider what makes historical fiction seemingly the preferred mode for exploring these issues.

These questions are even more relevant at a time when the fallibility of historical narratives as means of representing the past – as well as the problems surrounding the notion of historical truth – are no longer under question. In addition, postmodern theory has also taught us to be distrustful of narratives that attempt to reproduce the real in a seemingly accurate fashion. Yet, contemporary historical fiction seems more intent than ever on doing just that: abandoning the overtly disruptive strategies of historiographic metafiction, it chooses instead traditional forms of narration that attempt to reproduce the past realistically. As a result, this new type of faux historical realism, also called ‘neo-historical’ fiction, runs the risk of pandering to the nostalgic desires of contemporary culture, apparently offering an easy escape into a refashioned past, away from the realities of an increasingly complex present. It also makes its potential for challenging the latter a lot more difficult to discern. This special issue therefore welcomes contributions that consider the motives of this type of contemporary historical fiction, the purpose it might serve, and whether it can in fact deliver the potential for change promised by more experimental forms of historical fiction.

Dr. Elodie Rousselot
Guest Editor

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Keywords

  • contemporary historical fiction
  • neo-historical fiction
  • postcolonial historical novel
  • historical fiction for a global present
  • queering the past in contemporary historical fiction
  • historical fiction and trauma/war narrative
  • neo-Victorian literature

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Published Papers (2 papers)

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Research

10 pages, 220 KiB  
Article
Shell Shock and the Legacy of the Victorian Past in the Present: Remembering WWI in Pat Barker’s Another World
by Elodie Rousselot
Humanities 2020, 9(1), 26; https://doi.org/10.3390/h9010026 - 16 Mar 2020
Viewed by 2754
Abstract
In her 1998 novel Another World, Pat Barker draws from a topic on which she has written previously with great success—the First World War and the experiences of its combatants—and yet approaches that topic from a completely different perspective. The novel returns [...] Read more.
In her 1998 novel Another World, Pat Barker draws from a topic on which she has written previously with great success—the First World War and the experiences of its combatants—and yet approaches that topic from a completely different perspective. The novel returns to the Great War to consider notions of ‘shell shock’, attitudes towards WWI veterans, and the problems surrounding remembering past violence, but what is perhaps surprising about Another World is that it uses a Victorian storyline to address these concerns, and presents the First World War through the means of references to nineteenth-century culture. Full article
(This article belongs to the Special Issue Exploring Contemporary Historical Fiction)
10 pages, 215 KiB  
Article
Lincoln in the Bardo: “Uh, NOT a Historical Novel”
by Merritt Moseley
Humanities 2019, 8(2), 96; https://doi.org/10.3390/h8020096 - 16 May 2019
Cited by 3 | Viewed by 7233
Abstract
While George Saunders’s Lincoln in the Bardo (2017) has many of the characteristics of the traditional historical novel—lapse of time, incorporation of historical characters, focus on important world-historical events and conditions—it intriguingly challenges the boundaries of the genre by an unsettling approach to [...] Read more.
While George Saunders’s Lincoln in the Bardo (2017) has many of the characteristics of the traditional historical novel—lapse of time, incorporation of historical characters, focus on important world-historical events and conditions—it intriguingly challenges the boundaries of the genre by an unsettling approach to verisimilitude. In addition, its fragmentation and an unusual approach to narrative help to qualify it as a neo-historical novel. The author’s thoughts on historical fiction help to clarify its positioning. Full article
(This article belongs to the Special Issue Exploring Contemporary Historical Fiction)
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