Community’s House and Symbolic Dwelling: A Perspective on Power
Abstract
:1. Introduction
2. The Complexity of Power
3. Claude Lévi-Strauss’s “House Societies”
4. Northwest Amazon Ethnographic House (Maloca)
Despite these different traditions, in other respects the narrative histories of these two populations show striking features in common, so much so that, in overall terms, one can speak of a shared Upper Rio Negro narrative tradition distributed between different groups with each one producing its own particular version, giving it a particular slant, and interpreting it in line with its own specific identity.[63] (p. 158)
It was a large, substantial building, near a hundred feet long, by about forty wide and thirty high, very strongly constructed of round, smooth, barked timbers, and thatched with the fan-shaped leaves of the Carana palm. One end was square, with a gable, the other circular; and the leaves, hanging over the low walls, reached nearly to the ground. In the middle was a broad aisle, formed by the two rows of the principal columns supporting the roof, and between these and the sides were other rows of smaller and shorter timbers; the whole of them were firmly connected by longitudinal and transverse beams at the top, supporting the rafters, and were all bound together with much symmetry by sipós. Projecting inwards from the walls on each side were short partitions of palm-thatch, exactly similar in arrangement to the boxes in a London eating-house, or those of a theatre. Each of these is the private apartment of a separate family, who thus live in a sort of patriarchal community. In the side aisles are the farinha ovens, tipitfs for squeezing the mandiocca, huge pans and earthen vessels for making caxiri, and other large articles, which appear to be in common; while in every separate apartment are the small pans, stools, baskets, redes, water-pots, weapons, and ornaments of the occupants. The centre aisle remains unoccupied, and forms a fine walk through the house. At the circular end is a cross partition or railing about five feet high, cutting off rather more than the semicircle, but with a wide opening in the centre: this forms the residence of the chief or head of the malocca, with his wives and children; the more distant relations residing in the other part of the house. The door at the gable end is very wide and lofty, that at the circular end is smaller, and these are the only apertures to admit light and air. The upper part of the gable is loosely covered with palm-leaves hung vertically, through which the smoke of the numerous wood fires slowly percolates, giving, however, in its passage a jetty lustre to the whole of the upper part of the roof.[59] (p. 190)
Perhaps the best model for the human geography of the surface of the world-platter would be a series of concentric rings, beginning with that central house pillar; moving out to the walls of the hut itself; and then beyond, to the cleared plaza, a testament to the power of collective human labor to keep the ever-encroaching jungle at bay; then to the house garden and its familiar useful plants; and finally to the bordering lake, river, or stream, where the spirits begin; or in the opposite direction, toward the interior of the dark tropical forest where other spirits dwell.[70] (p. 137)
5. Discussion: Beyond Lévi-Strauss’ Ethnographic House
On the one hand, people and groups are objectified in buildings; on the other hand, houses as buildings are personified and animated both in thought and in life. At one extreme are the lifeless ancestral houses, mountains or tombs, frozen in time but vividly permanent; at the other extreme are those highly animated houses, in a constant state of changing but ultimately ephemeral.[49] (p. 46)
The hierarchical superiority of named houses was marked by their ability to maintain not only a link to their immediate ancestors (through their skull and neck bones and the small carved images), but also a link (through the tavu altar and heirloom valuables) to the founding ancestors of the house complex as a whole, and thus to distant and successive ancestral sources of life and power.[55] (p. 173)
… headmanship of any Wanano village is held by its highest-ranked male. His authority rests on his position as the senior living descendant of the founding ancestor of the local senior sib; he is the “oldest brother” in his generation, known as mahsa wami, “the people’s oldest brother”.[92] (p. 126)
6. Conclusions
The houses and decorated beams are themselves beings. Everything speaks—roof, fire, carvings and paintings; for the magical house is built not only by the chief and his people and those of the opposing phratry but also by the gods and ancestors; spirits and young initiates are welcomed and cast out by the house in person.[98] (p. 43)
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Acknowledgments
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References
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Mora, S. Community’s House and Symbolic Dwelling: A Perspective on Power. Humans 2022, 2, 1-14. https://doi.org/10.3390/humans2010001
Mora S. Community’s House and Symbolic Dwelling: A Perspective on Power. Humans. 2022; 2(1):1-14. https://doi.org/10.3390/humans2010001
Chicago/Turabian StyleMora, Santiago. 2022. "Community’s House and Symbolic Dwelling: A Perspective on Power" Humans 2, no. 1: 1-14. https://doi.org/10.3390/humans2010001
APA StyleMora, S. (2022). Community’s House and Symbolic Dwelling: A Perspective on Power. Humans, 2(1), 1-14. https://doi.org/10.3390/humans2010001