Attracting the Vote on TikTok: Far-Right Parties’ Emotional Communication Strategies in the 2024 European Elections
Abstract
:1. Introduction
- SO1.
- Determine the predominant emotions in audiovisual messages (positive, negative, and neutral).
- SO2.
- Examine the recurring themes used to connect voters’ concerns or aspirations, especially young people.
- SO3.
- Analyse the stylistic and narrative resources used to generate emotional impact (music, language, visual effects, etc.).
- SO4.
- Determine the frequency and type of emotional content generated by the videos.
- SO5.
- Compare the strategies of the different leaders of the parties analysed.
- RQ1.
- Which emotions dominate the videos posted by the leaders of extreme right-wing parties on TikTok during the period analysed?
- RQ2.
- What are the most common themes found in the messages published on TikTok?
- RQ3.
- Which audiovisual resources are used to enhance the emotional impact, including music, editing, effects, and body language?
- RQ4.
- What is the magnitude of these messages, and how does it relate to affective polarisation (positive, negative, or neutral) in TikTok posts by far-right leaders?
- RQ5.
- What are the variations in emotional strategies based on the country or political leader?
- RQ6.
- What types of interactions are generated by videos containing emotional content, such as “likes”, comments, and shares?
- RQ7.
- Is there a correlation between the utilisation of particular emotions and the degree of engagement?
- RQ8.
- Are there any particular appeals to identity, cultural, or social values specifically aimed at young people?
- SH1:
- The messages disseminated by far-right party leaders on TikTok are designed with a style, content, and tone that specifically appeal to young audiences. They incorporate topics relevant to their interests and forms of communication characteristic of this demographic.
- SH2:
- Negative emotions such as fear, anger, and disgust dominate the analysed videos and are used as tools to polarise and mobilise the audience.
- SH3:
- Videos that integrate negative and unpleasant emotions generate a higher level of interaction and engagement than videos that lack these elements.
1.1. TikTok, a Vein for Political Communication Targeting Young People
1.2. Emotional Strategies for Political Communication
2. Materials and Methods
3. Results
3.1. Contextualising the Party, the Leader and His TikTok Account
- —
- National symbolism and professionalism. Leaders such as Slawomir Mentzen and Marine Le Pen employ flags and official contexts in their photographs, thereby reinforcing their nationalist identity and connection to traditional values.
- —
- Closeness and spontaneity. Leaders such as Viktor Orbán or Jimmie Åkesson opt for a more casual and informal approach, incorporating photographs taken outdoors or with an active attitude. This aims to connect with young audiences and create a more accessible image.
- —
- Distinctive narrative style. Leaders such as Diana Șoșoacă stand out for their distinct character, combining populist messages with emotional and cultural content, such as in the case of music videos.
3.2. Content Analysis of European Far-Right Leaders’ TikTok Publications
3.2.1. Analysis of the Descriptive Variables
3.2.2. Analysis of the Variables of the Message and Its Emotional Content
3.2.3. Analysis of Stylistic and Technical Variables
- Absence of music. It is commonly used to convey feelings of disharmony, danger, and insecurity, as well as intense negative emotions. Music alone can be used to create a crudeness or realism effect that intensifies emotional perception.
- Neutral or ambient music. It appears to be associated with emotions of empathy and social connection, as well as with hope and illusion. This type of music has the potential to serve as a background that does not cause any distraction but rather complements and reinforces warmer and more emotional messages.
- Epic music. It is primarily related to emotions of pride and ambition and hope and illusion. Epic music emphasises emotions of achievement, grandeur, and optimism.
- Cheerful or lively music. It is more prevalent in positive emotions, such as hope and illusion, and less common in personal enjoyment. This style promotes optimism and energy, aligning with lighter and more motivating messages.
- Nostalgic or melancholic music. Although less frequent, it is associated with intense negative emotions and feelings of suffering and vulnerability. Music of this type is probably used to evoke memories or to appeal to feelings of loss and sadness.
- Tense or dramatic music. It is prevalent in emotions of apprehension and apprehension, as well as in heightened negative emotions. This type of music is often used to intensify drama, fear, or the perception of urgency in the message.
3.2.4. Analysis of Engagement and Response Variables
4. Discussion and Conclusions
Author Contributions
Funding
Data Availability Statement
Conflicts of Interest
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Country | Political Party | Leader’s Name | Number of Videos |
---|---|---|---|
Austria | Freiheitliche Partei Österreichs—FPO | Herbert Kickl | 9 |
Belgium | Vlaams Belang—VB | Tom Van Grieken | 62 |
Bulgaria | Bъзpaждaнe | Kostadin Kostadinov | 4 |
Croatia | Domovinski pokret—DP | Ivan Penava | 0 |
Czech Republic | Svoboda a přímá demokracie—SPD | Tomio Okamura | 56 |
Denmark | Dansk Folkeparti—DF | Morten Messerschmidt | 1 |
Finland | Perussuomalaiset/Sannfinländarna—PS | Riikka Purra | 0 |
France | Rassemblement national—RN | Marine Le Pen | 21 |
France | Reconquête—REC | Éric Zemmour | 8 |
Germany | Alternative für Deutschland—AfD | Tino Chrupalla | 11 |
Germany | Alternative für Deutschland—AfD | Alice Weidel | |
Greece | Dimokratikó Patriotikó Kínima—NIKI | Dimitris Natsios | 10 |
Greece | Ellinikí Lýsi—EL/EΛ | Kyriakos Velopoulos | 46 |
Greece | Foni Logikis | Afroditi Latinopoulou | 4 |
Hungary | Fidesz-Magyar Polgári Szövetség—KDNP | Viktor Orbán | 24 |
Hungary | Mi Hazánk | László Toroczkai | 21 |
Italy | Fratelli d’Italia—FdI | Georgia Meloni | 21 |
Italy | Lega Salvini Premier | Matteo Salvini | 46 |
Poland | Konfederacja Wolność i Niepodległość | Slawomir Mentzen | 2 |
Portugal | CHEGA—CH | André Ventura | 31 |
Romania | Alianța pentru Unirea Românilor—AUR | George Simion | 31 |
Romania | SOS România—SOS | Diana Sosoaca | 10 |
Slovakia | Republika | Milan Uhrík | 35 |
Slovenia | Nova Slovenija–Krščanski demokrati—N.Si | Matej Tonin | 0 |
Slovenia | Slovenska demokratska stranka—SDS | Janez Janša | 1 |
Spain | VOX | Santiago Abascal | 18 |
Sweden | Sverigedemokraterna—SD | Jimmie Åkesson | 0 |
TOTAL | 472 |
Code | Theme | Frequency | % |
---|---|---|---|
1 | Cultural and national identity | 14 | 2.97 |
2 | Security and immigration | 53 | 11.23 |
3 | Criticism of the political system and/or other parties | 73 | 15.47 |
4 | Promises for the youth | 5 | 1.06 |
5 | Rejection of progressive social movements | 8 | 1.69 |
6 | Appeal to traditional values | 18 | 3.81 |
7 | Narrative of crisis or decline | 19 | 4.03 |
8 | Euroscepticism and anti-globalisation | 14 | 2.97 |
9 | Campaign actions, rallies and call to vote | 182 | 38.56 |
10 | Other | 86 | 18.22 |
TOTAL | 472 | 100 |
Predominant Emotion | Frequency | % |
Positive emotions of personal enjoyment | 57 | 12.08 |
Emotions of empathy and social connection | 65 | 13.77 |
Pride and ambition | 80 | 16.95 |
Emotions of danger and insecurity | 73 | 15.47 |
Intense negative emotions | 74 | 15.68 |
Emotions of displeasure | 49 | 10.38 |
Hope and illusion | 51 | 10.81 |
Emotions of suffering and vulnerability | 15 | 3.18 |
Other | 8 | 1.69 |
Polarisation | Frequency | % |
Positive | 214 | 45.34 |
Negative | 208 | 44.07 |
Neutral | 50 | 10.59 |
Strategic orientation of emotion | Frequency | % |
Positive ones related to personal well-being | 88 | 18.64 |
Positive social connection and hope | 119 | 25.21 |
Negative statements related to danger or insecurity | 107 | 22.67 |
Negative feelings related to anger or suffering | 93 | 19.70 |
Neutral with positive trend | 37 | 7.84 |
Neutral with negative trend | 28 | 5.93 |
TOTAL | 275 | 100 |
Intensity Low | Intensity Medium | Intensity High | |
---|---|---|---|
Negative polarisation | 57 | 104 | 53 |
Positive polarisation | 6 | 116 | 86 |
Neutral | 16 | 30 | 4 |
Predominant Emotion/Music | Absence of Music | Neutral or Ambient | Epic | Cheerful or Lively | Nostalgic or Melancholic | Tense or Dramatic | TOTAL |
---|---|---|---|---|---|---|---|
Positive emotions of personal enjoyment | 11 | 12 | 2 | 29 | 2 | 1 | 57 |
Emotions of empathy and social connection | 17 | 9 | 6 | 24 | 4 | 5 | 65 |
Pride and ambition | 40 | 14 | 12 | 6 | 3 | 5 | 80 |
Emotions of danger and insecurity | 48 | 10 | 3 | 3 | 2 | 7 | 73 |
Intense negative emotions | 52 | 10 | 5 | 2 | 0 | 5 | 74 |
Emotions of displeasure | 41 | 4 | 1 | 2 | 0 | 1 | 49 |
Hope and illusion | 20 | 6 | 9 | 9 | 3 | 4 | 51 |
Emotions of suffering and vulnerability | 12 | 1 | 0 | 0 | 0 | 2 | 15 |
Other | 6 | 1 | 0 | 1 | 0 | 0 | 8 |
TOTAL | 247 | 67 | 38 | 76 | 14 | 30 | 472 |
National Symbols | Party Symbols | Other Symbols | |
---|---|---|---|
Absent | 407 (86.23%) | 248 (52.54%) | 436 (92.37%) |
Present in the background | 45 (9.53%) | 180 (38.14%) | 36 (7.63%) |
Prominent | 20 (4.24%) | 43 (9.11%) | 0 |
Variable | Average | Standard Deviation | Minimum | Maximum |
---|---|---|---|---|
Likes | 15.991 | 47.210 | 2 | 522.100 |
Comments | 827 | 2.710 | 1 | 27.100 |
Shared/Favourites | 963.8 | 3.492 | 0 | 74.500 |
Main Topics | Normalised Likes (%) |
---|---|
Rejection of progressive social movements | 9.69 |
Appeal to traditional values | 4.27 |
Cultural and national identity | 4.02 |
Campaign actions, rallies, and calls to vote | 3.99 |
Other | 3.92 |
Security and immigration | 3.12 |
Criticism of the political system and/or other parties | 3.03 |
Euroscepticism and anti-globalisation | 2.41 |
Promises for youth | 2.26 |
Narrative of crisis or decline | 1.86 |
Predominant Emotion | Normalised Likes (%) |
---|---|
Positive emotions of personal enjoyment | 5.88 |
Emotions of suffering and vulnerability | 4.99 |
Hope and illusion | 4.98 |
Emotions of danger and insecurity | 4.01 |
Emotions of displeasure | 3.96 |
Emotions of empathy and social connection | 3.31 |
Pride and ambition | 2.78 |
Others | 1.88 |
Intense negative emotions | 1.88 |
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Cartes-Barroso, M.J.; García-Estévez, N.; Méndez-Muros, S. Attracting the Vote on TikTok: Far-Right Parties’ Emotional Communication Strategies in the 2024 European Elections. Journal. Media 2025, 6, 33. https://doi.org/10.3390/journalmedia6010033
Cartes-Barroso MJ, García-Estévez N, Méndez-Muros S. Attracting the Vote on TikTok: Far-Right Parties’ Emotional Communication Strategies in the 2024 European Elections. Journalism and Media. 2025; 6(1):33. https://doi.org/10.3390/journalmedia6010033
Chicago/Turabian StyleCartes-Barroso, Manuel J., Noelia García-Estévez, and Sandra Méndez-Muros. 2025. "Attracting the Vote on TikTok: Far-Right Parties’ Emotional Communication Strategies in the 2024 European Elections" Journalism and Media 6, no. 1: 33. https://doi.org/10.3390/journalmedia6010033
APA StyleCartes-Barroso, M. J., García-Estévez, N., & Méndez-Muros, S. (2025). Attracting the Vote on TikTok: Far-Right Parties’ Emotional Communication Strategies in the 2024 European Elections. Journalism and Media, 6(1), 33. https://doi.org/10.3390/journalmedia6010033