How to be Brief: Children’s and Adults’ Application of Grice’s Brevity Maxim in Production
Abstract
:1. Introduction
- (1)
- Mary wrote a book that she wrote.
2. The Pragmatics of Passives in Relative Clauses in German
- (2)
- Ich kenne das Mädchen, das ___ den Papa umarmt.I know the.neut girl, who.neut the.acc papa hugs“I know the girl who hugs Papa.”
- (3)
- Ich kenne das Mädchen, das der Papa ___ umarmt.I know the.neut girl, who.neut the.nom papa hugs“I know the girl whom Papa hugs.”
(4) | Nominative | Accusative | Dative | |
Masculine, singular | der | den | dem | |
Feminine, singular | die | die | der | |
Neuter, singular | das | das | dem | |
Plural | die | die | den/denen |
(5) | a. | Das Mädchen wird von dem Papa geküsst. | |
the.neut girl become.3.sg by the.masc.dat Papa part.kiss | |||
“The girl is kissed by the father.” | Full Passive | ||
b. | Das Mädchen wird geküsst. | ||
the.neut girl become.3sg part.kiss | |||
“The girl is kissed.” | Short Passive |
- Quantity 1: Make your contribution as informative as is required
- Brevity (Manner 3): Be brief (avoid unnecessary prolixity)
2.1. Full Passive Context
(6) | a. | The father kisses a boy. |
b. | The grandfather kisses a boy. |
(7) | a. | A boy is kissed by the father. |
b. | A boy is kissed. |
2.2. Short Passive Context
(8) | a. | The father kisses a boy |
b. | The father hugs a boy |
(9) | a. | A boy is kissed by the father. |
b. | A boy is kissed. |
- the short passive when the addition of a by-phrase does not add to the informativeness of the sentence; and
- the full passive when the addition of the by-phrase adds to the informativeness.
3. Previous Studies
(10) | two-character design, (Crain et al. 2009, p. 126) | |
Exp.: | OK, there is this big heavy bus, and it is coming along and it crashes into one of the cars. You ask Keiko which car. | |
Child: | Which car gets crashen by the big bus? (adult: Which car gets crashed into by the big bus.) | |
(11) | three-character design, (Crain et al. 2009, p. 126) | |
Exp.: | See, the Incredible Hulk is hitting one of the soldiers. Look over here. Darth Vader goes over and hits a soldier. So Darth Vader is also hitting one of the soldiers. You ask Keiko which one. | |
Child: | Which soldier is getting hit by Darth Vader? |
- (12)
- The boy that is kissed by the father
4. Experiment 1
4.1. Participants
4.2. Materials and Procedure
4.3. Results
4.3.1. Overall Results
(13) | Target | |
das Mädchen, das der Papa ___ umarmt | ||
the girl that.neut the.nom.masc Papa hugs | ||
“the girl that the papa hugs” | ||
(14) | Theta-role reversal error | |
das Mädchen, das ___ den Papa umarmt | ||
the girl that.neut the.acc.masc papa hugs | ||
“the girl that hugs the papa” | ||
(15) | Passives | |
a. | Full passive | |
das Mädchen, das ___ vom Papa umarmt wird | ||
the girl that by Papa hugged werden.3.sg | ||
“the girl that was hugged by the Papa” | ||
b. | Short passive | |
das Mädchen, das ___ umarmt wird | ||
the girl that hugged werden.3.sg | ||
“the girl that is hugged” |
4.3.2. Passive Relatives
- Memory capacity hypothesis: Working memory is shown to affect comprehension of relative clauses for adults and children ((Friederici et al. 1998; Just and Carpenter 1992) among others for adults, measured by reading span task, and (Arosio et al. 20052012; Booth et al. 2000) for children, measured by forward/backward digit-span task.) Our hypothesis is that memory affects production of relative clauses. Adults have more working memory capacity than small children (Gathercole et al. 2004). The reason for the difference between adults’ and children’s production patterns is that because producing the relative clauses is costly, young children need to be economical with respect to the length of the relative clause, in general, but specifically with respect to the use of by-phrases.The length of a sentence is not as critical for adults as it is for children, because adults have more cognitive resources (specifically, working memory) than 5-year-old children (Gathercole et al. 2004).
- Priming hypothesis: The first use of the full passive primes adults to continue using the full passive even in short passive environments, as a spill-over effect.13
- Task effect hypothesis: Another property of the experimental paradigm affects children and adults differently, leading only adults to produce full passives in violation of brevity.
5. Experiment 2
5.1. Participants, Materials, and Procedure
5.2. Results
6. Experiment 3
6.1. Participants
6.2. Materials and Procedure
6.3. Results
7. Discussion
Author Contributions
Funding
Acknowledgments
Conflicts of Interest
Abbreviations
ACC | accusative case |
FEM | feminine gender |
GEN | genitive case |
FP | full passive (see (4)) |
MASC | masculine gender |
MEUT | neuter gender |
NOM | nominative case |
PART | participle |
SG | singular number |
SP | short passive (see (4)) |
Appendix A. Experimental Items
Appendix A.1. Subject Relative-Eliciting Stories
(16) | a. | Ein Mädchen ärgert einen Freund und ein |
a.neut.sg.nom girl anger.3sg a.masc.sg.acc friend and a.neut.sg.nom | ||
Mädchen malt einen Freund | ||
girl draw.3sg a.masc.sg.acc friend | ||
“One girl angers a friend and one girl draws a friend.” | ||
b. | Ein Mädchen trifft einen Erzieher und ein | |
a.neut.sg.nom girl meet.3sg a.masc.sg.acc caretaker and a.neut.sg.nom | ||
Mädchen trifft einen Freund. | ||
girl meet.3sg a.masc.sg.acc friend | ||
“One girl meets one day care teacher, and one girl meets one friend.” | ||
c. | Ein Mädchen malt einen Polizisten und ein | |
a.neut.sg.nom girl draw.3sg a.masc.sg.acc police and a.neut.sg.nom | ||
Mädchen malt einen Tänzer. | ||
girl draw.3sg a.masc.sg.acc dancer | ||
“One girl draws a police, and a girl draws a dancer.” | ||
d. | Ein Mädchen besucht seinen Onkel und ein | |
a.neut.sg.nom girl visit.3sg it.neut.sg.gen uncle and a.neut.sg.nom | ||
Mädchen lädt seinen Onkel ein. | ||
girl invite.3sg it.neut.sg.acc uncle in | ||
“One girl visits her uncle, and one girl invites her uncle.” | ||
e. | Ein Mädchen filmt einen Mann und ein | |
a.neut.sg.nom film.3sg a.masc.sg.acc man and a.neut.sg.nom film.3sg | ||
Mädchen filmt einen Jungen. | ||
a.masc.sg.acc boy | ||
“One girl films one man and one girl films one boy.” | ||
f. | Ein Mädchen umarmt seinen Vater und ein | |
a.neut.sg.nom hug.3sg it.neut.sg.gen father and a.masc.sg.nom girl | ||
Mädchen malt seinen Vater. | ||
draw.3sgit.neut.sg.gen father | ||
“A girl hugs her father and a girl draws her father.” | ||
g. | Ein Mädchen isst Eiscreme und ein Mädchen isst | |
a.neut.sg.nom girl eat.3sg ice cream and a.neut.sg.nom eat.3sg | ||
Schokolade. | ||
chocolate | ||
“One girl eats ice cream and one girl eats chocolate.” |
(17) | a. | Ein Mädchen trinkt Milch und ein Mädchen trinkt |
a.neut.sg.nom girl drink.3sg milk and a.sg.Neu.nom girl drink.3sg | ||
Wasser. | ||
water | ||
“One girl drinks milk and one girl drinks water” | ||
b. | Ein Mädchen bekommt einen Ring und ein | |
a.neut.sg.nom girl receive.3sg a.masc.sg.acc ring and a.neut.sg.nom | ||
Mädchen verschenkt einen Ring. | ||
girl give.3sg a.masc.sg.acc right | ||
“One girl receives a ring and one girl gives a present.” | ||
c. | Ein Mädchen findet einen Ball und ein Mädchen | |
a.neut.sg.nom girl find.3sg a.masc.sg.nom ball and a.neut.sg.nom girl | ||
kauft einen Ball. | ||
buy.3sg a.masc.sg.acc ball | ||
“One girl finds a ball and one girl buys a ball.” |
Appendix A.2. Object Relative-Eliciting Stories
(18) | a. | Sein Vater umarmt ein Mädchen und sein Vater |
it.neut.sg.gen father hug.3sg a.neut.sg.acc girl and it.neut.sg.gen father | ||
küsst ein Mädchen. | ||
kiss.3sg a.sg.neut.acc girl | ||
“Her father hugs one girl and her father kisses one girl.” | ||
b. | Der Erzieher photographiert ein Mädchen und | |
the.masc.sg.nom caretaker photograph.3sg a.neut.sg.acc girl and | ||
der Opa photographiert ein Mädchen. | ||
the.masc.sg.nom grandpa photograph.3sg a.neut.sg.acc girl | ||
“The day care teacher photographs one girl and the grandpa photographs one girl.” | ||
c. | Sein Opa sucht ein Mädchen und sein | |
it.neut.sg.nom grandpa search.3sg a.neut.sg.acc girl and it.neut.sg.nom | ||
Opa findet ein Mädchen. | ||
grandpa find.3sg a.neut.sg.acc girl | ||
“Her grandpa searches one girl, and her grandpa finds one girl.” | ||
d. | Der Freund umarmt ein Mädchen und der | |
the.masc.sg.nom friend hug.3sg a.neut.sg.acc girl and the.masc.sg.nom | ||
Vater umarmt ein Mädchen. | ||
father hug.3sg a.neut.sg.acc girl | ||
“The friend hugs one girl and the father hugs one girl.” | ||
e. | Sein Onkel fotografiert ein Mädchen und sein Onkel malt ein | |
it.neut.sg.gen uncle photograph.3sg a.masc.sg.nom girl and it.neut.sg.gen | ||
Onkel malt ein Mädchen. | ||
uncle draw.3sg a.masc.sg.nom girl | ||
“Her uncle photographs one girl, and her uncle draws one girl.” | ||
f. | Der Nachbar kämmt ein Mädchen und | |
the.masc.sg.nom neighbor comb.3sg a.masc.sg.nom and the.masc.sg.nom | ||
der Onkel kämmt ein Mädchen. | ||
uncle comb.3sg a.masc.sg.nom | ||
“The neighbor combs one girl and the uncle combs one girl.” |
(19) | a. | Der Krach stört ein Mädchen und der |
the.masc.sg.nom noise disturb.3sg a.neut.sg.acc girl and the.masc.sg.nom | ||
Gestank stört ein Mädchen. | ||
smell disturb.3sg a.neut.sg.acc | ||
“The noise disturbs one girl and the small disturbs one girl.” | ||
b. | Ein Film freut ein Mädchen und ein | |
a.masc.sg.nom movie please.3sg a.neut.sg.acc girl and a.masc.sg.nom | ||
Film erschreckt ein Mädchen. | ||
movie scare.3sg a.neut.sg.acc girl | ||
“One movie pleases one girl and one movie scares one girl.” | ||
c. | Ein Elefant besprüht ein Mädchen und ein | |
a.masc.sg.nom elephant spray.3sg a.masc.sg.nom girl and a.masc.sg.nom | ||
Elefant trägt ein Mädchen. | ||
elephant carry.3sg a.masc.sg.nom | ||
“One elephant sprays (water) one girl and one elephant carries one girl.” | ||
d. | Der Arzt untersucht ein Mädchen und der | |
the.masc.sg.nom doctor examine.3sg a.neut.sg.acc girl and the.masc.sg.nom | ||
Vater untersucht ein Mädchen. | ||
father examine.3sg a.neut.sg.acc girl | ||
“The doctor examines one girl, and the father examines one girl.” |
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1. | Noveck (2001) suggests that children’s performance in his studies is explained not by pragmatic sensitivity but by a lack of cognitive resources in children as compared to adults. However, Katsos and Bishop (2011) argue in favor of pragmatic sensitivity to explain the findings from quantity. |
2. | The # prefix indicates that example is felt to be odd. |
3. | The interpretation and status of (1) can further be affected by rescue mechanisms. Grice (discussing other examples) postulates that maxims can be flouted (i.e., violated ostentatiously) and that flouting triggers listeners to search for a reinterpretation of parts of the sentence to render the sentence acceptable. |
4. | Grice (Grice 1975, p. 46) writes that what might be said to be overinformative is [...] merely a waste of time. This seems to us to assimilate overinformativity to the maxim of brevity although Grice does not explicitly say so. Please note that there are also cases of overinformativity that cannot be subsumed under brevity. One example is the use of an overly precise number (Krifka 2009; Solt 2015) such as The talk should be forty-five/#forty-four minutes long. Curiously, Sauerland and Gotzner (2013) report that adults use overly precise numbers about 20% of the time in an internet-based study about number trivia, which mirrors the use of overly long phrases by adults that we report below. |
5. | Adults have been observed to compute scalar implicature less frequently when their cognitive resources are limited by, for example, the amount of time available ((Bott et al. 2012; Bott and Noveck 2004; Chevallier et al. 2008) among others.) The implication of the present paper is clear: with the right amount of cognitive load, adult speakers should start behaving more like children, just like they did in previous studies. We leave this for future research, however. We thank an anonymous reviewer for pointing this out. |
6. | |
7. | We leave aside the exact syntactic analysis of relative clauses because it is not relevant for our discussion here, but see e.g., Hulsey and Sauerland (2006). |
8. | In English, some passive structures are ambiguous between verbal and adjectival passives. However, German passives are never ambiguous. Verbal passive in German take the auxiliary verb werden “become”, whereas adjectival passives take the auxiliary verb sein “be”. |
9. | Our study and consent forms were checked and approved by the Berlin State Senate for Education, Science, and Research and the ethics committee of Deutsche Gesellschaft für Sprachwissenschaft. We tested children and adults in this paper only after the participants or the legal guardians of the participants were informed and consented to their participation in the study. |
10. | Adult participants heard about two female/male protagonists and were asked which woman/man they would rather be. |
11. | Other responses were nontarget for different reasons: a different relative pronoun (such as wo “where”, which is ungrammatical in adult grammar), only a fragment of the target sentence (such as “the girl with a present”), and a filled-gap structure, among others. |
12. | There were two tokens of short passives used in the two-agents context by children. The use of short passives in the two-agent contexts leads to underinformativity. They were produced by two children. One of the children responded with a short passive on the first two-agent items, and the rest of the experiment, he/she made other types of errors, but responded correctly on all the subject relative-eliciting items. The other child responded with a short passive on the second two-agent item and responded with either full passives or made reverse theta-role errors on the rest of the object relative-inducing items. We do not have any explanation regarding why they used the short passives when not expected. |
13. | We thank Teresa Guasti for suggesting this possibility. |
14. | In the following, we call this group the 6- and 7-year-old children. |
15. | As a reviewer reminds us, the oddness of a full passive when the agent is known is less strong than that observed in example (1). This observation provides independent evidence that brevity is a gradient condition in which violations can be more or less strong, as we assume. |
16. | We assume that cognitive resources may be scarce at various or perhaps all levels of cognitive processing. Therefore our explanation is compatible with the claim that a version of brevity also applies within grammar (Marty 2017; Meyer 2013; Sauerland 2018). |
17. | A reviewer suggested that it could be the effect of schooling that encourages the hyper-use of by-phrase by adults and 7-year-old children, flouting the brevity consideration. Since most children in Berlin start school between age 5 years 6 months and 6 years 6 months as per legal requirements, the two age groups did indeed differ with respect to schooling status. Therefore, our data is consistent with the reviewer’s suggestion, but because of the great correlation between age and school status within Berlin and the entire German-speaking area, it seems difficult to conclusively test the reviewer’s suggestion. Since children in the first three grades of schooling do not take exams or get graded in Berlin, we personally do not find the reviewer’s suggestion more plausible than age being the relevant factor. In any event, what is important for the present paper is that despite being more cognitively costly, children do produce by-phrase when appropriate, showing that they obey Quantity 1. |
18. | Papafragou and Tantalou (2004) argue that the strength of quantity also is variable among children. |
Participant No. | Short Passive | Full Passive | Total of Passives |
---|---|---|---|
1 | 3 | 5 | 8 |
2 | 3 | 5 | 8 |
3 | 2 | 5 | 7 |
4 | 1 | 6 | 7 |
5 | 3 | 2 | 5 |
6 | 2 | 2 | 4 |
7 | 1 | 2 | 3 |
8 | 1 | 2 | 3 |
9 | 0 | 3 | 3 |
10 | 0 | 1 | 1 |
11 | 1 | 0 | 1 |
12 | 0 | 1 | 1 |
Total | 17 | 34 | 51 |
Full Passives | Short Passives | |
---|---|---|
Full passive context | 25 | 2 |
Short passive context | 9 | 15 |
Full Passives | Short Passives | |
---|---|---|
Full passive context | 65 | 0 |
Short passive context | 37 | 19 |
Full Passives | Short Passives | |
---|---|---|
Full passive contexts | 81 | 1 |
Short passive contexts | 46 | 17 |
Participant No. | Age in Months | Full Passive Contexts | Short Passive Contexts | |||
---|---|---|---|---|---|---|
Full Passive | Short Passive | Full Passive | Short Passive | Total | ||
1 | 87 | 4 | 0 | 2 | 2 | 8 |
2 | 89 | 4 | 0 | 0 | 3 | 7 |
3 | 72 | 4 | 0 | 2 | 1 | 7 |
4 | 72 | 4 | 0 | 2 | 1 | 7 |
5 | 94 | 3 | 0 | 1 | 1 | 5 |
6 | 92 | 2 | 0 | 2 | 1 | 5 |
7 | 85 | 3 | 0 | 2 | 0 | 5 |
8 | 81 | 2 | 0 | 1 | 2 | 5 |
9 | 91 | 0 | 0 | 0 | 2 | 2 |
10 | 87 | 2 | 0 | 0 | 0 | 2 |
11 | 85 | 1 | 0 | 1 | 0 | 2 |
12 | 96 | 1 | 0 | 0 | 0 | 1 |
13 | 92 | 1 | 0 | 0 | 0 | 1 |
14 | 85 | 0 | 0 | 1 | 0 | 1 |
15 | 81 | 0 | 0 | 1 | 0 | 1 |
total | 31 | 0 | 15 | 13 | 59 |
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Yatsushiro, K.; Sauerland, U. How to be Brief: Children’s and Adults’ Application of Grice’s Brevity Maxim in Production. Languages 2019, 4, 18. https://doi.org/10.3390/languages4010018
Yatsushiro K, Sauerland U. How to be Brief: Children’s and Adults’ Application of Grice’s Brevity Maxim in Production. Languages. 2019; 4(1):18. https://doi.org/10.3390/languages4010018
Chicago/Turabian StyleYatsushiro, Kazuko, and Uli Sauerland. 2019. "How to be Brief: Children’s and Adults’ Application of Grice’s Brevity Maxim in Production" Languages 4, no. 1: 18. https://doi.org/10.3390/languages4010018
APA StyleYatsushiro, K., & Sauerland, U. (2019). How to be Brief: Children’s and Adults’ Application of Grice’s Brevity Maxim in Production. Languages, 4(1), 18. https://doi.org/10.3390/languages4010018