Next Article in Journal / Special Issue
‘Deeds of Darkness’: Thomas Hardy and Murder
Previous Article in Journal
Post-War Ecosophic Intuition: About the (Im)Possibility of Ecological Coexistence in Marcovaldo, or The Seasons in the City by Italo Calvino
Previous Article in Special Issue
On Waxworks Considered as One of the Hyperreal Arts: Exhibiting Jack the Ripper and His Victims
Article Menu
Issue 3 (September) cover image

Export Article

Open AccessArticle
Humanities 2018, 7(3), 65; https://doi.org/10.3390/h7030065

Animal Voices: Catherine Louisa Pirkis’ The Experiences of Loveday Brooke, Lady Detective and the Crimes of Animality

School of Social, Historical, and Literary Studies, University of Portsmouth, Portsmouth PO1 3AS, UK
Received: 15 May 2018 / Revised: 14 June 2018 / Accepted: 14 June 2018 / Published: 26 June 2018
(This article belongs to the Special Issue The Victorian Art of Murder)
Full-Text   |   PDF [309 KB, uploaded 19 September 2018]

Abstract

While previous readings of Catherine Louisa Pirkis’ series The Experiences of Loveday Brooke, Lady Detective (1894) have focused on Brooke’s status as New Woman detective, this article considers the series in the context of Pirkis’ own engagement with animal rights and anti-vivisection campaigns in the late nineteenth century. The discussion focuses on one Loveday Brooke story in particular, “The Murder at Troyte’s Hill,” arguing that Pirkis dramatises contemporary anti-vivisectionist rhetoric (that animal experimentation was not only scientifically flawed, but morally damaging, leading to human experimentation). Pirkis’ fiction instead presents a number of contact zones in which human and animal identities are renegotiated, most significantly in the figure of Loveday Brooke herself. The article considers the representation of comparative philology in the story, as an emerging linguistic science which raised anxieties of cultural dissolution and which was often associated with the image of the vivisector. It concludes that the Pirkis stories demonstrate, anticipating Derrida, that to write of the animal in the nineteenth century is inevitably to write about crime, and vice versa; the animal is a perpetual presence in Victorian detective fiction. View Full-Text
Keywords: detective fiction; animal theory; anti-vivisection; comparative philology; popular fiction detective fiction; animal theory; anti-vivisection; comparative philology; popular fiction
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).
SciFeed

Share & Cite This Article

MDPI and ACS Style

Pittard, C. Animal Voices: Catherine Louisa Pirkis’ The Experiences of Loveday Brooke, Lady Detective and the Crimes of Animality. Humanities 2018, 7, 65.

Show more citation formats Show less citations formats

Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Metrics

Article Access Statistics

1

Comments

[Return to top]
Humanities EISSN 2076-0787 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert
Back to Top