Next Article in Journal / Special Issue
Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation
Previous Article in Journal
The Cyber Turn of the Contemporary Art Market
Previous Article in Special Issue
Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art
Article

Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations

The Faculty of Arts and Creative Industries, The University of Sunderland, Sunderland SR1 3SD, UK
Received: 6 May 2019 / Revised: 14 June 2019 / Accepted: 3 July 2019 / Published: 5 July 2019
(This article belongs to the Special Issue Art Curation: Challenges in the Digital Age)
This article is an overview of preliminary research undertaken for the creation of a framework for collecting and distributing new media art within regional art galleries in the U.K. From the 1960s, artists have experimented using computers and software as production tools to create artworks ranging from static, algorithmic drawings on paper to installations with complex, interactive and process-oriented behaviours. The art-form has evolved into multiple strands of production, presentation and distribution. But are we, as collectors, researchers, artists and enthusiasts facing an uncertain future concerning the integration of new media art into institutional cultural organisations? Recently, concerns have been raised by curators regarding the importance of learning how to collect new media art if there is to be any hope of preserving the artworks as well as their histories. Traditional collections management approaches must evolve to take into account the variable characteristics of new media artworks. As I will discuss in this article, although regarded as a barrier to collecting new media artworks, artists and curators at individual institutions have recently taken steps to tackle curatorial and collections management activities concerning the often unpredictable and unstable behaviours of new media artworks by collaboration and experimentation. This method has proved successful with some mainstream, university and municipal galleries prior to acquiring or commissioning new artworks into their collections. This paper purports that by collaboration, experimentation and the sharing of knowledge and resources, these concerns may be conquered to preserve and make new media art accessible for future generations to enjoy and not to lament over its disappearance. View Full-Text
Keywords: new media art; collecting; documentation; distribution; access; collaboration; experimentation; innovation; networks new media art; collecting; documentation; distribution; access; collaboration; experimentation; innovation; networks
MDPI and ACS Style

Smithson, G. Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations. Arts 2019, 8, 85. https://doi.org/10.3390/arts8030085

AMA Style

Smithson G. Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations. Arts. 2019; 8(3):85. https://doi.org/10.3390/arts8030085

Chicago/Turabian Style

Smithson, Georgia. 2019. "Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations" Arts 8, no. 3: 85. https://doi.org/10.3390/arts8030085

Find Other Styles
Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Access Map by Country/Region

1
Back to TopTop