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Between the Art Canon and the Margins: Historicizing Technology-Reliant Art via Curatorial Practice

School of Design, University of Greenwich, London SE10 9BD, UK
Arts 2019, 8(3), 121; https://doi.org/10.3390/arts8030121
Received: 10 July 2019 / Revised: 31 August 2019 / Accepted: 5 September 2019 / Published: 18 September 2019
(This article belongs to the Special Issue Art Curation: Challenges in the Digital Age)
This article explores curatorial practice that has technology-reliant works at its epicentre, arguing that for an efficient methodology to historicize the latter there needs to be a reconfiguration of the curatorial scope and a holistic approach to viewing and documenting exhibitions. Based on theoretical research and install decisions of recent years, the ways in which curatorial practice can be reconfigured within the art canon to inform art history, as well as to accommodate developments in exhibition practices are examined. View Full-Text
Keywords: curatorial practice; technology-reliant works; digital arts; exhibition histories; exhibition documentation curatorial practice; technology-reliant works; digital arts; exhibition histories; exhibition documentation
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Papadaki, E. Between the Art Canon and the Margins: Historicizing Technology-Reliant Art via Curatorial Practice. Arts 2019, 8, 121.

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