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Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages

Institute of Archaeology, University College London, 31-34 Gordon Square, London WC1H 0PY, UK
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Received: 31 January 2019 / Revised: 25 March 2019 / Accepted: 26 March 2019 / Published: 2 April 2019
(This article belongs to the Collection World Rock Art)
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Abstract

The area encompassed by the Orinoco river basin is home to some of the largest and most diverse rock art sites in lowland South America. In this paper, we aim to formally describe the spatial distribution and stylistic attributes of rock engravings and paintings on both banks of the Orinoco, centred on the Átures Rapids. Drawing on an exhaustive literature review and four years of field survey, we identify salient aspects of this corpus by investigating patterns of diversity and similarity. Based on a stylistic classification of Middle Orinoco rock art, this permits us to discuss potential links, as well as notable discontinuities, within the assemblage and possibly further afield. We consider the theoretical implications of our work for the study of pre-Columbian art and conclude with some suggestions for advances in methods for achieving the goal of deriving broader syntheses. View Full-Text
Keywords: South America; Orinoco; petroglyphs; pictographs; rock art; survey; similarity analysis; archaeology; network analysis; Amazonia South America; Orinoco; petroglyphs; pictographs; rock art; survey; similarity analysis; archaeology; network analysis; Amazonia
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This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).

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Riris, P.; Oliver, J. Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages. Arts 2019, 8, 48.

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