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24 pages, 18097 KB  
Article
“Alpha Females”: Feminist Transgressions in Industrial Music
by Nicolas Ballet
Arts 2022, 11(2), 37; https://doi.org/10.3390/arts11020037 - 24 Feb 2022
Cited by 3 | Viewed by 17079 | Correction
Abstract
Recycled, re-engineered and transformed pornography has often been appropriated by many of the industrial music movement’s female personalities who are invested in an anti-censorship discourse. This contrasts with the dominant form of feminism in the 1970s, which railed against the depiction of all [...] Read more.
Recycled, re-engineered and transformed pornography has often been appropriated by many of the industrial music movement’s female personalities who are invested in an anti-censorship discourse. This contrasts with the dominant form of feminism in the 1970s, which railed against the depiction of all aspects of sexuality. Artists Cosey Fanni Tutti, Lisa Carver, Diamanda Galás, Mïrka Lugosi, Antal Nemeth, Diana Rogerson and Jill Westwood challenged the codes of male domination by reconfiguring gender and overturning the violence perpetrated by men within the industrial movement. Following the artistic and cultural context of the 1970s and 1980s, such issues gave rise to the radical performances that are discussed throughout this article. Full article
(This article belongs to the Special Issue A 10-Year Journey of Arts)
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