Search Results (6)

A casket held at Bateman’s, Rudyard and Caroline Kipling’s home in Sussex—now a National Trust property—was recently recognised as a barniz brillante work. Objects made of barniz brillante, a technique featuring the Indigenous American material called mopa mopa, are relatively rare and have only sparingly been studied using scientific analysis techniques. A collaboration between the National Trust and the Victoria and Albert Museum has produced scientific evidence which will be invaluable in the study and the understanding of this type of object. The scientific analysis of the casket was conducted exclusively in a non-destructive and non-invasive manner, to preserve the integrity of the object which is in very good condition. The Bateman’s casket is characterised by a dark underdrawing, made with a material which is transparent in the infrared region of the electromagnetic spectrum. Most of the areas decorated with silver leaf have tarnished due to the formation of what is likely to be silver chloride. This study represents a significant step towards the comparative scientific study of barniz brillante objects in other collections, which in turn will make it possible to suggest a timeline for their manufacture, and even identify workshops. Full article

The gilded bronze eagles that stand upon the summit of the Tabernacle by Michelozzo in the Abbey of San Miniato al Monte, Florence (Italy) are an exquisite example of Italian Renaissance sculpture. Commissioned by Piero di Cosimo de Medici, the two eagles, representing the ancient Arte di Calimala, were cast and decorated by Maso di Bartolomeo in the 1448–1449 period. A multi-analytical approach was set up to characterize the state of conservation, materials used, and artistic technique of the eagles. Non-invasive methods were used and integrated with micro-invasive analyses, such as X-ray fluorescence (XRF) and Fourier-transform infrared (FTIR) spectroscopy, X-ray diffractometry on powders (XRPD), scanning electron microscopy coupled with EDS (SEM-EDS), and metallographic investigation. The results depict shiny-looking eagles, suggesting the use of oil gilding on almost all surfaces and revealing the presence of polychromies, which is almost unusual in XV-century bronze statuary and is initially hidden by deposits and corrosion products. Indeed, the paws were originally painted with azurite, while the use of cinnabar imparted a vivid red color to the tongue. A black paint containing mercury was found on the eyes and talons. The bales of cloth were decorated with silver, which is now almost completely lost and whose remains are not visible due to being tarnished, while fine details in gold were detected on the lanyard. Full article

The rise in electrification has considerably increased the demand for high-efficiency and durable electrical contact materials. Carbon nanoparticles (CNP) are a promising coating material due to their intrinsic transport properties (thus minimizing the impact on conductivity), their proven solid lubricity (potentially improving tribological performance), and their hydrophobic wetting behavior (potentially providing atmospheric protection). In this study, carbon nanotube and nanohorn coatings are produced via electrophoretic deposition on silver-plated surfaces, followed by tribo-electrical and wetting characterization. The proposed coatings do not negatively affect the conductivity of the substrate, showing resistance values on par with the uncoated reference. Tribo-electrical characterization revealed that the coatings reduce adhesive wear during fretting tests while maintaining stable and constant electrical contact resistance. Furthermore, CNP-coated surfaces show a hydrophobic wetting behavior toward water, with graphite and carbon nanotube (CNT) coatings approaching super-hydrophobicity. Prolonged exposure to water droplets during sessile drop tests caused a reduction in contact angle (CA) measurement; however, CNT coatings’ CA reduction after five minutes was only approximately 5°. Accordingly, CNP (specifically CNT) coatings show auspicious results for their application as wear and atmospheric protective barriers in electrical contacts. Full article

The lifetime of mirrors in outdoor conditions is crucial in the correct operation of any concentrating solar power (CSP) installation. In this work, the corrosion behavior of two types of metallized surfaces was studied. The first was made of a flexible polymer having a deposited reflective silver metallic film. The second was made of the same surface type with a dielectric SiO₂ protection coating by an atmospheric pressure plasma jet. Polycarbonate sheets were used as substrates on which metallic silver was deposited by the Dynamic Chemical Deposit technique. This electroless technique allowed producing the mirror finishing under environmental conditions by sequentially spraying; as aerosols projected towards the substrate surface, the activation and reducing-oxidizing solutions with rinsing after each one. The silver coatings were about 100 nm thick. Environmental and accelerated weathering degradation and salt and sulfide fogs were carried out. XPS analyses show that the corrosion products formed were Ag₂S, AgCl, and Ag₂O. It was observed that the tarnishing was initiated locally by the formation of Ag₂S columns as eruptions on the surface. Subsequently, the ions diffused through the protective layer and into the silver reflective layer, chemically reacting with the silver. The main atmospheric agents were H₂S, chloride particles, and HCl. High reflectance was initially obtained of about 95%. The obtained results suggest mechanisms for the degradation of exposed silver surfaces to moisturized atmospheres with corrosive compounds. Full article

When exposed to air, silver artifacts undergo an unpleasant darkening and shiny loss, commonly known as tarnishing. At the present, the development of protective coatings by using eco-friendly and biocompatible materials, able to ensure high transparency and to hinder the degradation of silver objects, remains a huge challenge. In this study, chitosan was used for the first time to realize sustainable coatings for silver protection. Both pure and benzotriazole-containing chitosan coatings were prepared and applied on sterling silver disks. A commercial product based on acrylic resin was used as a reference. The aesthetic features and protective properties of these coatings were evaluated by performing two different types of aging treatments. In particular, the assessment of the protective efficacy was carried out by reproducing both highly aggressive polluted environments and real-like museums’ storage conditions. In the first case, chitosan-based coatings with benzotriazole performed better, whereas in storage conditions all the chitosan films showed comparable efficacy. Compositional, morphological and structural analyses were used to evaluate the protective properties of the coatings and to detect any physical or chemical modifications after the aging treatments. Our findings reveal that the two different testing methods provide complementary information. Moreover, chitosan coatings can achieve protective efficacy comparable with that of the commercial product but using non-toxic solvents and a renewable biopolymer. Chitosan coatings, designed for cultural heritage conservation, are thus promising for the protection of common sterling silver objects. Full article

Few and fragmentary is the information regarding the “oro di metà” (halfway gold) gilding due to the low probability of finding it in paintings as well as its short durability because of tarnishing. However, the very rare, excellent state of conservation of the gilding found in the fifteenth-century wood panel painting of the Master of St. Ivo studied in this work along with a multi-analytical approach allowed shedding light on the structure, the composition and the conservation state of this type of gilding. An Ultra-High Resolution Scanning Electron Microscope (UHR-SEM) along with Energy Dispersive X-Ray (EDX) analysis and polarised light Optical Microscopy (OM) were employed in order to image and analyse a cross-section of a sample taken from the wood panel painting. Results highlighted a divided structure of the gilding which is constituted by two separated layers of gold and silver with different thickness. This is the first time that scientific evidence on this issue is provided. Moreover, considerations on the tarnishing process of the gilding were made. Finally, complementary vibrational spectroscopic techniques such as micro-Raman and micro-ATR-FTIR were employed in order to identify the molecular composition of the “bole” (gilding preparation layer) and the ground layers. Full article