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Search Results (5)

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Keywords = photographic montage

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10 pages, 2616 KiB  
Article
Widefield and Ultra-Widefield Retinal Imaging: A Geometrical Analysis
by Amedeo Lucente, Andrea Taloni, Vincenzo Scorcia and Giuseppe Giannaccare
Life 2023, 13(1), 202; https://doi.org/10.3390/life13010202 - 10 Jan 2023
Cited by 6 | Viewed by 4189
Abstract
Diabetic retinopathy (DR) often causes a wide range of lesions in the peripheral retina, which can be undetected when using a traditional fundus camera. Widefield (WF) and Ultra-Widefield (UWF) technologies aim to significantly expand the photographable retinal field. We conducted a geometrical analysis [...] Read more.
Diabetic retinopathy (DR) often causes a wide range of lesions in the peripheral retina, which can be undetected when using a traditional fundus camera. Widefield (WF) and Ultra-Widefield (UWF) technologies aim to significantly expand the photographable retinal field. We conducted a geometrical analysis to assess the field of view (FOV) of WF and UWF imaging, comparing it to the angular extension of the retina. For this task, we shot WF images using the Zeiss Clarus 500 fundus camera (Carl Zeiss Meditec, Jena, Germany). Approximating the ocular bulb to an ideal sphere, the angular extension of the theoretically photographable retinal surface was 242 degrees. Performing one shot, centered on the macula, it was possible to photograph a retinal surface of ~570 mm2, with a FOV of 133 degrees. Performing four shots with automatic montage, we obtained a retinal surface area of ~1100 mm2 and an FOV of 200 degrees. Finally, performing six shots with semi-automatic montage, we obtained a retinal surface area of ~1400 mm2 and an FOV of 236.27 degrees, which is close to the entire surface of the retina. WF and UWF imaging allow the detailed visualization of the peripheral retina, with significant impact on the diagnosis and management of DR. Full article
(This article belongs to the Collection New Diagnostic and Therapeutic Developments in Eye Diseases)
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15 pages, 1223 KiB  
Article
The Importance of Rumors in the Spanish Sports Press: An Analysis of News about Signings Appearing in the Newspapers Marca, As, Mundo Deportivo and Sport
by Francisco-Javier Herrero-Gutiérrez and José-David Urchaga-Litago
Publications 2021, 9(1), 9; https://doi.org/10.3390/publications9010009 - 26 Feb 2021
Cited by 2 | Viewed by 5724
Abstract
The front pages of newspapers are the main showcase to sell the product. Those first pages are a perfect hook for newspapers to attract readers; thus, it becomes vital to show striking pieces of information, captivating the audience. In the case of the [...] Read more.
The front pages of newspapers are the main showcase to sell the product. Those first pages are a perfect hook for newspapers to attract readers; thus, it becomes vital to show striking pieces of information, captivating the audience. In the case of the written sport press in Spain, there is a key period in which true information is mingled with half-truths and even rumors: The summer transfer window. This paper shows an analysis of the front-page news appearing in the Spanish sports newspapers Marca, As, Mundo Deportivo, and Sport, over a five-year period (2015–2019), based on a sample of 120 different issues of the newspaper. Many times, the media present information either as something true or as a hypothesis or possibility. After quantitatively analyzing that, it can be noticed that in more than 50% of the cases, the signing or sale of the player referenced on the front page (the main news) does not occur. Similarly, it can be observed that there is a direct link connecting the news referring to Real Madrid with Marca and As, and Fútbol Club Barcelona with Mundo Deportivo and Sport. Finally, almost 100% of this news is showed along with real photographs, using photo montage in just a few cases. Full article
(This article belongs to the Special Issue Research, Literacy, and Communication Education: New Challenges Facing Disinformation)
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16 pages, 5463 KiB  
Article
Remediating ‘Prufrock’
by Scott Freer
Arts 2020, 9(4), 104; https://doi.org/10.3390/arts9040104 - 15 Oct 2020
Cited by 1 | Viewed by 4746
Abstract
This article examines remediated examples of T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock’ (1915). Eliot’s innovative dramatic monologue has sustained an enduring inter-media afterlife, mainly because visual artists generally capitalized on the poem’s residual Victorian painterly and semi-narrative qualities. Here I [...] Read more.
This article examines remediated examples of T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock’ (1915). Eliot’s innovative dramatic monologue has sustained an enduring inter-media afterlife, mainly because visual artists generally capitalized on the poem’s residual Victorian painterly and semi-narrative qualities. Here I look at a wider range of visual forms from old and new media that, for both pedagogic and artistic purposes, remediate the poem’s ekphrastic, semi-narrative and modernist aesthetics: the comic strip, the animated film, the dramatic monologue film, the split-screen video poem and the photographic spatial montage. Together, they demonstrate the dialogic and multi-directional nature of remediation and articulate via inter-media strategies various literary properties and themes (e.g., character, setting, visual motifs, paralysis) of ‘Prufrock’. Full article
(This article belongs to the Special Issue The Art of Adaptation in Film and Video Games)
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22 pages, 4568 KiB  
Article
Teresa Żarnower’s Mnemonic Desire for Defense of Warsaw: De-Montaging Photography
by Maria Anna Rogucka
Arts 2020, 9(3), 84; https://doi.org/10.3390/arts9030084 - 28 Jul 2020
Viewed by 4326
Abstract
Teresa Żarnower (1897, Warsaw, Poland–1949, New York, United States), a Polish Constructivist artist of Jewish descent who was forced to emigrate abroad during World War II, became a dominant figure working for the Polish government in exile. She produced a series of photomontages [...] Read more.
Teresa Żarnower (1897, Warsaw, Poland–1949, New York, United States), a Polish Constructivist artist of Jewish descent who was forced to emigrate abroad during World War II, became a dominant figure working for the Polish government in exile. She produced a series of photomontages for a book titled The Defense of Warsaw, which was published in 1942 by a “Polish Labor Group” in New York. Żarnower used her technical expertise in photomontage to create new configurations of war photographs documenting Nazi Germany’s attack on Poland in 1939. She chose this shocking and politically loaded content to gain credibility and global attention for her work. Drawing on Benjamin Buchloh’s essay From Faktura to Factography, the aim of this study is to analyze the factographic paradigm in the usage of war photography and in the context of the esthetics of constructivist photomontage. The focus will lie on its mnemonic and archival functions, further highlighting the montage’s function as a key form of social memory model. Full article
(This article belongs to the Special Issue World War, Art, and Memory: 1914 to 1945)
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19 pages, 2111 KiB  
Article
Spaces for Collaborative Arrangements as Social Sustainability in Rural Accommodation in Brazil: Pouso dos Paula
by Luciano Torres Tricárico, Paulo dos Santos Pires and Marinês da Conceição Walkowski
Sustainability 2019, 11(12), 3236; https://doi.org/10.3390/su11123236 - 12 Jun 2019
Cited by 4 | Viewed by 3719
Abstract
Studies of collaborative arrangements are usually based on socioeconomic interpretations, with little research exploring the socio-spatial perspective. The assumption is that space (as an epistemic category) can promote collaborative arrangements. Thus, the objective of the research was to describe the spaces of rural [...] Read more.
Studies of collaborative arrangements are usually based on socioeconomic interpretations, with little research exploring the socio-spatial perspective. The assumption is that space (as an epistemic category) can promote collaborative arrangements. Thus, the objective of the research was to describe the spaces of rural accommodation establishments as a sign of collaboration, which is understood as a socio-spatial entity. For this purpose, Pouso dos Paula (Nova Friburgo, RJ, Brazil) was the object of the study. This study was qualitative, exploratory, and descriptive in nature with a phenomenological approach. Primary data was collected from websites, leaflets, and videos about the object of study and in situ (photographic and architectural survey and reading of space). Secondary data was collected from the literature. The data collected were analyzed in the light of the theory of montage, based on the idea of abduction of Peircean semiotics. The results showed collaboration in spaces of the rural accommodation studied, which generally signifies and reveals spatial conditions for carrying out civic initiatives, meets social demands, and for gives rise to collaborative arrangements in rural areas which, together, can lead to political empowerment in rural Brazil, which are understood as a factor of social sustainability. The originality of the study lies in the recognition of the role of space of rural accommodation in promoting social sustainability. Full article
(This article belongs to the Special Issue Tourism, Governance and Sustainable Development)
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