Search Results (6)

The “Gutâi-Maramureș” UNESCO Global Geopark project is to be realized in the Gutâi Volcanic Zone in the northwestern part of the East Carpathians (Romania), an area with long-lasting and complex Miocene volcanic activity and a centuries-long mining history. In order to identify the volcanism and mining-related patrimonial values, in combination with other natural and cultural assets able to support the establishment of a UNESCO geopark, and to develop a sustainable tourism in the area, this paper presents the main objectives of the adopted research methodology, namely to realize (1) a geological synthesis of the area, (2) an inventory and assessment of geological and mining heritage sites, (3) a synthesis of local biodiversity, and (4) documentation of the cultural, historical and archaeological values. Furthermore, we conducted a SWOT analysis to help define the optimal territory for the geopark, to establish the core values for a strong brand identity, and to develop educational and sustainable tourism activities. This paper presents all the significant heritage values located within the future geopark area: geosites of international scientific significance, sites related to centuries-long mining of precious metals, natural protected areas, including European Natura 2000 sites, important cultural heritage sites such as old wooden churches (five of them included in the UNESCO World Heritage List) and museums. The promotion of sustainable tourism in the area by harnessing all these patrimonial values could be realized by the implementation of the geoeducation and geotourism concepts during the project development based on previous experiences/activities in the area involving local people, NGOs and institutions. Full article

This study revealed a significant reduction in tree growth across northern Fennoscandia following the 1600 AD eruption of Huaynaputina in Peru, the most powerful volcanic event in South America over the past two millennia. In the analysis, we utilized six tree-ring chronologies, which included the Finnish super-long chronology (5634 BC–2004 AD), the Kola Peninsula chronology (1445–2004 AD), and historical chronologies derived from old wooden churches in Finnish Lapland and Karelia, Russia. Using a superposed epoch analysis across these chronologies revealed a significant 24% (p < 0.01) decline in tree-ring growth in 1601 compared to the previous six years. The northernmost records, the Finnish super-long chronology (72%, p < 0.001) and the Sodankylä Old Church chronology (67%, p < 0.001), showed the most pronounced decreases. Statistical analysis confirmed significant (p < 0.05) similarities in tree-ring responses across all chronologies from 1601 to 1608. These findings underscore the reliability of using the 1600 Huaynaputina eruption as a chronological marker for dating historic wooden churches in northern Fennoscandia that were likely built between the late 17th and early 18th centuries. Additionally, analyzing church wood may provide insights into past climate patterns and environmental conditions linked to the eruption. Full article

The interior of Orthodox churches is entirely decorated with paintings, icons, and frescoes, to help create a special environment for the prayers and visitors. The paintings have religious, esthetic, and historical value, being created in the Byzantine tradition and following recommendations on style and materials according to old church canons. Particular importance is attributed to the Iconostasis decorated with icons on several registers, as well as to polychrome wooden ornaments and imperial doors. This work presents the scientific investigation results of three royal icons, theoretically dating to the 19th century, from the Iconostasis of the Runcu church, an important 19th-century Romanian historical monument, aiming to answer questions regarding their age and constituent materials, especially what were the mineral pigments used in the color palettes for their painting and if there were any old repainting interventions, in order to assist their restoration and conservation. Methods of characterization employed were optical microscopy, SEM-EDX spectrometry, ATR/FTIR spectroscopy, and X-ray fluorescence spectrometry. Results obtained allowed us to date, attribute, and evaluate the conservation state of the Royal icons; to our knowledge, this study is among the very few research studies carried out so far on the religious heritage conservation field in Romania. Full article

Senile trees in historic church gardens have natural, aesthetic, historical, and cultural value. Cutting them down too hastily annihilates the achievements of entire generations. We should try to preserve the greenery surrounding historic churches and integrate it into a clear compositional arrangement with the sacral architecture. The primary purpose of the paper was to describe the process of inventorying 200-year-old trees and to present the revalorization project for the garden around the historic Orthodox church in Horostyta, located in the Lublin Voivodeship, in southeastern Poland. The church complex consists of a wooden 18th-century building, bell tower, garden, and cemetery. Within the church garden’s boundaries, there are 15 trees, with two predominant species: Acer pseudoplatanus L. and Tilia cordata Mill. These trees are of varying ages and health conditions. We used acoustic tomography to perform tree health diagnostics. Three trees, for which the initial visual assessment was disturbing, were examined thanks to detailed tomography tests. Then, through a project adapting the church garden to the health conditions of the ancient trees, they were separated from users by flowerbeds and no small architectural objects were placed around them. The presented development concept forms a compromise between tradition and the modern user’s needs. In 2007, a general renovation of the temple building was completed. Currently, the presented project for the church garden is being implemented. Full article

Monitoring the indoor microclimate in old buildings of cultural heritage and significance is a practice of great importance because of the importance of their identity for local communities and national consciousness. Most aged heritage buildings, especially those made of wood, develop an indoor microclimate conducive to the development of microorganisms. This study aims to analyze one wooden church dating back to the 1710s in Romania from the microclimatic perspective, i.e., temperature and relative humidity and the fungal load of the air and surfaces. One further aim was to determine if the internal microclimate of the monument is favorable for the health of parishioners and visitors, as well as for the integrity of the church itself. The research methodology involved monitoring of the microclimate for a period of nine weeks (November 2020–January 2021) and evaluating the fungal load in indoor air as well as on the surfaces. The results show a very high contamination of air and surfaces (>2000 CFU/m³). In terms of fungal contamination, Aspergillus spp. (two different species), Alternaria spp., Cladosporium spp., Mucor spp., Penicillium spp. (two different species) and Trichopyton spp. were the genera of fungi identified in the indoor wooden church air and Aspergillus spp., Cladosporium spp., Penicillium spp. (two different species) and Botrytis spp. on the surfaces (church walls and iconostasis). The results obtained reveal that the internal microclimate not only imposes a potential risk factor for the parishioners and visitors, but also for the preservation of the wooden church as a historical monument, which is facing a crisis of biodeterioration of its artwork. Full article

Eagerly venerated and able to perform miracles, medieval relics and religious artefacts in the Latin West would occasionally also be subject to sensorial and tactile devotional practices. Evidenced by various reports, artefacts were grasped and stroked, kissed and tasted, carried and pulled. For medieval Norway, however, there is very little documentary and/or physical evidence of such sensorial engagements with religious artefacts. Nevertheless, two church inventories for the parish churches in Hålandsdalen (1306) and Ylmheim (1321/1323) offer a small glimpse of what may have been a semi-domestic devotional practice related to sculpture, namely the embellishing of wooden sculptures in parish churches with silver bracelets and silver brooches. According to wills from England and the continent, jewellery was a common material gift donated to parishes by women. Such a practice is likely to have been taking place in Norway, too, yet the lack of coherent source material complicate the matter. Nonetheless, using a few preserved objects and archaeological finds as well as medieval sermons, homiletic texts and events recorded in Old Norse sagas, this article teases out more of the significances of the silver items mentioned in the two inventories by exploring the interfaces between devotional acts, decorative needs, and possibly gendered experiences, as well as object itineraries between the domestic and the religious space. Full article