Search Results (4)

This study investigates how religious rhetoric and popular mobilisation contributed to the preservation and propagation of Daoist traditions at the mountain Maoshan 茅山 from late Qing to Republican China (1864–1937), focusing particularly on the corpus of religious texts related to Maoshan and its tutelary gods, the Three Mao Lords 三茅真君. Through a detailed analysis of primary sources, including editions of the Maoshan Gazetteer, liturgical manuals such as the scripture (jing 經), litany (chan 懺), and performative texts such as the precious scroll (baojuan 寶卷) of the Three Mao Lords, this study identifies six key rhetoric strategies employed by Maoshan Daoists, using the acronym IMPACT: (1) Incorporation: Appending miracle tales (lingyan ji 靈驗記) and divine medicine (xianfang 仙方) to address immediate and practical needs of contemporary society; (2) Memory: Preserving doctrinal continuity while invoking cultural nostalgia to reinforce connections to traditional values and heritage; (3) Performance: Collaborating with professional storytellers to disseminate vernacularized texts through oral performances, thereby reaching broader audiences including the illiterate. (4) Abridgment: Condensing lengthy texts into concise and accessible formats; (5) Canonization: Elevating the divine status of deities through spirit-writing, thereby enhancing their religious authority; (6) Translation: Rendering classical texts into vernacular language for broader accessibility. Building upon J.L. Austin’s speech act theory, this study reconceptualizes these textual innovations as a form of “text acts”, arguing that Maoshan texts did not merely transmit religious doctrine but actively shaped pilgrimages and devotional practices through their illocutionary and perlocutionary force. Additionally, this study also highlights the crucial role of social networks, particularly the efforts of key individuals such as Zhang Hefeng 張鶴峰 (fl. 1860–1864), Long Zehou 龍澤厚 (1860–1945), Jiang Daomin 江導岷 (1867–1939), Wang Yiting 王一亭 (1867–1938) and Teng Ruizhi 滕瑞芝 (fl. 1920–1947) who facilitated the reconstruction, reprinting and dissemination of these texts. Furthermore, this study considers pilgrimages to Maoshan as a form of popular mobilisation and resistance to anti-clerical and anti-superstition campaigns, illustrating how, against all odds, Maoshan emerged as a site where religious devotion and economic activity coalesced to sustain the local communities. Ultimately, despite the challenges identified in applying speech act theory to textual practices, the findings conclude that the survival and revival of Daoist traditions at Maoshan was not only a result of textual retention and innovation but also a testament to how religious rhetoric, when coupled with strategic social engagement, can fuel popular mobilisation, reignite collective devotion, and reshape cultural landscapes in transformative ways. Full article

The island of Muharraq in the Kingdom of Bahrain was previously in a state of socioeconomic disrepair and neglect, until the nine years-long “Pearling Trail” project revived the area. Historically, Muharraq’s importance inheres in it being the main trade center of the Middle East since the Mesopotamian period, especially as the source of the finest pearls in the world. However, the discovery of oil that led to the rapid urbanization of the region and Japan perfecting the production of cultured pearls had meant that Muharraq dwindled out of cultural significance. Due to the residents’ dissatisfaction and nostalgia for the island’s past glory, along with the government’s new policies towards cultural preservation, the “Pearling Trail” Project commenced in 2012. The Ministry of Culture of Bahrain repaired, renovated and preserved an area of 3.5 km, transforming it into an eco-museum with a thriving business and cultural community. The transformation of the island elevated the city into a trendy local attraction, hosting local and global cultural festivals and events, owing to the “Pearling Trail’s” Urban Regeneration Project’s success. By studying the “Pearling Trail” three success factors are identified: Project expansion beyond UNESCO preservation requirements, focus on sustainability and continuous use, and improved access to culture and cultural opportunities. Identifying these factors could allow for future preservation projects in Bahrain or elsewhere to be upgraded for urban regeneration or revitalization. Full article

This paper provides a close reading and critical unfolding of central themes and motifs in Alexander Payne’s acclaimed 2013 comic ‘road movie’ Nebraska. It focuses on three key issues: (1) the symbolic significance of hawthorn as a threshold between different worlds (Hawthorne, Nebraska being the former hometown to which father and son make a detour); (2) the notion of ‘haunting’ in relation both to ‘importuning’ memories besetting the central characters and to particular sites of remembrance to which they return; and, (3) how the film’s pervasive mood of melancholy is subject to repeated interruption and punctuation by comic utterances and put-downs. In presenting us with a reluctant ‘gathering of ghosts’, a veritable phantasmagoria, the film articulates a particular sense of nostalgia, of a ‘homesickness’ understood here not in the conventional meaning of a longing to return to a forsaken ‘home’, but rather as a weariness and wariness at the prospect of revisiting familiar haunts and reviving old spirits. Full article

In the very last years of the contemporary age, we are observing various processes that interest the field of design, particularly for what concerns product design, graphics and communication, and their development in relation to the historical matter. In such a situation, this impacts on the contemporary western society and on current trends in customs and tastes. However, it is actually not so incomprehensible, neither is a behaviour completely new. The meaning of a family air, the quid that adds a personal and significant value to an object and to a product is somehow indefinable but links the consumer, and maybe more the ‘prosumer’, strongly to itself, in a cross-process of personal and historical construction of narrative. In some artefacts history meets and talks to the stories: this is why we do love them. Full article