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Search Results (3)

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Keywords = medieval love literature

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19 pages, 355 KiB  
Article
Literature and Mysticism in the Wake of Silvano Panunzio: From The Divine Comedy to the European Literature of the Twentieth Century
by Piero Latino
Religions 2024, 15(10), 1278; https://doi.org/10.3390/rel15101278 - 18 Oct 2024
Viewed by 3745
Abstract
This article introduces one of the forgotten figures of religious and literary studies: the Italian scholar, philosopher, metaphysician, poet and writer Silvano Panunzio (1918–2010). His contribution has so far been relegated to the margins of academic debate, and, currently, there are no academic [...] Read more.
This article introduces one of the forgotten figures of religious and literary studies: the Italian scholar, philosopher, metaphysician, poet and writer Silvano Panunzio (1918–2010). His contribution has so far been relegated to the margins of academic debate, and, currently, there are no academic studies on his work, in which mysticism plays a pivotal role. Panunzio believed that the transcendental and mystical dimension is fundamental for fully understanding the social, cultural, historical and political events of humanity. Another relevant aspect of his work is the importance he gave to literature and its relationship with mysticism, as in the case of Dante’s Divine Comedy or other European and Eastern writers and poets, such as Goethe, Shakespeare, Ibn Arabi and Dostoevsky. Significantly, Panunzio saved from oblivion the work of a forgotten man of letters of the nineteenth century, Gabriele Rossetti (1783–1854), who proposed the first symbolic and esoteric interpretation of Dante’s literary production and of European medieval love literature. Raising awareness of the intellectual amnesia around the figure of Silvano Panunzio may be a useful contribution to future research, both in the field of religious and literary studies. Full article
(This article belongs to the Special Issue Mysticism Reloaded: Innovative Approaches, Methods, and Theories to Study Mysticism)
13 pages, 1151 KiB  
Article
Visualisation in Late-Medieval Franciscan Passion Literature from the Low Countries: Cransken van minnen (Wreath of Love), 1518
by Marcin Polkowski
Religions 2023, 14(9), 1156; https://doi.org/10.3390/rel14091156 - 11 Sep 2023
Viewed by 1419
Abstract
Late-medieval devotional literature embraced visualization as a means of providing the reader-devotee with the experience of being a virtual witness during a text-guided meditation. Based on a new reading of Cransken van minnen, a Middle Dutch prayer book from Franciscan milieus, this [...] Read more.
Late-medieval devotional literature embraced visualization as a means of providing the reader-devotee with the experience of being a virtual witness during a text-guided meditation. Based on a new reading of Cransken van minnen, a Middle Dutch prayer book from Franciscan milieus, this paper will propose a framework based on the interrelations between visualization and other key aspects pointed out in recent research as significant for understanding this type of literature: affective reactions, anamnesis and virtual witnessing. This framework entails two assumptions. The first is that visualization, especially with Mary as the compassionate “focaliser”, was instrumental in achieving the goal of devotion, which was to promote an affective reaction (contrition). The second is that this prayer book offered devotees an experience of anamnesis (“recalling”) that depended on the provision of sensory perceptions through which readers could become virtual witnesses to the events meditated upon. Using a combination of philological and literary–historical methods, the structure and content of this prayer book are scrutinized in detail to provide new insights into the strategies used by the compiler to infuse the prayer discourse with elements suggesting visual perception. Full article
(This article belongs to the Special Issue Visionary and Contemplative Practice in the Medieval World)
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11 pages, 727 KiB  
Article
Defining and Defending the Middle Ages with C. S. Lewis
by Brian Murdoch
Humanities 2020, 9(2), 51; https://doi.org/10.3390/h9020051 - 18 Jun 2020
Cited by 3 | Viewed by 3581
Abstract
The scholarly writings of C. S. Lewis (1898–1963) have both inspired the study of the Middle Ages and confirmed the relevance to the humanities that medieval literary texts can have for the present. He was aware that the straitjacket implied by periodisation can [...] Read more.
The scholarly writings of C. S. Lewis (1898–1963) have both inspired the study of the Middle Ages and confirmed the relevance to the humanities that medieval literary texts can have for the present. He was aware that the straitjacket implied by periodisation can blind us to the universal values presented in medieval literature. Qualitative assumptions made about the (usually undefined) Middle Ages include an alienating remoteness, and also a general ignorance, especially of science and technology. Lewis drew attention to the knowledge of astronomy, for example, and pointed out that medieval technical skills in architecture, agriculture and medicine are important for us to be aware about. Three medieval works illustrate this universality with respect to technical skills (the Völundarkviða); identity and the self (the Hildebrandslied); and the popular love-song (the courtly love-lyric). Lewis cautioned against pejorative terms like ‘Dark Ages’, noted problems of perspective in assessing all pre-modern literature, and showed that earlier works have a continuing value and relevance. Full article
(This article belongs to the Special Issue The Relevance of The Humanities in the Twenty-First Century: Past and Present)
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