Search Results (20)

What can hybridity teach us? The answer I posit is–like water–to embrace movement in all its forms. We are currently experiencing the sixth mass extinction event on earth and yet few scholars give prolonged attention to how we are to sustainably move our human inheritances forward on this increasingly uninhabitable planet. Reflecting on the work of transnational poets, specifically South Korean poet Kim Hyesoon translated through Korean American poet Don Mee Choi and Lebanese American poet Etel Adnan, we are reminded of the myriad ways in which humans can move and survive in a foreign yet familiar world. This paper finds its support in the confluence of transnational contemporary feminist poetics, formalism, environmentalism, and posthumanism. Through the use of various critical discourses, this paper considers how movement and its hybrid capacities offer a new understanding of contemporary North American poetics. In this sense, a poem should be viewed as a dynamic temporal cybernetic system, a vessel, full of energy, simultaneously pulsing with the changing movements and constrictions of everyday life. Full article

Since the 2022 death of Mahsa Jina Amini in custody of the Guidance Patrol or morality police in Tehran, Iran, Persepolis by Marjane Satrapi can also function in the classroom as a comics touching point for human rights discourses around the world and in particular—though not exclusively—those that impact women. Kimberlé Crenshaw, who brought intersectionality to the forefront of cultural and political discourses in 1989, has used the phrase “say her name” to draw attention to the deaths of women and children, especially Black women and children, at the hands of law enforcement officers. Chants of “Say her name, Mahsa Amini”, rang among protesters outside Khalifa International Stadium in Qatar ahead of Iran’s first match of the World Cup 2022 against England. Now in 2025, cultural conversations around feminism and creativity as resistance can turn to the woman, life, freedom movement in Iran. Shervin Hajipour’s song “Baraye”, meaning “for” in Persian, which was inspired by tweets echoing protesters’ calls for change, became an anthem of the uprising and exists in comic art as well as song. The comics classroom can address the concerns and issues surrounding Amini’s death and the ongoing relevance of Persepolis as a coming-of-age text about living as a woman in Iran. In dialogue with the works of Sidonie Smith, Julia Watson, Hillary Chute, Sally Munt, and bell hooks, this piece addresses the pedagogy of human rights through comic art as crisis witnessing. With attention to comics material from two members of the Iranian diaspora, Shabnam Adiban and Farid Vahid, from the 2024 collection Woman, Life, Freedom, put together by Satrapi, this piece navigates potential Orientalism and Islamophobia in the Western classroom through engagement with intersectional feminism. Full article

Background and Objectives: Persistent urogenital sinus (PUGS) is a rare congenital anomaly resulting from disruptions in urogenital development during embryogenesis. Characterized by the confluence of the vaginal canal and urethra into a single channel, it poses diagnostic and management challenges, particularly in adult patients. Surgical correction remains the primary treatment at an early age, yet there are no universally accepted guidelines regarding treatment at later stages in life. We explored current evidence on the management of high urogenital sinus (HUGS) in adults, focusing on surgical techniques, outcomes, perioperative care, and follow-up. Materials and Methods: A scoping review was conducted using PubMed, Scopus, and Google Scholar, including studies published up to August 2024. Search terms included “high urogenital sinus”, “adult patients”, and related conditions. Articles were included if they addressed clinical, diagnostic, or therapeutic data on HUGS in adult populations. Data extraction was performed independently by two reviewers, and a PRISMA-ScR flow diagram was used to outline the study selection process. Results: Nine studies met inclusion criteria, with data on surgical techniques, perioperative care, and long-term outcomes extracted for analysis. The included studies highlighted diverse surgical approaches, such as feminizing genitoplasty, buccal mucosa vaginoplasty, posterior prone techniques, and robotic-assisted urogenital sinus mobilization. Complications like vaginal stenosis, urethrovaginal fistula, and urinary incontinence were reported. Long-term outcomes were under-reported, with limited data on sexual function and patient satisfaction. Hormonal therapies, including glucocorticoids, played critical roles in managing cases associated with congenital adrenal hyperplasia (CAH). Conclusions: The management of HUGS requires a multidisciplinary approach integrating advanced surgical techniques and individualized perioperative care. While short-term outcomes are generally favorable, long-term data on sexual function and quality of life remain scarce. Future research should prioritize longitudinal studies to address these gaps, aiming to optimize surgical outcomes, patient satisfaction, and psychosocial well-being. Full article

At the intersection of memory and feminist studies, this article examines the issue of suffrage and feminist monumental commemoration in the United States. Starting from the deficit of statues representing female historical figures in the public space, it analyzes the conception and reception of two important monuments honoring women’s suffrage (Portrait Monument 1921 and the Women’s Rights Pioneers Monument 2020). While those monuments have somewhat broken the “bronze ceiling”, they testify to the mechanics of exclusion and inclusion at work both in the construction of history and memory. Then, the article takes on a broader perspective, questioning the extent to which traditional monuments, as products of a patriarchal culture and memory, can properly commemorate modern feminism. The essay identifies two trends, one consisting of transforming the bronze through various strategies, the other of “breaking the bronze” by replacing it with other materials and proposing new memory frameworks belonging to what James E. Young has labeled countermonuments. Still, the article ultimately questions the limits of the monument itself and points to the notion of interactive spaces as perhaps the most adequate sites of memory for the complex, multifaceted, contested, and contemporary movement that feminism(s) stand(s) for. Full article

The female body is often depicted in parallel with the environment in many literary works. This article examines how the female body can prompt a rethinking of the environment by analyzing three literary works, Mo Yan’s Feng ru Fei tun, published in 1996 Murakami Haruki’s Nejimaki-dori Kuronikuru, published in 1994-1995, and Gabriel García Márquez’s El amor en los tiempos del cólera, published in 1985, which root in Chinese, Japanese, and Latin American cultures, respectively. This paper argues that, on the one hand, the female body parallels the environment by displaying non-human characteristics and relating to natural elements in these three works; on the other hand, it deconstructs the boundary between the environment and humans by playing a crucial role in constructing human identity. This paper draws on theories of posthumanism, material feminism, and ecofeminism to explore the depiction of the female body and its role in rethinking the environment. The cultural hybridity of local and non-local worldviews—a key reason for situating this study within a transnational comparative framework—serves as a crucial element in demonstrating how the female body bridges the environment and human identity across all three works. This analysis aims to deconstruct the anthropocentric perspective on the environment, thereby rethinking the role of the female body in this context. Full article

In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exhibition from its inception. Taking hints from feminism, modernist painting, camp aesthetics, psychedelic imagery, pop, and minimalism, Benglis’s latex pours unify an array of movements, styles, and political positions that have often been treated as antithetical. Although the refusal of traditional binaries was typical of the neo-avant-garde, Benglis’s work was “contraband” because it challenged the inflexible dictum that feminist art and modernist painting are mortal enemies. With Contraband, she drew on abstract expressionist techniques for communicating feeling by exploiting the dialectic of spontaneity and order in Pollock’s drip paintings. Simultaneously, she drew attention to gender through sexed-up colors and materials. Rather than suggesting that gender difference is repressed by abstract expressionist painting’s false universalizing, Benglis shows that modernist techniques for communicating feeling are crucial for the feminist project of understanding the public significance of seemingly private experience. Full article

This paper is a conceptual exploration and diffractive reading of refugee/(im)migrant education through multiple lenses, including data-driven decision making, critical refugee studies, new materialism and critical feminist and posthumanist studies, and trans theorizations such as Black trans feminism. After a brief introduction to “the field” of refugee/(im)migrant education, the paper turns to diffractive readings of refugee/(im)migrant education as means of exploring what is the matter, as in the material and discursive substance, in refugee/(im)migrant education, and why and how (including when, where, and by whom) does that matter come to matter? The paper concludes with discoveries, or findings, from this diffractive, transdisciplinary exploration and considerations for educators, policymakers, researchers, activists, and other actors (co)constituting and “becoming with” refugee/(im)migrant education. Full article

Over the past decades, Iran has been witnessing the growth of a burgeoning feminist movement. With its origins deeply rooted in the early 20th century, the Iranian feminist movement, as such, is not a uniform body: it embodies various, opposing even, political ideologies under the umbrella of feminism, reflecting the divergent social locations of its protagonists. While the movement has been criticized for its centralist, middle-class and at times apolitical tendencies, academic scholarship has yet to offer intersectional analyses that problematize historically rooted and daily materialized relations of power within the movement, particularly in relation to axes such as ethnicity (and race), religion, gender identity, sexuality, and (dis)ability. In light of this gap, the present article aims towards documenting and theorizing the intersectionality of the challenges facing Iranian feminist activists belonging to various ethnic nations and religious beliefs. Drawing on ethnographic research, it argues that minority feminists find themselves between a rock and a hard place: the rock being masculinist politics within their minoritized communities, which prioritize ethno-nationalist demands over gendered ones; the hard place being a centralist liberal feminist movement that fails to reflect the intersectionality of their experiences as non-Persian non-Shia women, thereby reproducing hierarchies of power in relation to ethnicity, religion, and class. Full article

Background and Objectives: Correction of lower face asymmetry still remains challenging in maxillofacial surgery. This report describes techniques for the lateral transposition of the symphyseal segment to restore lower face symmetry while maintaining gender-related features in cis- and transgender patients. Materials and Methods: A retrospective review of medical records of 31 patients who attended for esthetic corrective surgery after orthodontic camouflage or orthognathic treatment, or during facial feminization of the lower face between June 2021 and June 2023 was performed. Result: All patients underwent lateralization genioplasty (with or without advancement or setback), either with or without narrowing T-osteotomy supplemented with necessary procedures in order to obtain proper facial balance and desired esthetical effects, such as bichectomy, liposuction, and face and neck lift. The mean asymmetry of the chin was 5.15 mm and was surgically corrected either by single segment lateralization or T-shape narrowing genioplasty depending on the gender and esthetical requirements. No complications were reported. Conclusions: Lateral shift genioplasty serves as a powerful tool in primary and secondary corrective surgery for lower face asymmetry that maintains gender-specific facial features. It may serve either as an additive to orthodontic camouflage or a way to correct previous orthognathic surgery pitfalls. The surgeon performing esthetic genioplasty associated with gender-specific expectations must be trained in facelift and facial liposculpting techniques in order to provide the best results and properly choose the right procedures for the right patients. Full article

Background: Upper-face feminization is a frequently executed procedure in sexual reassignment surgery, owing to its ability to influence gender identity through adjustments to the hairline, forehead, and peri-orbital area. The procedure includes reducing the hairline, lifting the brows, shaving the orbital region, and applying specific techniques to reduce the frontal bone. This research aims to assess the outcomes, results, and potential complications associated with this surgery among transgender patients. Material and Method: Retrospective review of medical records of 20 patients who attended for facial feminization surgery of the upper face between June 2022 and June 2023, analyzing the previously performed procedures, complications and revision surgery outcomes, and first-time procedures. A literature review was performed for similar studies. Results: 20 patients were included in the study. Among the cohort treated elsewhere (n = 11), the primary complaint was insufficient browbone reduction and anterior frontal sinus table setback. They underwent poorly performed Type 1 reduction when full forehead reconstruction (Type 3/4) was indicated (n = 3), or no reduction was performed during hairline advancement (n = 4). Type 3 forehead reduction with orbital shaving and hairline advancement with simultaneous temporal browlift was most commonly performed in both revision and first-time surgical upper face feminization (n = 15) (75%). Type 1 osteoplasty was performed in four patients (10%), one Type 3 revision surgery was performed after insufficient Type 3 reduction, and one case of shock-induced alopecia was reported, treated with PRP/peptides and a FUE hair graft. Conclusions: The author’s preferred technique, ‘whole-in-one’ upper face feminization by modified bi-coronal incision with frontal trichophytic hyper-beveled incision, provides sufficient insight into the frontal bone and orbital region, the desired forehead osteoplasty and the most efficient insight into the temporal area, enabling safe dissection between fasciae, ligamentous adhesion removal, and periosteal attachment, providing full soft and hard tissue feminization. Nevertheless, feminization procedures should be meticulously planned, and all concerning issues should be addressed during the first surgery in order to prevent revisions, complications, and patient dissatisfaction. Full article

A turn from the “whither” to the “whence” of anarchism is at stake in Catherine Malabou’s interpretation of Latin American decolonial theory. This is a turn from a materialist philosophy that seeks to open the space of anarchism within the modern state toward one that discerns anarchism as already operative in the modern state given the social implications of colonial legacies. In tracing this turn, I propose a development of Malabou’s work insofar as I put her in dialogue with María Lugones, who is much closer to Malabou than the more canonical decolonial figures she actively engages, especially in view of anarchism as a form of social–political plasticity. Understanding Lugones’ critique of earlier iterations of decolonial theory helps make explicit an immanent anarchic resistance to domination as an explosive inhabitation of everyday loci of tension. Full article

The feminist agenda in Russia experienced a phase of intense aesthetic search in the field of contemporary art and contemporary theater. The split in society, war, increased censorship and state propaganda, and mass emigration stopped this process. Feminist ethics and aesthetics are oriented toward democratic values and the absolute value of human life; it is difficult for them to survive in totalitarian states. Using material from the history of feminism and aesthetic practices in the post-perestroika decades of Russia, this article examines two historical forms of such survival: the Stockholm syndrome and, in more detail, “anti-propaganda”, the popularization of the feminist agenda through aesthetic practices with mandatory feedback and the utmost attention to individual fate and personal trauma. Full article

In Deleuze and Guattari’s Anti-Oedipus volumes, revolution, social transformation, and the possibility of a new future are all linked to desire: minimally, to the freeing of desire from the false refuges of Oedipalization and its constructs of molar sexuality. Everywhere, they seek to uncover the potential of desire, sexuality, and love, asking us to consider that what we take to be the most personal is impersonal, how the most intimate is the collective and social. Thus, it calls us to rethink our material and affective relations and reconceptualize the sphere of intimacy itself. I develop the concepts of delirium and revolutionary love, suggesting that we interpret these as perpetual processes of transformation and conjugation, initiating relations of intimacy and advocate for more nuanced, complex forms of subjectivity and to become more sensitive to the varying relational complexes within a given space. Revolutionary love gains its newness from both the extension of Deleuzian desire and from its return to several heritages of feminisms which have themselves been marginalized in the forward sweep of new materialist and posthumanist discussions. The point is to sharpen our focus on the conditions that produce certain social bodies, certain kinds of consciousness, and certain molar identities—not to deny the realities of the socius or reject subjectivity, but to move from a majoritarian to a minoritarian politics that widens our purview of what forces and desires exist within these spaces so that we may transform and build less fascistic, more attuned relational complexes. Full article

With a focus on clothing, bodies, and emotions, this article examines girls’ First Holy Communions in twentieth-century Ireland (c. 1920–1970), demonstrating that Irish girls, even at an early age, embraced opportunities to become both the center of attention and central faith actors in their religious communities through the ritual of Communion. A careful study of First Holy Communion, including clothing, reveals the importance of the ritual. The occasion was indicative of much related to Catholic devotional life from independence through Vatican II, including the intersections of popular religion and consumerism, the feminization of devotion, the centrality of the body in Catholicism, and the role that religion played in forming and maintaining family ties, including cross-generational links. First Communion, and especially the material items that accompanied it, initiated Irish girls into a feminized devotional world managed by women and especially mothers. It taught them that purchasing, hospitality, and gift-giving were central responsibilities of adult Catholic women even as it affirmed the bonds between women family members who helped girls prepare for the occasion. Full article

This article examines the reporting strategy and gender perspective in Chinese media coverage of COVID-19 news. The article employs a mixed-method approach to analyze news reports, using quantitative statistics and qualitative semantic materials that complement each other. The study found that the media construct a stereotypical image of female healthcare workers absent from public participation. Media reports on the actual number of female healthcare workers involved in treating COVID-19 patients are lower than those about men. Reports focusing exclusively on female staff tend to focus on their private affairs, that is, on their non-professional identities and characteristics, and show an excessive gaze on the female body. To understand this phenomenon prevailing in Chinese media, it is necessary to highlight the predicament of Chinese women in society as well as acknowledge the work of contemporary Chinese feminism in raising awareness on Chinese women’s experiences. Full article