Search Results (70)

Rationalist thought and positivism, as observed in various Eastern societies, led to significant upheavals in Turkish society concerning entrenched beliefs about the relationship between humanity and the world. These upheavals can be traced through the modernization efforts of the Tanzimat (Reorganization) period (between 1839 and 1896, the period of modernization and renewal in the Ottoman Empire). Although the initial generation of writers and poets during this period did not overtly renounce their connections to tradition, by the onset of the 20th century, a critical perspective towards traditional and religious content in both poetry and novels became evident. In its formative stages, Turkish socialist novels, which evolved under the influence of Russian socialism, were shaped by the classical Marxist interpretation of religion. Consequently, the socialist realist Turkish novel developed a more original character and distanced itself from stereotypical judgments. Kemal Tahir, who occupies a significant role in the realm of Turkish socialist novels, offers insights into the position and function of faith within society, as he transitioned from the classical Marxist paradigm towards a more original understanding. This study investigates the alterations in religious approaches during the Westernization process within Turkish literature and assesses the reflections of this transformation in the novels of Kemal Tahir (1910–1973), one of the preeminent figures of the socialist realist Turkish novel. Full article

Metamorphosis is central to Indigenous Amazonian cosmologies, which often posit a period in the past when transformations from one being into another proliferated. This time gave way to the relative stability of the present that always runs the risk of going back to an ongoing process of transmutation. In this article, I highlight the significance of plants in Amerindian ontologies of becoming as catalysts of metamorphic movements through their entheogenic effects, through their curative properties and as the ancestors and teachers of humans. Beyond being the facilitators of other entities’ transformations and the virtual grandparents of all beings, plants are also masters of metamorphosis, displaying much more plasticity in adapting to their surroundings than animals. I argue that contemporary Amazonian women’s poetry translates the multiple transformations of vegetal life into literary form. In many Amazonian Indigenous communities, women have traditionally been the ones responsible for plant cultivation, while, in Western societies, women are often associated to certain parts of plants, such as flowers, and to nature as a whole. In the article, I analyze the poetry of Colombian author Anastasia Candre Yamacuri (1962–2014) and Peruvian writer Ana Varela Tafur (1963-), who emphasize the metamorphic potential of plants and the ontology of becoming at play in Amazonia. I contend that women’s writing on plants reflects evolving views on both plants’ and women’s roles in Amazonian societies, marked by rapid social transformation and environmental destruction. Full article

This article compares the similar texts in historiography, legend, poetry, and law between the Hebrew Bible and Chinese classic works, emphasizing the mutual reflection and illumination of the two in terms of culture. This article holds that a literary work, just like an object, will release a certain form of energy, which will have an impact on other works and, at the same time, be influenced by other works. This article examines Chinese classic works from the perspective of the Hebrew Bible to gain new insights. By discussing the traditional comparative methods in biblical studies, the article emphasizes the possibility of comparison between different cultures. It is believed that, for similar stories and texts, it is important to analyze their specific cultural backgrounds and writing environments and to reveal the deep-seated reasons in terms of philosophy, history, society, culture, personal life experiences, etc., behind the phenomena of similarities and differences. Using this method, the article deeply analyzes the similarities and differences between the two kinds of texts in specific literary genres such as historiography, poetry, and law and gives examples to illustrate the similarities and differences between these two types of literary works. The study of these narratives within a comparative framework enables people to have a deeper understanding of these texts and the societies that produced them, while also respecting the unique backgrounds and meanings of each work. The article underlines the significance of cross-cultural comparison in the studies of the Bible and Chinese classic works. This research approach, as proposed, enriches the comprehension of these two literary traditions and their profound influence on the shaping of human history and culture. Full article

The Holy Bible is the most read book in the world, originally written in Aramaic, Hebrew, and Greek over a time span in the order of centuries by many people, and formed by a combination of various literary styles, such as stories, prophecies, poetry, instructions, and others. As such, the Bible is a complex text to be analyzed by humans and machines. This paper provides a systematic survey of the application of Artificial Intelligence (AI) and some of its subareas to the analysis of the Biblical scriptures. Emphasis is given to what types of tasks are being solved, what are the main AI algorithms used, and their limitations. The findings deliver a general perspective on how this field is being developed, along with its limitations and gaps. This research follows a procedure based on three steps: planning (defining the review protocol), conducting (performing the survey), and reporting (formatting the report). The results obtained show there are seven main tasks solved by AI in the Bible analysis: machine translation, authorship identification, part of speech tagging (PoS tagging), semantic annotation, clustering, categorization, and Biblical interpretation. Also, the classes of AI techniques with better performance when applied to Biblical text research are machine learning, neural networks, and deep learning. The main challenges in the field involve the nature and style of the language used in the Bible, among others. Full article

Spanish mystic Saint Juan (John) of the Cross (1542–1591) began writing poetry while imprisoned by his own monastic order. He developed manuals for contemplation, in part, in the form of commentaries on his principal poems. Their first-person narrators were women who underwent metamorphoses in order to pursue love: one became a dove in her despair; another became flame itself; the last disguised herself as a knight. Juan explained that all three represented the soul that is seeking God. For readers, these metaphors could engender cognitive dissonance, through which they might step outside of themselves and move closer to union with the Divine. This process of human self-emptying and self-negation mirrored the self-emptying (kenosis) of Christ in traditional Christology and the negation (apophasis) of human pretense at knowledge about God in apophatic (“negative”) mysticism. Full article

Drawing from The Temple, a seventeenth-century volume of devotional poems written by George Herbert, this essay sets out to unfold how deliberately choosing constraint can lead to a spiritual experience. Beginning with a formal analysis of Herbert’s shape poem “The Altar” to demonstrate how form and content simultaneously create meaning in lyric poetry, the remainder of the essay focuses on Herbert’s most formally constrained poems: the sonnets. Using Herbert’s treatment of the sonnet form as evidence of deliberately choosing constraint, Herbert’s poetics transform our conceptual understanding of the elements that make up a Christian religious experience. Titled by the same words that provide the foundation for Christian spiritual experience, the sonnets “Prayer”, “Love”, and “Redemption”, among others, renew our understanding of religious experience by refocusing our attention via the constraints of the poetic form. By pairing together key religious concepts with the constrained attentive demands of poetry, Herbert’s sonnets challenge notions of passivity and call instead for a renewed understanding of the Christian experience. Characterized by the need for careful attention and neurological intensification—a specific quality of religious experience—Herbert’s sonnets become rooms, or perhaps, poetic chapels, where readers have the chance to experience the spiritual ultimacy of “something understood”. Full article

In this article, we share our findings on patients’ experiences creating digital stories about living with advanced cancer, represented through found poetry. Over a period of 12 months, patients from the program “Managing Cancer and Living Meaningfully” (CALM) completed digital stories about their experiences living with cancer. Digital stories are short, personalized videos that combine photographs, imagery, narration, and music to communicate a personal experience about a topic of inquiry. Patient interviews were conducted about the digital storytelling process. Found poetry guided the analysis technique. It is a form of arts-based research that involves using words and phrases found in interview transcripts to create poems that represent research themes. This article begins with a brief overview of the psychosocial intervention CALM, arts in healthcare, and found poetry, followed by the project background. The found poems represent themes of emotional impact, legacy making, and support and collaboration. Findings also indicate the inherently relational aspect of digital storytelling as participants emphasized the integral role of the digital storytelling facilitator. What follows is a discussion on digital storytelling, which considers the role of found poetry in representing patient voices in the research process. Full article

Prevailing political and popular narratives often treat the issue of trans death as an inevitability and reduce complex stories of trans life to their endings. This paper investigates the transformative potential of creative forms of resistance—specifically a selection of Canadian poetry, personal essays, and comics—and how their artistic affordances engage with transfeminism as an approach to narratives of trans existence. Rooted in Canadian author Kai Cheng Thom’s reckoning with the shortcomings of trans-exclusionary feminist thought, and informed by Chinua Achebe’s conceptualization of re-storying, this article explores how I Hope We Choose Love and Falling Back in Love with Being Human by Kai Cheng Thom, Death Threat by Canadian creatives Vivek Shraya and Ness Lee, and comics from Assigned Male by trans activist and Canadian comic artist Sophie Labelle re-story “necessary” trans death to orient queer death spaces around a trans-for-trans (t4t) praxis of narrativization. Addressing the (inter)disciplinary possibilities of trans-inclusive feminism and comics studies, this article celebrates how these texts disavow and re-story the “Good” Trans Character, who dies to satisfy transmisogynistic ideologies, and theorizes the T4t Dead Trans Character, who dies to reclaim instances of trans death and recodify trans personhood as a site of hope, agency, and self-determination. In their re-storying, these texts recognize the transformative potential of trans existence and echo Thom in their urging of trans-inclusive feminism to renounce narratives of disposability and invest in the dignity of all human life. Full article

It is easy to underestimate Ruth. The story is short and sweet, in elementary Hebrew, about a loyal and obedient daughter-in-law, or so we have been led to believe. The book and its eponymous character are surprisingly complex. Although Ruth is an exemplar of Hebrew narrative, it contains two poetic insertions in the first chapter. Literal translations lose the poetry, and poetic translations are less faithful to the original language. Ruth has been chosen for road-testing a range of hermeneutical approaches, and here is one more. This paper approaches these poetic insertions and, indeed, the book of Ruth, as poetry and explores a new method for examining and interpreting Hebrew poetic texts, namely, exegetical poetry. I pay particular attention to poetic devices—parsing for parallelism, alliteration, and other poetic elements—and explore their significance. As I translate and exegete, I compose poetry reflecting the form, content, and theological themes of the Hebrew poetry through the use of similar English devices, imagery, and mood. The result is an amalgam of showing through exegetical poetry and telling through prose commentary, enriching our understanding of the characterization of Ruth and Naomi, and the relationship between these poetic insertions and the broader narrative. Full article

Ecocriticism is an advancing field in literature that has opened up avenues in reading world literature from a whole new perspective. This paper seeks to flesh out ecocritical concerns in the selected poems of Mahmoud Darwish and Naomi Shihab Nye by using selected concepts of the theory of ecocriticism given by Greg Garrard: pastoral, wilderness, and the sublime. An analysis of the poetry by the selected writers, sharing their roots from the Arab world, reveals their agenda of using nature as a trope in the form of resistance to colonialism. The writers give a glimpse of the people of their homeland and their culture imbued in nature. Full article

Poetry and philosophy have had a close but uneasy relationship in the western tradition. Both share an eschewal of the discovery of novel facts, but are somewhat opposed in that discovery is a central aim of poetry, but not at all the aim of philosophy. Through a close reading of W.H. Auden’s ‘In Memory of W.B. Yeats’ and a versification of part of G.E. Moore’s ‘A Defence of Common Sense’, I argue that what poetry shows corresponds, in a broadly symbolist sense, to Wittgenstein’s understanding of the miraculous nature of the world. In this regard, poetry can offer philosophy clarity, in the form of its tonal architecture, value, and ethics, and may also constitute a perspicuous representation. Poetry remains in a perpetual mode of potential, as well as being possessed of a vatic autonomy. Full article

Speaking is a highly conventional enterprise. But unusual usages are, nonetheless, frequently encountered. Some of these novelties fall flat, while others find favour, to the extent of entering common usage. He considered to say something will sound wrong to most native speakers, while The military disappeared her husband, which was more or less unsayable prior to the 1960s, has come to seem fine. Linguist Adelle E. Goldberg has recently argued that speakers display a remarkable openness to new words, phrases and even grammatical forms, when there is no current way of communicating whatever it is those novel strings serve to express. My paper exegetes Goldberg’s findings to illuminate the question of poetic judgement. It proposes that there is a strong parallel between how people judge linguistic innovation in everyday speaking, and the way poets and critics judge innovative poetic diction: in both cases there is a premium on what cannot otherwise be said. The paper proceeds to deepen the analogies between these two modes of judgement. It starts by linking the lack of rules for determining the acceptability of new words and phrases in everyday speaking with the indifference to prior rules associated with aesthetic judgement in Kant’s third critique, and apparent in the appraisals of many a contemporary poetry critic. It turns to consider the claim that what motivates the judgements under consideration is a preference in the human conceptual system for distinct symbols to have mutually exclusive meanings. A fourth section concerns what Construction Grammar, the broad field of Goldberg’s intervention, has to reveal about the conditions under which new words and phrases can take on meaning in the first place. This too has something to suggest about why we judge certain poetic efforts poor, others landed. Full article

The medieval epic poem, The Divine Comedy, and Jonathan Nolan and Lisa Joy’s prestige drama, Westworld, have more in common than at first meets the eye. Both represent hellish and purgatorial geographies, both physical and psychological. And both share the view that what is regularly considered “perfect liberty”, or the liberty to indulge in any and every desire one wishes to with impunity, is in fact a form of slavery, as argued by Aristotle. Both the denizens in Dante’s Inferno and the guests in Westworld’s park, therefore, are ensnared by their own desires. This article will consider the structure of Dante Alighieri’s The Divine Comedy and Jonathan Nolan and Lisa Joy’s hit HBO show Westworld, which I will argue takes parts of its structure consciously from Dante’s The Divine Comedy. And though at the outset, the two works of art appear dissimilar, the theologically and philosophically infused medieval Catholic-Italian poetry of Dante and the sensuous, nihilistic, and provocative story-telling of Jonathan Nolan’s recent work on the generation and expression of consciousness, ultimately what they share is similarity in structure and an agreement on the connection between activity, suffering, madness, perfection, consciousness, and freedom of the will from sin. Full article

In this paper I hope to cast light on Wittgenstein enigmatic remark, “one should really only create philosophy poetically”. I discuss Wittgenstein’s ambition to overcome metaphysics by way of an appeal to ordinary language. For this purpose I contrast “realism” in philosophy (i.e., metaphysical realism, particularly its modern scientific version) with “realism” in poetry. My theme is the capacity of poetry to provide a model for Wittgenstein’s resistance to the inhumanity unleashed in metaphysics—exemplified by two distinct forms of skepticism—which obliterates the ordinary world under the guise of discovering its true nature. The poem I shall use to illustrate the difficulty in maintaining our grip on reality, hence our grip on our humanity, is Czeslaw Milosz’s poem “Realism”. Full article

Jung stated that active imagination is a fundamental component of the second phase of an analysis that can continue even outside the analytic setting. Since it can be conveyed through various expressive techniques, such as writing, drawing, and painting, it is possible to argue that all forms of psychotherapy based on art (e.g., poetry, dance, and theater) originate from Jung’s contribution about active imagination. This paper focuses on Sandplay Therapy as one of the forms of expression rooted in active imagination. Apart from some critical differences between the two analytic processes (e.g., active imagination is usually prompted in the last phase of the analysis, while Sandplay Therapy might be used since the first sessions), there are several convergences. Among the principal analogies, consciousness lends its expressive means to the unconscious, which decides what to depict. Also, the resulting image is determined from both the consciousness and the unconscious and is related to the person’s conscious situation. Finally, I suggest that Sandplay Therapy—aside from contributing to the subsequent development of active imagination itself (as suggested by Dr. Carducci)—might also be used to practice active imagination in a “facilitated” and protected setting. It would help let the unconscious come up while creating the image in the sandtray, and it fosters the confrontation between the unconscious and the consciousness through the contemplation of the image in the sandtray. Full article