Search Results (11)

Historical archives hold untapped potential for understanding long-term biodiversity change. This study introduces computational approaches to historical ecology, combining archival research, text analysis, and spatial mapping to reconstruct past biodiversity patterns. Using the 1845 Bavarian Animal Observation Dataset (AOD1845), a comprehensive survey of vertebrate species across 119 districts, we transform 5400 prose records into structured ecological data. Our analyses reveal how species distributions, habitat associations, and human–wildlife interactions were shaped by land use and environmental pressures in pre-industrial Bavaria. Beyond documenting ecological baselines, the study captures early perceptions of habitat loss and species decline. We emphasise the critical role of historical expertise in interpreting archival sources and avoiding anachronisms when integrating historical data with modern biodiversity frameworks. By bridging the humanities and environmental sciences, this work shows how digitised archives and computational methods can open new frontiers for conservation science, restoration ecology, and Anthropocene studies. The findings advocate for the systematic mobilisation of historical datasets to better understand biodiversity change over time. Full article

This study explores the integration of generative artificial intelligence (GenAI), specifically ChatGPT, in designing a historical simulation of the French Revolution for eighth-grade students. Using the technological pedagogical content knowledge (TPACK) framework, the research examines how GenAI facilitated and obstructed the creation of an immersive educational experience, addressing the challenges and opportunities it presents. The study employs an explanatory case study methodology combined with autoethnographic elements, capturing the dynamic interplay between AI tools and educators in the design process. The simulation incorporated faction-based role-playing to engage students in historical decision-making, influenced by both pre-revolutionary and revolutionary events. GenAI played multiple collegial roles in the design process, including as a subject matter expert, game mechanics designer, and content communicator, enhancing efficiency and creativity. However, its limitations—such as unverified information, anachronisms, and biases—necessitated careful consideration, drawing on content matter expertise and knowledge of curriculum and class context. Findings indicate that the effective use of GenAI to assist simulation design requires a robust integration of content knowledge, technological proficiency, and pedagogical strategies within the TPACK framework. The study contributes to emerging research on AI’s role in pedagogical design process, with implications for history education and beyond. Full article

At the time of its construction, which started in 1913, the architectural design of Moscow’s Kazan Station was considered by many to be out of step with the avant-garde creative energies that pervaded fin-de-siècle Russian culture. The same opinion applied to the artworks that were installed to decorate the station’s interior. In the decades since, art historians have generally shared the judgments levied by those who complained about the station’s supposed deficits in the 1910s. The purpose of this article is to show that, while the designs and décor of Kazan Station were indeed anachronistic—especially considering the high-tech purposes and functions of the industrial-era railroad station—the anachronism, far from reflecting a lack of awareness or innovative ability, resulted from conscious decisions on the part of Alexei Shchusev as architect, Alexandre Benois as the individual who selected artists to work on the station, and the artists themselves, including Nikolai Roerich and Pavel Kuznetsov, namely, those who built and decorated the station deliberately concealed the station’s inherently modernist and utilitarian nature behind a backward-looking, past-oriented façade, both to fulfill their mission of commemorating old Russia’s imperial expansion and subjugation of the East and to assuage the social and cultural anxieties often stirred up in the late 1800s and early 1900s by the construction of infrastructural assets such as railroad stations. Full article

How many different writers authored the huge number of texts attributed to Galen of Pergamum (129~216 Anno Domini (AD)), medical doctor and philosopher, a giant in the history of medicine? The quest to find out which texts were his and which ones were written by others is known as the “Galenic Question”. We propose a “solution” to it through a multidisciplinary approach based (a) on historical research and (b) on a mathematical analysis of the Greek texts. The historical approach considers historical independent sources and anachronisms. The mathematical approach is based on a mathematical theory concerning deep language variables, rarely consciously controlled by any author, and is therefore capable of giving indications on the similarity of texts, with little or no bias. The multidisciplinary approach has convinced us that at least three authors wrote the texts attributed to Galen. The first two were very likely real historical persons: (a) a certain Galen living between the end of the I century Before Christ (BC) and the second half of the I century AD, and (b) the historical Galen of Pergamum (II–III centuries AD). We believe the third (c) to be represented by several unknown authors hiding under the name Galen, but likely living after Galen of Pergamum’s death. Full article

Many scholars have understood conspiracy theories as sense-making mechanisms. Among them, a particular strand further inspected them in parallel with religion and magic. This comparison bears the risk of framing conspiracy theories as irrational interpretations and anachronisms with respect to contemporary ways of explaining reality. This contribution takes off from the reflections of those who have highlighted this risk. It tries to confront the possibility of using the concept of enchantment without implying a normative judgment on the irrationality of conspiracy theories. This paper carries out this effort by closely inspecting Max Weber’s texts. I argue that Weber’s notion of enchantment and disenchantment allows for a punctual use of both, devoid of normative implications. After setting out this non-normative notion of enchantment, this paper examines the characteristics of the enchanted worldview and its usefulness in reading conspiracy theories. Finally, this paper supports this effort using the identified characteristics to systematise a reading of conspiracy-based accounts of the COVID-19 pandemic. Full article

In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in Dickinson’s poetry itself and in the foibles of its author, regardless of their familiarity with the literary or cultural histories of the US American 19th century. Dickinson showcases creator Alena Smith’s well-researched knowledge of the poet and her work, while simultaneously mocking popular (mis)conceptions about her life and that of other literary figures such as Walt Whitman and Sylvia Plath, all set to a contemporary soundtrack. This analysis of Dickinson proposes to bring into conversation shifting boundaries of high and low culture across generations and engage with critical debates about the utility of the popular (and of studies of the popular) in literary and cultural studies in particular. Full article

This paper aims to define the way Egyptians perceived the boundaries of their land and reassesses the impact of Egyptian colonialism during the Ramesside period (c. 1292–1069 BCE). During this era, expansive wars, diplomatic action and land administration/governance reforms led Egypt to control a large part of modern Israel, Palestine, Lebanon and Syria. To refer to this period, historians often use the terms Egyptian “empire” and Egyptian “imperialism”, extending terminology coined in the 19th century to describe modern cases of political dominance to Late Bronze Age Egypt. Furthermore, traditional scholarship also presents Egypt’s borders in such a way that Egypt appears as a solid territory with fixed borders, despite evidence pointing to a different model of geographical division. Seeking to explore whether the use of modern terms on ancient Egypt may be an anachronism, this paper reviews the scholarship on (a) Egyptian records documenting conquests and (b) contextual archaeological evidence from the southern Near East itself. This review highlights differences between modern and ancient conceptions of land domination. Finally, Egyptian border-related terms are used in a strictly local symbolic cultural context but not in the one of international diplomacy. As for Egypt’s boundary, it was mostly formed as a buffer zone rather than a borderline. Full article

Megafaunal seed dispersal syndrome refers to a group of traits attributed to the evolution of plants in the presence of large mammals. Present-day plants that bear these traits in areas where megafauna are absent are presumed to represent anachronic dispersal systems. Gomortega keule is an endangered tree species from a monotypic family (Gomortegaceae), endemic to Chile. Its fruit traits suggest adaptation to seed dispersal by large vertebrates; however, none are present today along its area of distribution. Here, we conducted a detailed revision on the fruit morphology of G. keule to examine whether its fruit traits fit a megafaunal dispersal syndrome. Additionally, we examined the fruit processing behavior of large domestic and captive wild animals fed with G. keule fruits, and its effect on germination. G. keule fruits had traits consistent with those of a Type 1 megafaunal fruit. Compared to intact, whole stones, seed germination probabilities decreased when fruits were handled by animals, suggesting that the seed was damaged during mastication and/or ingestion. Moreover, results from our feeding trials with elephants may also imply low efficiency of extinct gomphotheres as seed dispersers of this species. Our results also suggest that although domestic animals may disperse G. keule, it is unlikely that at present they can substitute the services of its original dispersers. Further investigation on seedling survival, local livestock management and forest management practices may help reinstate sexual regeneration in G. keule. Finally, integrating observations on fruit ecology and local people’s knowledge with experimental data enriches our species-centered approach and may help to address regeneration problems in other endangered plants. Full article

Embedded in the paradigm of the “New Visibility of Religion,” this article addresses the question of the significance of sacred buildings for public spaces. ‘Visibility’ is conceived as religion’s presence in cities through the medium of architecture. In maintaining sacred buildings in cities, religions expose themselves to the conditions of how cities work. They cannot avoid questions such as how to counteract the tendency of public space to erode. Following some preliminary remarks on the “New Visibility of Religion,” I examine selected sacred buildings in Vienna. Next, I focus on the motifs of the city, the “ark” as a model for sacred buildings and the aesthetic dimension of public space. Finally, I consider the contribution of sacred buildings to contemporary public spaces. What is at issue is not the subject that moves in public and visits sacred buildings with the aim of acquiring knowledge or with the urgency to act, but rather the subject that feels and experiences itself in its dealings with public space and sacred buildings. In this context, I refer to the experience of disinterested beauty (Kant), anachronism, multi-perspectivity (Klaus Heinrich), and openness (Hans-Dieter Bahr). Full article

Since Max Weber’s ground-breaking study, The Protestant Ethic, and the Spirit of Capitalism, it has become something of a scholarly trope to treat the rise of secular modernity and the formation of Quakerism as going readily together. In an effort to dismantle this habitual interpretation of Quaker history, this article posits the existence of an embryonic ‘enchanted’ Quakerism, which actively resisted the nascent secularity of early modernity. Drawing extensively on the gift-theory of Marcel Mauss, it will be shown that first-generation Quakerism was characterised by a magical conception of the body, nature, and society. Such a posture, in its radical anachronism, sought to undermine both Cartesian science and the emerging discipline of political economy. In place of a cosmology of hierarchy and commodification, early Quakers argued for a sweeping theology of gift, which imbued the whole of experience with divine activity. While secularity was busily confining the magical and the miraculous to the realm of innermost subjectivity, the Quakerism of the 1650s and 60s was characterised by a stubborn refusal to accept such a process of religious privatisation. In contrast, early Quaker spirituality postulated the continual interaction of Biblical realities with contemporary natural and social orders. Full article

This essay intervenes in debates about the depiction of conflict since 1945, by comparing two highly significant photographic ‘hacks’: Brecht’s War Primer (Kriegsfibel) 1955; and Broomberg & Chanarin’s War Primer 2, 2011. Kriegsfibel is a collection of images, snipped from wartime newspapers and magazines, which Brecht selected and situated alongside the four-line verses that he used to comment upon and re-caption his pictures. These acerbic ‘photo–epigrams’ captured Brecht’s view, firstly, that photography had become a ‘terrible weapon against truth’ and secondly, that by repositioning the individual image, its political instrumentality might be restored. When, more than half a century later, Broomberg & Chanarin decide to re-work Kriegsfibel to produce War Primer 2, they effectively crash into and redouble the Brechtian hack; updating and further complicating Brecht’s insights; re-animating his original concerns with photography as a form of collective historical elucidation and mounting, literally on top of his pictures of wartime conflict, images from the ‘war on terror’. This essay argues that the re-doubling of War Primer performs multiple critical tasks. It explores the Kriegsfibel as a dynamic confrontation with images of war and stages the enduring need to interrogate and actively re-function images of conflict from WW2 to the present day. It re-examines debates about images as weapons of war in themselves, and finally, it situates the Kriegsfibel assemblage in relation to contemporary understandings of ‘post-truth’. Full article