Search Results (5)

The creative city concept has gained global recognition, notably through the UNESCO Creative Cities Network (UCCN). In Japan, facing declining birth rates and economic stagnation, this framework was seen as a revitalization tool to increase the urban quality. Yet, while the creative city concept clearly appears on the theoretical level, its operationalization usually remains unclear. Additionally, previous research considers sustainability questions through economic, social, and cultural lenses but more rarely through environmental aspects. Thus, this paper aims to explore the implementation of the creative city in Japan, unveil the specific elements composing the policies of UNESCO Creative Cities, and question how environmental sustainability is addressed in these policies. The research method includes a qualitative analysis of the membership monitoring reports (MMRs) submitted by cities to UNESCO. Conducting a field survey in a creative facility and a hearing survey with the city government, the research also focuses on Kanazawa as a case study to explore in greater depth the interaction between creative city strategies and environmental sustainability. Among the research findings, economic perspectives—through support for creative industries and the promotion of tourism—and systematic actions targeting children dominate the MMRs, while socio-environmental aspects receive less attention. Most ambitious initiatives toward environmental sustainability were implemented in rural cities. In Kanazawa, it appears the creative city policy is independent of the local environmental policies, although some opportunities exist to connect them. The field survey indeed reveals that some spontaneous initiatives toward environmental sustainability might emanate from a creative facility. Therefore, the paper provides significance in unveiling the specific content of creative city policies in Japan and in re-examining the notion of creativity to integrate environmental sustainability into the creative city agenda. Full article

Popayán (Colombia) was the first city to be designated a UNESCO Creative City of Gastronomy in 2005, positioning itself as a symbolic ‘myth of origin’ within the network. In the context of growing demands for local strategies aligned with the Sustainable Development Goals (SDGs), it is pertinent to understand how founding cities manage and project their image through sustainable tourism marketing. Almost two decades later, this study examines how Popayán communicates and sustains its image within the UNESCO Creative Cities Network (UCCN), guided by sustainable tourism marketing principles. Methodologically, the study adopts an exploratory and descriptive case study approach, based on documentary analysis of institutional sources and the application of the adapted Analytic Hierarchy Process Image—UNESCO Creative City Gastronomy (AHPI-UCCG) model. The results provided the following: (1) a multidimensional analysis of Popayán’s image in the context of sustainable marketing; (2) an assessment of how the city’s image responds to current branding challenges, using the adapted AHPI-UCCG model; and (3) a proposal for a context-sensitive investment agenda aligned with sustainability objectives. These results support the development of a personalised strategy for Popayán and demonstrate the potential of this approach to inform analyses of other Creative Cities of Gastronomy, while recognising the unique symbolic role of Popayán as the foundational case. Full article

The globalization of tourism poses complex challenges for destination planning and management, requiring the involvement of various stakeholders and strategic decision-making at various scales. Gastronomic tourism, a key factor in tourist satisfaction and loyalty, has been widely studied for its impact on tourism destination image (TDI). Despite advances in methodologies such as the Analytical Hierarchy Process (AHP), which hierarchies the factors that influence TDI, there are still gaps in the use of sensitivity analysis to improve strategic planning, in particular to leverage TDI as a management tool. Specifically in UNESCO Creative Cities of Gastronomy (UCCG), it is crucial to understand how sensitivity analysis can improve the robustness of AHP models. To address this gap, this study investigates how sensitivity analysis can refine decision-making processes for effective tourism management in Brazil’s UCCG. Using AHP as a decision-making methodology, it integrates sensitivity analysis to assess the reliability of six dimensions in the Analytic Hierarchy Process Image—UNESCO Creative Cities Gastronomy (AHPI-UCCG) model, introducing a dynamic approach to dealing with the complexities of destination planning. The results are valuable for policy-makers and private players in the tourism, creativity, and gastronomy sectors. They offer practical perspectives for improving destination promotion and encouraging coopetition. The study also demonstrates the adaptability of this approach based on sensitivity analysis, suggesting its applicability beyond Brazil to other UCCG networks, contributing to better tourism planning and management at a global level. Full article

La Banda Primitiva is one of Europe’s most notable symphonic civic bands. Located in Llíria (València, Spain), part of the UNESCO creative cities network, its theater was designed by Joaquín Rieta, one of the most relevant Valencian architects of the twentieth century. This study analyses the current state of the theater, its relevance to the town’s cultural heritage, and how it has evolved over the years in terms of its acoustic performance. The objective is to understand how the theater’s acoustics have evolved over the years and to unveil the reasons behind the preference of the regular audience for specific areas of the venue, considering if these tendencies are influenced by tradition rather than the current auditory experience. The theater’s acoustics were studied with objective and subjective parameters. The objective parameters were assessed by conducting on-site measurements and ray-tracing simulations. One hundred and three musicians answered a survey of auralizations to evaluate subjective acoustic parameters. Three musical pieces were recorded in an anechoic chamber and convoluted by the impulse response of the venue at different positions to obtain the auralizations. The results show that the objective acoustic parameters do not differ significantly. Overall, the reverberation time was longer before the renovation. Regarding subjective testing, the sample only shows a subtle tendency (57%) towards preferring seats on the second balcony. For that reason, it can be concluded that there is no evidence to support the claim that the seats located on the second balcony have better acoustics than those in the stalls. Full article

As the imperative of sustainable development of cities has gained heightened attention within the global creative and cultural industries in the last decade, among all the relevant trials and practices, city design weeks are becoming a notable method offering diverse possibilities for the innovative approaches the cities could apply to their development. Therefore, the objective of the research is to understand how city design weeks facilitate urban sustainable development and how design-driven innovation is implemented in such a context. Employing a qualitative methodology, the study conducts a case study across 30 global design weeks, selected through a cross-validated process with the World Design Weeks global network and UNESCO City of Design network. Grounded in the design-driven innovation perspective, valid data from 2017 to 2022 is gathered in response to the United Nations Sustainable Development Goals (SDGs) primarily through extensive interviews, official project reports, and media communication materials. The data are further cross-analysed by adapting the Creative Cities Index into 10 indicators suitable for the context of design weeks. Among the research findings, three types of design-driven models emerge for the innovation practice of city design weeks: metropolitan integrative transformation and innovation, inclusive cultural diversity communion and innovation, and cluster incorporation and collaborative innovation. In this way, the study provides both the practical significance in terms of supporting the design week organisation by implementing suitable approaches to drive the city’s sustainable development and the theoretical significance in extending the possible adaptation of a design-driven innovation model for the urban development context. Furthermore, the limitation of this qualitative study opens avenues for future quantitative impact analyses on individual design weeks, providing applicable evaluation methods to iteratively inspect and refine the models over time, which complement the limitations of the current qualitative research. Full article