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Keywords = Studio Arena

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24 pages, 6310 KiB  
Article
Data-Driven Smart Avatar for Thermal Comfort Evaluation in Chile
by Nina Hormazábal, Patricia Franco, David Urtubia and Mohamed A. Ahmed
Buildings 2023, 13(8), 1953; https://doi.org/10.3390/buildings13081953 - 31 Jul 2023
Cited by 2 | Viewed by 1720
Abstract
This work proposes a data-driven decision-making approach to develop a smart avatar that allows for evaluating the thermal comfort experienced by a user in Chile. The ANSI/ASHRAE 55-2020 standard is the basis for the predicted mean vote (PMV) comfort index, which is calculated [...] Read more.
This work proposes a data-driven decision-making approach to develop a smart avatar that allows for evaluating the thermal comfort experienced by a user in Chile. The ANSI/ASHRAE 55-2020 standard is the basis for the predicted mean vote (PMV) comfort index, which is calculated by a random forest (RF) regressor using temperature, humidity, airspeed, metabolic rate, and clothing as inputs. To generate data from four cities with different climates, a 3.0 m × 3.0 m × 2.4 m shoe box with two adiabatic walls was modeled in Rhino and evaluated using Grasshopper’s ClimateStudio plugin based on Energy Plus+. Long short-term memory (LSTM) was used to forecast the PMV for the next hour and inform decisions. A rule-based decision-making algorithm was implemented to emulate user behavior, which included turning the air conditioner (AC) or heater ON/OFF, recommendations such as dressing/undressing, opening/closing the window, and doing nothing in the case of neutral thermal comfort. The RF regressor achieved a root mean square error (RMSE) of 0.54 and a mean absolute error (MAE) of 0.28, while the LSTM had an RMSE of 0.051 and an MAE of 0.025. The proposed system was successful in saving energy in Calama (31.2%), Valparaiso (69.2%), and the southern cities of Puerto Montt and Punta Arena (23.6%), despite the increased energy consumption needed to maintain thermal comfort. Full article
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17 pages, 798 KiB  
Article
Now It’s My Time! Black Girls Finding Space and Place in Comic Books
by Grace D. Gipson
Arts 2023, 12(2), 66; https://doi.org/10.3390/arts12020066 - 28 Mar 2023
Cited by 1 | Viewed by 4586
Abstract
This essay examines how Black girl narratives are finding and making space and place in the arena of comic books and television. With the rise in Black girl (super)hero protagonists on the comic book pages and adapted television shows, it is essential to [...] Read more.
This essay examines how Black girl narratives are finding and making space and place in the arena of comic books and television. With the rise in Black girl (super)hero protagonists on the comic book pages and adapted television shows, it is essential to explore the significance of their rising inclusion, visibility, and popularity and understand how they contribute to the discourse surrounding the next generation of heroes. Guided by an Afrofuturist, Black feminist, and intersectional framework, I discuss the progressive possibilities of popular media culture in depicting Black girlhood and adolescence. In Marvel Comics’ “RiRi Williams/Ironheart”, DC Comics’ “Naomi McDuffie”, and Boom! Studios’ “Eve”, these possibilities are evident. Blending aspects of adventure, fantasy, sci-fi, and STEM, each character offers fictional insight into the lived experiences of Black girl youth from historical, aesthetic, and expressive perspectives. Moreover, as talented and adventurous characters, their storylines, whether on the comic book pages or the television screen, reveal a necessary change to the landscape of popular media culture. Full article
(This article belongs to the Special Issue New Perspectives on Pop Culture)
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12 pages, 2390 KiB  
Article
The Unmade City: Subjectivity, Buffalo and the Sad Fate of Studio Arena Theatre
by Julian Meyrick
Humanities 2016, 5(3), 74; https://doi.org/10.3390/h5030074 - 1 Sep 2016
Viewed by 5613
Abstract
This article is a reflection on the disjointed and submerged cultural consciousness of the city of Buffalo, New York. It outlines the concept of subjectivity as put forward by the philosopher Alain Badiou, and maps it onto the history of Studio Arena, Buffalo’s [...] Read more.
This article is a reflection on the disjointed and submerged cultural consciousness of the city of Buffalo, New York. It outlines the concept of subjectivity as put forward by the philosopher Alain Badiou, and maps it onto the history of Studio Arena, Buffalo’s main theatre company. Studio Arena Theatre (1927–2008) was one of the oldest and best known regional theatres in the USA. Its closure is a story fraught with conflict, misunderstanding and loss. That there has been no replacement theatre of comparable size and mandate says something about Buffalo’s diminished civic imaginary. While the link between the Theatre and the City is hard to formularise, it is a historically important relationship, going back to the time of Aristotle when theatre functioned as an informing resource for the lives of citizens. Those interested in urban renewal in Buffalo and other rust-belt US cities can profit not only from an understanding of Studio Arena Theatre’s history, but from a consideration of the kind of emotional engagement that this regional theatre represented. Full article
(This article belongs to the Special Issue Emotions and Affect in the Humanities, Creative Arts, and Performance)
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