Search Results (153)

Integrated hydrological modeling plays a crucial role in advancing sustainable water resource management, particularly in regions facing seasonal and extreme precipitation events. However, comprehensive studies that assess hydrological variability in temperate river basins remain limited. This study addresses this gap by evaluating the performance of the Soil and Water Assessment Tool (SWAT) in simulating streamflow, water balance, and seasonal hydrological dynamics in the Chikugo River Basin, Kyushu Island, Japan. The basin, originating from Mount Aso and draining into the Ariake Sea, is subject to frequent typhoons and intense rainfall, making it a critical case for sustainable water governance. Using the Sequential Uncertainty Fitting Version 2 (SUFI-2) approach, we calibrated the SWAT model over the period 2007–2021. Water balance analysis revealed that baseflow plays dominant roles in basin hydrology which is essential for agricultural and domestic water needs by providing a stable groundwater contribution despite increasing precipitation and varying water demand. These findings contribute to a deeper understanding of hydrological behavior in temperate catchments and offer a scientific foundation for sustainable water allocation, planning, and climate resilience strategies. Full article

This study examines the complex process of Islam’s localization in Sudan, focusing on how hospitality, Sufi dhikr, and Mawlid celebrations integrate with Islamic practices. Drawing on three years of qualitative fieldwork, it demonstrates how Sudan’s geography, ethnic diversity, and historical heritage enable the blending of core religious principles with local customs. Sufi brotherhoods—particularly Qādiriyya, Tījāniyya, Shādhiliyya, and Khatmiyya—play a pivotal role in local culture by incorporating traditional musical, choreographic, and narrative art forms into their rituals, resulting in highly dynamic worship and social interaction. In Sudan, hospitality emerges as a near-sovereign social norm, reflecting the Islamic ethics of charity and mutual assistance while remaining deeply intertwined with local traditions. Islam’s adaptability toward local customs is further illustrated by the vibrant drumming, chanting, and dancing that enhance large-scale Mawlid al-Nabi celebrations, uniting Muslims under a religious identity that goes beyond dogmatic definitions. Beyond their spiritual meanings, these Sufi practices and networks also serve as tools for social cohesion, often functioning as support systems in regions with minimal state presence. They help prevent disputes and foster unity, demonstrating the positive impact of a flexible Islam—one that draws on both scripture and local traditions—on peacebuilding in Sudan. While highlighting the country’s social realities, this study offers insights into how Islam can function as a transformative force within society. Full article

This article examines the contributions of Turkish screenwriter Ayşe Şasa (1941–2014) to Turkish cinema and visual culture through her engagement with Sufism and metaphysical themes. It explores how Şasa draws on esoteric Sufi concepts such as the oneness of being (waḥdat al-wujūd), asceticism (zuhd), and inspiration (ilhām), using cinema as a vehicle for spiritual inquiry and the quest for truth (ḥaqīqa). Her films—including Hear the Reed (Dinle Neyden), The Night That Never Was (Hiçbir Gece), and My Friend the Devil (Arkadaşım Şeytan)—are explored through thematic and interpretive approaches that uncover their Sufi dimensions. The methodological approach combines Gillian Rose’s visual methodology, Klaus Krippendorff’s content analysis, and Arthur Asa Berger’s interpretive model. Rose’s framework facilitates an exploration of symbolic narrative in Şasa’s films and writings, while Krippendorff’s methods identify recurring metaphysical motifs. Berger’s approach uncovers layered meanings in visual and narrative elements. Through narrative structure, symbolic imagery, color, setting, costume, light, and sound, Şasa constructs a spiritually resonant cinematic esthetic that challenges the secular paradigms of modern cinema. Ultimately, this article argues that Şasa develops a distinct cinematic language grounded in Sufi metaphysics, enriching Turkish visual culture with a profound spiritual and moral sensibility. Full article

The Okavango River is a transboundary waterway that flows through Angola, Namibia, and Botswana, forming a significant alluvial fan in northwestern Botswana. This fan creates a Delta that plays a vital role in the country’s GDP through tourism. While research has primarily focused on the Delta, the river’s catchment area in the Angolan highlands—its main water source and critical for downstream flow—has been largely overlooked. The basin is under pressure from development, water abstraction, and population growth in the surrounding areas, which negatively affect the environment. These challenges are intensified by climate change, leading to increased water scarcity that necessitates improved management strategies. Currently, there is a lack of published research on the basin’s hydrology, leaving many hydrological parameters related to streamflow in the catchments inadequately understood. Most existing studies have employed single-site calibration methods, which fail to capture the diverse characteristics of the basin’s catchments. To address this, a SWAT model has been developed to simulate the hydrologic behaviour of the basin using sequential multisite calibration with data from five gauging stations, including the main river systems: Cubango and Cuito. The SUFI2 program was used for sensitivity analysis, calibration, and validation. The initial sensitivity analysis identified several key parameters: the Soil Evaporation Compensation Factor (ESCO), the SCS curve number under moisture condition II (CN2), Saturated Hydraulic Conductivity (SOL_K), and Moist Bulk Density (SOL_BD) as the most influential. The calibration and validation results were generally satisfactory, with a coefficient of determination ranging from 0.47 to 0.72. Analysis of the water balance and parameter sensitivities revealed the varied hydrologic responses of different sub-watersheds with distinct soil profiles. Average annual precipitation varies from 1116 mm upstream to 369 mm downstream, with an evapotranspiration-to-precipitation ratio ranging from 0.47 to 0.95 and a water yield ratio between 0.51 and 0.03, thereby revealing their spatial gradients, notably increasing evapotranspiration and decreasing water yield downstream. The SWAT model’s water balance components provided promising results, with soil moisture data aligned with the TerraClimate dataset, achieving a coefficient of determination of 0.63. Additionally, the model captured the influence of the El Niño–Southern Oscillation (ENSO) on local hydrology. However, limitations were noted in simulating peak and low flows due to sparse gauge coverage, data gaps (e.g., groundwater abstraction, point sources), and the use of coarse-resolution climate inputs. Full article

This article is a case study of an early Persian Sufi Abū Sa‘īd-i Abū l-Ḫayr (357–440H/967–1049 CE) within the wider question of the approach to the religious other in the multi-religious society of medieval Islam. In his poetry and the tales ascribed to him, Abū Sa‘īd was one of the first Muslim mystics to have conveyed empathy and even admiration towards Jews, frequently portrayed negatively in early Sufi texts. Simultaneously, he also expresses fundamental enmity towards them and a traditional missionary desire to convert them to Islam. This apparent ambivalence, revealing a complexity that straddles tolerance and intolerance, is set in a broader context of Sufi attitudes toward religious diversity, and a cursory survey is presented of conceptions of the transcendental unity of religions in Sufi writings in Arabic or Persian. The author posits that Abū Sa‘īd’s duality may mirror a personal religious journey or an intentional concealment of his convictions in order to escape reproof. Full article

The prevalent conception in many Muslim communities globally that women’s visibility must be minimized or attenuated in the presence of unrelated men profoundly shapes Muslim women’s relationship to visibility. Many Muslim women participate in and influence their communities through forms of “wrapping”—a semiotic act that covers and protects yet also identifies and displays. The concept of “wrapping” encompasses “veiling” yet moves beyond clichés of invisible and silenced Muslim women. In the Fayḍa Tijāniyya Sufi community in Senegal, female Sufi chanters were until recently practically unknown, largely due to the perception that a woman’s voice—like her body and social presence—is ʿawra, or something to be cloaked and protected. Since around 2009, however, female chanters have proliferated, some becoming online superstars and acting as formally appointed spiritual guides (muqaddamas). These women largely embrace the notion of a woman’s voice and body as ʿawra, yet they adopt various social and material technologies as “wrappers” that mediate their chanting before large audiences. Female chanters exemplify the dialectic in the Sufi tradition—between the flexibility associated with transcendent reality (ḥaqīqa) and the limits associated with divine law (sharīʿa)—which facilitates yet constrains adaptation to changing historical conditions. Full article

The Sufi dimension is usually underestimated within the debate on Islam and modernity as well as in discussions about resistance to Western ideas within contemporary Islamic culture. In contrast, Islamic modernism is often defined as the result of a coherent process of modernization and reform, which stems from cultural confrontation with European Western thought and is accelerated by certain key historical events between the 19th and 20th centuries. This modernization, in the last decades of the 19th century, led to the emergence of a cultural Arab renaissance, known as naḥḍa, and a religious reform, iṣlāḥ; both are strongly influenced by modern Western thought. At the opposite end of this current of thought is the perspective of Sīdī Salāma al-Rāḍī, who denounced the damage that the scientistic view of Western origin was doing to Egyptian culture. His most important work, from this point of view, is an untranslated book entitled al-Insāniyya (“Humanity”), in which the author criticizes, from a traditional perspective, the biochemical, medical, evolutionary, and spiritualist conceptions of the physical, psychic, and spiritual constitution of the human being. The general tenor of this work is highly critical of modern Western civilization and represents an attempt to propose a traditional Islamic viewpoint, which is of extreme interest due to its uniqueness. Al-Insāniyya highlights a topic rarely addressed in academic literature on early twentieth-century Sufism: the involvement of a Sufi master in the dialogue between Western modernity and the Sufi Islamic tradition. This reveals a historical framework in which the Sufis of Cairo’s cosmopolitan environment, while mastering scientistic themes, reject modernity in favor of a classical Sufi vision of evolution understood as an initiatory path of spiritual perfection. Full article

This article explores the veneration of Hatixhe, an 18th-century Sufi saint from Tirana, Albania, whose legacy continues to resonate across religious and cultural boundaries. Despite limited historical records, Hatixhe’s sainthood is venerated through hagiographic narratives that portray her as a compassionate healer, spiritual protector, and symbol of resilience. This study investigates the visual, ritual, and sensory dimensions of her shrine, which has become one of the focal points for interfaith devotion in post-socialist Albania. Embodied rituals—such as touching her tomb and lighting candles—allow devotees to connect with her shenjtëri (“sainthood”). Through these acts, Hatixhe’s legacy as a grua e shenjt (“holy woman”) or grua e mirë (“good woman”) is anchored in both religious and cultural contexts, as her shenjtëri integrates local and national values, partly transcending Islamic frameworks. Hatixhe’s teqe, preserved through the efforts of her female heirs during the communist era, serves as a unique testament to a female lineage in Albanian Sufism. By examining the spatial, material, and symbolic aspects of her veneration, this study underscores the significance of Hatixhe’s shenjtëri as a site of blessing and communal solidarity for women, enriching the understanding of their roles in Albanian spiritual and social life. Full article

Adopting a transdisciplinary approach, with specific emphasis on the post-Jungian transpersonal psychological theories on the ‘Spectrum of Human Consciousness’, this paper introduces a transpersonal psychological thread of understanding of ‘Mystical Consciousness’ through an interreligious field of comparative religious approaches to action, contemplation and non-action. This paper draws on Merton’s interreligious contemplative thinking in relation to three major world religious mystical traditions of Buddhism, Hinduism and mystical Islam/Sufism and elucidates comparative insights with the Christian mystical–contemplative tradition, akin to the ‘mystical contemplation’ of Evelyn Underhill. This paper introduces and applies the transpersonal perspective to the scholarly field of mysticism. The reader is invited to consider how Merton may have responded or written about interreligious contemplative depth mysticism in terms of his own writings on ‘pure consciousness’, had he had the benefit of the language of the transpersonal models of consciousness. Finally, the reader is left with a contemplative question at the ‘heart’ of mysticism—does the ancient sculpture of the Sleeping Hermaphrodite helpfully represent an art–theological symbolic analogy for the inner repose of an illumined soul, one with God’s Unity, in whose awakened consciousness through depth mystical contemplation, action occurs as an extended manifestation, a total gestalt of contemplative solitudinous action? Full article

This article delves into two Iranian Sufi women’s approaches to the Qurʾān, gender, and visual culture: (1) Parvāneh Hadāvand, a Sufi leader in Tehran, uses visual means to enhance the spiritual–aesthetic–emotional experiences of her students. She challenges gender norms within male-dominated spaces by reinterpreting visual-material objects and asserting her authority as a woman Sufi guide. (2) Mītrā Asadī, a Sufi teacher in Shiraz, problematizes the overall visual culture of gender roles by arguing that, through the spiritual transformation of the human being’s genderless essence (Arabic rūḥ; Persian jān), categories of gender become ephemeral and irrelevant. These two case studies are examined in terms of how these Sufi women utilize aesthetic experience, visual aspects, and visual-material culture in their Sufi practices and teachings. Further, it is investigated how these practices shape Hadāvand’s and Asadī’s gender performativities. Full article

In this article, I will touch on the ethical and moral possibilities of mysticism. On the one hand, I discuss the kinds of ethical work required to open and cultivate experiences of the divine. On the other hand, I look at how those experiences of the divine create new opportunities for kinds of ethical relationships to oneself, to others, and to the divine. In doing so, I connect the practices of asceticism—zuhd—with the types of experience characteristic of Sufi mysticism through the concept of tarbiya. Understanding taṣawwuf as an ongoing process in which experiences of the divine are a part, not an end, helps us grasp the intransitive nature of the term taṣawwuf itself. The goal in doing so is to think through what an ‘inner-worldly’ mysticism might look like—a category noticeably absent from Weber’s analysis. Part of its absence, I would suggest, is due to the fact that it does not map onto the passive–active distinction between mysticism and asceticism he tends to draw. But rather than merely critique Weber’s model, which, of course, is grounded in ideal types, and therefore nothing ever fits solely into one of his categories, my goal is to consider what an active inner-worldly mysticism might look like. In other words, what are the modes of ethical engagement and action made possible by those experiences which are considered to be direct experiences of the divine and how are those direct experiences in turn made possible by different kinds of ethical work? In this article, I will consider each of these in relation to two Sufi orders based on my fieldwork in Morocco—the Karkariyya and the Alawiyya. These are two closely related orders that are part of the Shadhiliyya, and they share several members within their spiritual lineages, with the split dating only to the 20th century. Through an analysis and comparison of the two groups, I investigate what an active mysticism could look like in the world today and hope to create new spaces for comparative mysticism that would see mystics as deeply concerned with changing their social worlds. Full article

Research into the unio mystica has revealed what seems to be an area of “real discussion” between scholars of different traditions of mysticism, particularly those of Judaism, Christianity, and Islam. Although this research serves as a promising start to the dialogue among scholars, it has also raised many questions about a “shared moment” that is nevertheless expressed in “irreducibly diverse” and distinct ways in each tradition. What purpose, for instance, can generic cross-cultural categories serve when they mean little or nothing to scholars in each tradition? By contrast, tradition-specific vocabularies are profuse and often difficult to represent in interlinguistic contexts without significant explanation. The challenge of translating mystical texts, imagery, and ideas across cultures and linguistic traditions raises obvious concerns about the misrepresentation and distortion of traditions in an environment of post-colonial critique. Nevertheless, the continued promise of dialogue calls for specialists of these traditions—particularly non-western and non-Christian traditions—to approach, assess, re-formulate, and even challenge the categories of mysticism from within the conceptual and theoretical horizons of the traditions that they research. The present study models such an approach to scholarship in mysticism. It offers a (re)formulation of the unio mystica from within the theoretical frame of the 12th/13th-century Muslim/Sufi mystic, Ibn ʿArabī (d. 638/1240) and early members of his school of thought. By unpacking the primary terms involved in such an account—“God”, the “human being/self”, and “union”—from within the conceptual and theoretical horizons of that tradition, it problematizes the prevailing understanding of the unio mystica constructed from the writings of specialists in Christian mysticism. More importantly, it illustrates the payoff in terms of dialogue (incorporating the critique of existing theories) when each tradition operates confidently from its own milieu, developing its own theoretical resources for mysticism rather than prematurely embracing existing ideas or categories. Full article

The enduring narrative of Islamist victimhood, particularly for those who call for a just governance system on behalf of devout Muslim society, which they claim has been systematically repressed and forced underground by the Kemalists, has been prominently echoed in both Turkish and Western scholarship from the late 1990s to the early 2010s. Scholars argued that loosening the hegemonic Kemalist grip on state institutions would promote democracy and civil rights; however, when Islamists took control of the state apparatus in the 2010s, it became evident that this support contributed to the rise of an autocratic electoral regime with Islamist overtones, worsening democracy, which became more repressive than ever after the Kemalist threat was removed. Despite the prominence of these victimhood narratives, the origin and credibility of these claims have not been critically and systematically examined. Through a detailed analysis of biographies, official texts, and personal memoirs, this study assesses the validity of the foundational Islamist victimhood narratives. The findings challenge the narrative of widespread repression, demonstrating that many religious figures continued to operate openly under the Kemalist regime, using the closure of Sufi lodges as a tool to construct a narrative of collective victimhood for political leverage. This study is significant because it highlights how academia can fall into similar “victimhood traps” elsewhere in the world by amplifying victimhood narratives without fully understanding their dynamics or verifying their factual basis, ultimately worsening the situation. Full article

This study examines art inspired by Sufi thought in Bosnia and Herzegovina, focusing on the artistic contributions of Meliha Teparić (b. 1978 in Sarajevo), a Bosnian artist and professor of fine arts and the history of art. Teparić’s art, particularly in pieces like To Douse Out Hell and Burn Down Paradise and Gens Una Sumus, delves into Sufi thought, reflecting the belief that divine love transcends religious boundaries. Her work fosters trans-religious dialogue through visual expression. By employing a comparative analysis of Sufi symbolism alongside other religious traditions, this article reveals shared metaphysical values that emerge in her art. The findings emphasize the power of art in promoting spiritual connection and cross-cultural understanding in contemporary society. Ultimately, this study concludes that Teparić’s work embodies a core Sufi principle: the pursuit of divine love as a unifying force that transcends religious and cultural distinctions. Full article

This article examines the conceptions of divine revelation held by two prominent figures in Islamic thought, Ibn Sīnā and Al-Ghazālī, through a comparative lens within the context of metaphysical and epistemological processes. Ibn Sīnā views divine revelation as a metaphysical process occurring at the highest level of intellect. According to him, divine revelation is an abstract reflection of divine knowledge transmitted to the prophet’s imaginative faculty through the Active Intellect. This process, explained within a philosophical framework, is grounded in the development of human intellectual capacity. In contrast, Ghazālī defines divine revelation as a mystical experience and considers it a divine encounter beyond the limits of human reason. For Ghazālī, divine revelation manifests as an expression of God’s attribute of speech and occurs solely by divine will. Moreover, this experience cannot be fully comprehended by reason. Ghazālī’s approach, imbued with Sufi depth, regards divine revelation as an integral part of spiritual growth. This article explores the fundamental similarities and differences between these two thinkers’ understandings of divine revelation and metaphysics. By analyzing how Ibn Sīnā’s reason-based approach intersects and diverges from Ghazālī’s intuition and inspiration-based Sufi approach, this study provides an in-depth examination of how the concept of divine revelation has been shaped within Islamic theology and philosophy, highlighting the contributions of both thinkers to the discourse on divine revelation. Full article