Search Results (10)

In the 21st century, the space system has experienced a substantial shift from a simple unipolar to a new and more complex structure. This transition is the result of the emergence of new space powers and global power dynamics. The central hypothesis of this research work is that the space system is undergoing an intersystem transition from a unipolar, U.S.-dominant, post-Cold War space system to a new and more complex structure that includes new space powers and a redistribution and rebalancing of power dynamics. The unipolar structure that prevailed in the post-Cold War era has been replaced by a new space system, in which emerging space powers exhibit global ambitions and a willingness to compete with and challenge the United States’ dominance. These shifts in the number of space actors, power dynamics, and the structure of the space system necessitate novel scientific approaches. This research postulates the utilization of systems science as a means to enhance our comprehension of the intersystem transition and the rebalancing of power in the space system in recent decades. The result of this study is a comprehensive analysis of the major space actors in the 21st-century space system, the analysis of the redistribution of power among them, and the new power structure that has emerged. Full article

The papacies of Pope John Paul II, Pope Benedict XVI, and Pope Francis coincided with a period of conflict and change in Europe. In the post-war period, Europe was still divided along ideological lines, with much of it having experienced invasion, occupation, and totalitarianism. Both John Paul II (1920–2005) and Benedict XVI (1927–2022) experienced the excesses of totalitarianism, profoundly affecting their outlook. Their papacies also coincided with a formative period in the post-war era: the end of the Cold War, the emergence of a new European order, and the disenchantment with that same order. Though not hailing from Europe, Pope Francis (1936–) has been an equally vital contributor to the conversation of the “idea of Europe”. This paper proposes to identify how the idea of Europe features in the work of these three popes and whether there are elements of continuity and dissonance. Full article

The architectural heritage directly related to the refugees from Europe who came to the USA as a result of World War II is still an under-researched topic. New post-war arrivals from the displaced persons camps resulted in a sizeable growth of the already well-established Lithuanian community, infusing it with highly educated professionals. This also included many architects who needed to adapt and continue their practice in a different environment while also finding a way to be useful for the objectives of their national group. The aim of this paper is to examine the architectural legacy of the Lithuanian community in the post-war decades in the USA, emphasizing buildings that were designed with a specific aspiration to implement national character. Research finds that buildings built for the Lithuanian community carried a strong symbolical language that was a peculiar, yet enriching case, in regard to the then-dominant mid-century modernist trends. These structures show the determination of the national group to use their built environment as a medium to reinforce their identity and use architecture as a political statement. The paper proposes to interpret this politically motivated and stylistically distinctive architecture as monuments testifying to the political atmosphere of the Cold War. In this way, the heritage value of these buildings is linked not to avant-garde architectural styles, but to the political needs of a specific community in exile. Full article

The abstractionist paintings of Puerto Rican artist Olga Albizu (1924–2005) gained prominence in the late 1950s when her work debuted in galleries across the Americas and entered the commercial music industry with RCA and Verve records. However, existing scholarship has failed to capture the complex relationship between Albizu’s anti-commercial abstractionist aesthetic and its mass reproduction as cover art for vinyl records during the Cold War era. Returning to the canvas to explore the iconographic, formal, and aesthetic qualities of Albizu’s work within its sociohistorical post-World War II context, this study reveals Albizu’s devotion to formal borders, vivid color juxtapositions, and compositional tensions. I argue that Albizu’s practice constitutes an ongoing concern with a Modernist dialectic and ideals about subjective transformation in a postmodern world of mass culture, a message she conveyed through the material and experiential borders of the canvas. As an avowed formalist and Modernist existing between the postcolonial and postmodern worlds of San Juan and New York City, her work merits formal scrutiny. This paper will add to the diverse histories of Abstract Expressionism and mid-century Modernisms across the Americas while shedding light on an important post-war historical moment and artistic impulse that held on to anti-commercial values in an all-encompassing consumerist world. Full article

Transboundary water cooperation (TWC) is an important theme of international cooperation. We conducted macro-level research on TWC from the perspective of inter-country relations and constructed a theoretical framework in which multidimensional proximity influences the formation of global TWC. We explained how multidimensional proximity and the constituent elements comprehensively influence the cooperative willingness and ability of actors, which directly drive the generation of global TWC. During the empirical research phase, we constructed the TWC frequency and intensity networks based on historical TWC events data from 1992 to 2013. By using social network analysis and QAP regression analysis, the spatial structure and proximity effect of water cooperation linkages are examined. It can be found that: (1) the reconstruction of territorial space on the eve of the end of the Cold War led to the peak of water cooperation events in 1992. The overall scale of events in the Post-Cold War era was relatively high and fluctuated steadily. (2) Water cooperation linkages have distinct spatial heterogeneity and are concentrated in the Eurasian and the African continents. Water cooperation is sensitive to geographical distance, and high-intensity water cooperation linkages exist in only a few areas. (3) China, Egypt, Germany, the United States, and Russia have prominent positions in the network. The United States, Japan, and other extra-regional powers actively participated in TWC in the Eastern Hemisphere. (4) The regression results show that geographical, economic, organizational, and colonial proximity significantly affect the intensity of water cooperation among countries. Full article

In the early postwar era, from 1945 to 1960, Americans confronted a dilemma that had never been faced before. In the new atomic age, which opened with the atomic bombings of Hiroshima and Nagasaki, Japan, in August 1945, they now had to grapple with maintaining their faith in a peaceful and prosperous future while also controlling their fear of an apocalyptic future resulting from an atomic war. Americans’ subsequent search for reassurance translated into a dramatic increase in church membership and the rise of the evangelical movement. Yet, their fear of an atomic war with the Soviet Union and possible nuclear apocalypse did not abate. This article discusses how six post-apocalyptic science fiction novels dealt with this dilemma and presented their visions of the future; more important, it argues that these novels not only reflect the views of many Americans in the early Cold War era, but also provide relevant insights into the role of religion during these complex and controversial years to reframe the belief that an apocalypse was inevitable. Full article

The post-Cold War era is placing the defense industry at a crossroads. If, on the one hand, it is under great pressure to guarantee warlike efforts around the world, with tight budgets and uncertain lead-times, on the other hand, it is seen as a central instrument for national sovereignty and foreign policy. The purpose of this research is to report the state-of-the-art of the existing literature and explore the most relevant research areas in order to provide the conceptual basis for further empirical research. To do so, this study uses a preferred reporting items for systematic review and meta-analysis (PRISMA), which is an adequate technique as it allows one to discover concepts, ideas, and debates about the defense industry. The results evidenced three different approaches to the defense industry—integration, autarky, and domination. In that regard, we present several case studies in which the defense industry is used as an instrument of foreign policy or national sovereignty. Future studies may focus on empirical research to validate the theoretical findings or to identify variables that lead some defense industries to seek synergies, resorting to mergers and acquisitions, while other defense companies prefer to obtain State funds. Full article

The present paper discusses Angela Carter’s Heroes and Villains (1969), which parodies both “post-apocalyptic” novels in the Cold War era and Jean-Jacques Rousseau’s theory on civilisation. By analysing this novel in comparison, not only to Rousseau’s On the Origin of Inequality (1755), but also to the works of various science fiction writers in the 1950s and 1960s, the paper aims to examine Carter’s reinterpretation of Rousseau in a post-apocalyptic context. As I will argue, Heroes and Villains criticises Rousseau from a feminist point of view to not only represent the dystopian society as full of inequality and violence, but also to show that human beings, having forgotten the nuclear war as their great “sin” in the past, can no longer create a bright future. Observing the underlying motifs in the novel, the paper will reveal how Carter attempts to portray a world where human history has totally ended, or where people cannot make “history” in spite of the fact that they biologically survived the holocaust. From this perspective, I will clarify the way in which Carter reinterprets Rousseau’s notion of “fallen” civilisation in the new context as a critique of the nuclear issues in the late twentieth century. Full article

Islamophobia, as a problem, is often argued to be a rational choice by the stereotypical media coverage of Islam and Muslims, even though it points to the symptom rather than the root cause. Islamophobia reemerges in public discourses and part of state policies in the post-Cold War period and builds upon latent Islamophobia that is sustained in the long history of Orientalist and stereotypical representation of Arabs, Muslims, and Islam itself. The book What is Islamophobia? Racism, Social Movements and the State, edited by Narzanin Massoumi, Tom Mills, and David Miller offers a unique contribution to how best to define and locate the problem of demonizing Islam and Muslims in the contemporary period. The three scholars provide a more critical and structural approach to the subject by offering what they call the “five pillars of Islamophobia”, which are the following: (1) the institutions and machinery of the state; (2) the far-right, incorporating the counter-jihad movement; (3) the neoconservative movement; (4) the transnational Zionist movement; and (5) the assorted liberal groupings including the pro-war left and the new atheist movement. The UK-based research group correctly situates Islamophobia within existing power structures and examines the forces that consciously produce anti-Muslim discourses, the Islamophobia industry, within a broad political agenda rather than the singular focus on the media. Islamophobia emerges from the “Clash of Civilizations” ideological warriors and not merely as a problem of media stereotyping, representation, and over-emphasis on the Muslim subject. In this article, I maintain that Islamophobia is an ideological construct that emerges in the post-Cold War era with the intent to rally the Western world and the American society at a moment of perceived fragmentation after the collapse of the Soviet Union in a vastly and rapidly changing world system. Islamophobia, or the threat of Islam, is the ingredient, as postulated in Huntington’s “Clash of Civilizations” thesis that is needed to affirm the Western self-identify after the end of the Cold War and a lack of a singular threat or purpose through which to define, unify, and claim the future for the West. Thus, Islamophobia is the post-Cold War ideology to bring about a renewed purpose and crafting of the Western and American self. Full article

It has been two decades since Samuel P. Huntington, a Harvard political scientist, first published his famous essay, “The Clash of Civilizations?” [1]. In the essay, and later in his book with the same title (minus the question mark) [2], Huntington argues that conflict in the post-Cold War era will be driven largely by irreconcilable cultural and religious differences, particularly in regards to Islam and the West. The conflict between these two civilizations, while not new, is bound to persist in large part because Islam is prone to violence. Much of the global conflict that exists in the modern world, observes Huntington, involves Muslims. It is for this reason that he states so bluntly: “Islam has bloody borders” ([1], p. 35). [...] Full article