Search Results (8)

In this paper I measure the progressive potentiality of art against Russell Kirk’s notion of “normative art”. Kirk argues that good literature cultivates virtue according to a transcendent norm, a law of nature. I interrogate the extent to which this art can be conservative according to Kirk’s own meaning of conservatism and read his own conservatism against itself in an effort to show which of its tenets detrimentally supersede and contradict its others. The criticism of Kirk’s discussion of normative art makes use of Charles Sanders Peirce’s more sophisticated epistemology, metaphysics, and normative science of aesthetics. Ultimately, Kirk’s conservatism and his position on normative art rely on metaphysical dualism and the gratuitous capacity of intuition. This ends in an unjustified discounting of his principles of variety, imperfectability, prescription, and continuity and their subordination to his principle of transcendence. Full article

Miss Universe is a global beauty platform. The history of this event spans 70 years. The purpose of this study was to see the messages contained in the personal branding displayed by the Miss Universe participants. This type of research is qualitative, using the semiotic theories of Charles Sanders Peirce. The paradigm used is constructivist, with the intention of seeing that reality is the result of a construction or formation by humans themselves. The data source is the Instagram account of the Miss Universe winners from 2017–2021. The objective of this study is to determine the form of personal branding through messages carried out by the Miss Universe contestants as agents of change and inspiration for the youth. Full article

Critics have frequently employed strict binary schemes to explain Abstract Expressionism’s singular contributions to art history: the victory of abstraction over figuration, avant-garde over kitsch, pure art over anecdotal illustration, action over premeditation, or escapist detachment over direct political engagement. Taking Willem de Kooning’s Easter Monday as a case study, this paper will question the efficacy of such dyadic explanations to encapsulate the diversity of New York School practice. Easter Monday includes both figural and abstract elements, some that parade the work’s impulsive and spontaneous character and others that were created by a photo-mechanical process. Some celebrate the artist’s personal and idiosyncratic touch, others the impersonality of popular forms of advertising. In contradistinction, the semiotic terminology of C.S. Pierce reveals not only multiple points of intersection with de Kooning’s work; it also effectively identifies and differentiates the plurality of elements the artist conjoined in a single visual field, some of which qualify as iconic, indexical, symbolic, or even as hybrid combinations of the above. These more elastic descriptors, it will be argued, are well-suited to address de Kooning’s variegated surfaces: they can address his accommodation of diverse techniques, as well as the multiple ways the artist constructed meaning and responded to popular culture. Full article

Information is a core concept in modern economics, yet its definition and empirical specification is elusive. One reason is the intellectual grip of the Shannon paradigm which marginalizes semantic information. However, a precise concept of economic information must be based on a theory of semantics, since what counts economically is the meaning, function and use of information. This paper introduces a new principled approach to information that adopts the paradigm of biosemiotics, rooted in the philosophy of Charles S. Peirce and builds on recent developments of the thermodynamics of information. Information processing by autonomous agents, defined as autopoietic heat engines, is conceived as physiosemiosis operating according to fundamental thermodynamic principles of information processing, as elucidated in recent work by Kolchinsky and Wolpert (KW). I plug the KW approach into a basic conceptual model of physiosemiosis and present an evolutionary interpretation. This approach has far-reaching implications for economics, such as suggesting an evolutionary view of the economic agent, choice and behavior, which is informed by applications of statistical thermodynamics on the brain. Full article

The article analyses Frank Gehry’s insistence on the use of self-twisting uninterrupted line in his sketches. Its main objectives are first, to render explicit how this tendency of Gehry is related to how the architect conceives form-making, and second, to explain how Gehry reinvents the tension between graphic composition and the translation of spatial relations into built form. A key reference for the article is Marco Frascari’s ‘Lines as Architectural Thinking’ and, more specifically, his conceptualisation of Leon Battista Alberti’s term lineamenta in order to illuminate in which sense architectural drawings should be understood as essential architectural factures and not merely as visualisations. Frascari, in Eleven Exercises in the Art of Architectural Drawing: Slow Food for the Architects’s Imagination, after having drawn a distinction between what he calls ‘trivial’ and ‘non-trivial’ drawings—that is to say between communication drawings and conceptual drawings, or drawings serving to transmit ideas and drawings serving to their own designer to grasp ideas during the process of their genesis—unfolds his thoughts regarding the latter. The article focuses on how the ‘non-trivial’ drawings of Frank Gehry enhance a kinaesthetic relationship between action and thought. It pays special attention to the ways in which Frank Gehrys’ sketches function as instantaneous concretisations of a continuous process of transformation. Its main argument is that the affective capacity of Gehry’s ‘drawdlings’ lies in their interpretation as successive concretisations of a reiterative process. The affectivity of their abstract and single-gesture pictoriality is closely connected to their interpretation as components of a single dynamic system. As key issues of Frank Gehry’s use of uninterrupted line, the article identifies: the enhancement of a straightforward relationship between the gesture and the decision-making regarding the form of the building; its capacity to render possible the perception of the evolution of the process of form-making; and the way the use of uninterrupted line is related to the function of Gehry’s sketches as indexes referring to Charles Sanders Peirce’s conception of the notion of ‘index’. Full article

The naturalization of logic aims at a revision of mainstream logic. In this article, I contend it is an urgent task to be completed. This new project will permit a new collaboration between logic and cognitive science. This can be accomplished doing for logic what many decades ago Quine and other philosophers undertook in the case of epistemology. First of all, this article analyzes how the naturalization can be achieved thanks to some insights provided by the recent John Woods’ book Errors of Reasoning: Naturalizing the Logic of Inference; important concepts that regard a naturalized logic are synthetically analyzed: errors (and the problem of fallacies), paradigm creep, third-way reasoning, consequence-having and consequence drawing, agent based reasoning. The article also takes advantage of my own studies, which are aimed both at exculpating the negative fallacious character of abduction (it is the fallacy of the affirming the consequent) and at illustrating the EC-model (Eco-Cognitive model) of it, I have recently proposed. Aiming at encouraging the project of naturalization of logic, the article specifically recommends the increase of logical research on abduction, and emphasizes how current philosophical and logical research on human inferences is indebted towards Charles Sanders Peirce, a philosopher whose importance and modernity are too often underestimated. The final part of the article will introduce an analysis of the importance of the so-called optimization of situatedness, a concept that is necessary to understand that maximization of “abducibility”, which characterizes modern science. Full article

This paper builds upon my earlier studies in interpreting interculturally how the Kashmiri nondual Śaiva thinkers Upaladeva (c. 900–950 CE) and Abhinavagupta (c. 950–1020 CE) in their Pratyabhijñā philosophical theology respond to and reinterpret the Buddhist semantic theory of reference as the exclusion of the inapplicable (anyāpoha). It engages the issues in the Pratyabhijñā debate with the Buddhists, with the interrelations of Claude Shannon and Warren Weaver’s theory of Information, Saussurean structuralist semiotics, and Peircean pragmatic semiotics. Full article

We address the nature of information from a systemic structural point of view. Starting from the Natural hierarchy of living systems, we elucidate its decomposition into two partial hierarchies associated with its extant levels and inter-level regions, respectively. External observation of a hierarchical system involves the generation of approximate hyperscalar representations of these two partials, which then reintegrate to give a singular metascalar result. We relate Havel’s categories of reality and Peirce’s categories of experience to this result, and indicate that the ultimate result of the reintegration of hyperscalar data and context is a sign which is information. Full article