Search Results (4)

This article merges evaluations of Black life through the Southern Gothic and the intersection of Black studies to conceptualize the “Black Gothic”. The Black Gothic conceives of a future that requires closely examining the past and the present primarily through a Southern Gothic and Black horror lens. Much of Black Gothic’s analytics depended upon the framework outlined within Afro-pessimism and the subprime; however, it differs in its pursuits of reparations as a way forward. The Black Gothic focuses on intermingling the lived anti-Black experiences of Black existence with supernatural gothic traditions, forcing readers to determine which experience is more horrific. The Black Gothic functions as a mode of interaction with the Southern Gothic and the Black horror visual genres; its definition invokes literary and visual modes and genres that expand the many depictions of Black life in America when it is constantly threatened by elimination and devaluation. The Black horror genre seeks to expose the “afterlife of slavery” through actual and speculative means. Meanwhile, Southern Gothic’s ability to cross temporal bounds makes these the ideal genres to present the enslaved’s repressed and debted history. Southern Gothic replaced ruined gothic castles with plantations; Black Gothic replaced plantations and the monolithic “South” with northern sundown towns, redlining, and subprime mortgages. The Black Gothic’s methodology uses a systemic fiscal devaluation of Black ownership, self, and property through the subprime. In company with Fred Moten’s conceptualization of the subprime, the Black Gothic views being marked as “subprime” as an antecedent to predatory housing practices; it is instead the moment that captured Africans experience social death. Using Toni Morrison’s Beloved and Misha Green’s HBO adaptation of Matt Ruff’s novel Lovecraft Country, I define the Black Gothic and then outline its capacity to function as an analytic to further both the Southern Gothic and Black horror genres. The Black Gothic transcends gothic traditions by including films and texts that are not categorically gothic or horror and exposes the horrific and gothic modes primarily exhibited through the treatment of the descendants of enslaved Africans. Comprehensively, this article argues for a space to view the future re-evaluation of Black life through speculative and practical reparations. Full article

Sub-Saharan African farmers have long been portrayed with very negative representations, at least since the beginning of coordinated European colonialism in the late 19th century. In the Sahel-Sudan area, agrosystems have been described as overgrazed, forests as endangered, and soils as overexploited, with local and traditional “archaic” practices. Against this background, the objective of this article is to focus on these agrosystems’ resilience, for which several criteria have been monitored. The approach used in this research was to synthesize observations from a large amount of material gathered over multiple years by the authors, drawing on our long-term commitment to, and inter-disciplinary study of, the evolution of surface hydrology, ecosystems, and agrosystems of West Africa. The positive trends in rainfall and streamflows, reinforced by farmer’s practices, confirm the overall regreening and reforestation of the Sahel-Sudan strip, especially in areas with high population densities, including the mangrove areas. The intensification of agricultural systems and the recovery of the water-holding capacity of soils and catchments explain the recorded general increase in terms of food self-sufficiency in the Sahel, as well as in crops yields and food production. Finally, we compare the neo-Malthusian discourse to the actual resilience of these agrosystems. The article concludes with a recommendation calling for the empowerment of smallholder farmers to take greater advantage of the current wet period. Overall, the speed of change in knowledge and know-how transfer and implementation, and the farmers’ ability to adapt to ecological and economic crises, must be highlighted. Far from being resistant to change, West African agriculturalists innovate, experiment, borrow, transform, and choose according to their situation, projects, and social issues. Full article

My essay explores challenges posed to the discourse of rights from new technologies of the human as these are represented in a range of cultural texts—Spike Jonze’s film her, Marie Kondo’s The Magic of Tidying Up, Ian McEwan’s Machines Like Me, and Kazuo Ishiguro’s Klara and the Sun. These works share a concern with the implications of a relationship, a shared or co-produced world, in which both humans and nonhumans have agency. I conclude by revisiting the bifurcated discourses of antihumanism, especially through a brief consideration of an Afropessimist critique of the category of “Man”, to ask: What status, affordances, and rights, should be extended to nonhumans: robots, anthropomorphized commodities, humanoids, AIs, or human adjacents, or to those excluded or abjected from the category of “the fully human”? Full article

This article reflects on the matter of state-sanctioned death in Black religious studies, with the murder of Breonna Taylor as its central focus. It examines how scholars of Black religion engage with the issues of state-sanctioned murder, antiblackness, and misogynoir, and it endeavors to underscore ways for Black male* scholars of Black religion to respond to the religious experiences and deaths of Black women and Black people of all gendered experiences. This article’s central claim is that if Black male* scholars of Black religion continue to underscore how Black religion has been a catalyst for Black liberation without attention to how cisheteropatriarchy functions as antiblackness, then we ultimately will be unable to speak the name of Breonna Taylor in earnest. Full article