Graduation Resources in News Discourse: Calls for the British Museum to Return Chinese Cultural Artefacts
Abstract
:1. Introduction
- How do online news articles use graduation resources to embed the writer’s voice in calls for the British Museum to return Chinese artefacts?
- What frequency patterns emerge in online newspapers’ use of graduation resources in reporting calls for the return of artefacts?
- How do different online newspapers report on the short film “Escape from the British Museum” and netizens’ reactions on social media?
2. Literature Review
3. Materials and Methods
4. Findings and Discussion
4.1. Graduation Analysis of Returning Artefacts in News Articles
4.2. Frequency Patterns of Graduation Resources in Artefacts’ Return
(1) “Riddled with security lapses and suspected of internal theft, the British Museum, with a history spanning over 270 years, has shocked public opinion not only domestically but also internationally.”(Text 2)
(2) “…its catalogue of 23,000 items from China, ranging from ancient bronzes and jades to paintings and ceramics, has been in a controversy of challenged ownership.”(Text 2)
(3) “The museum believes that displaying objects from China alongside cultural material from other parts of the world helps people understand China’s long history better.”(Text 6)
(4) “The theft scandal has triggered a broader debate about how the British Museum amassed its huge collection in the first place, and whether it should return objects to the countries they came from.”(Text 4)
(5) “The British Museum is one of the world’s largest and best-known museums, housing 8 million artefacts from all over the world that represent a wide swathe of human civilization.”(Text 4)
(6) “China was not the only country to suffer from the looting of cultural relics.”(Text 2)
(7) “Many of the missing items may be untraceable due to the fact that they were not properly catalogued.”(Text 4)
(8) “But as many have observed, the intention to return the looted and stolen treasures on a large scale is still lacking in the former colonial powers.”(Text 1)
(9) “Multiple nations have staged protests, demanding for the return of their national treasures, notable among them being Nigeria, Greece, and Egypt.”(Text 2)
(10) “The demands for the museums in Western countries to return the plundered artefacts have intensified in recent years, and some former colonial powers, thanks partly to the efforts of French President Emmanuel Macron, are mulling returning some of the looted and stolen treasures to their countries of origin.”(Text 1)
(11) “In March, British Prime Minister Rishi Sunak said that the British Museum collection, including the Parthenon marbles, is protected by law.”(Text 4)
(12) “It’s not the first time China has made such demands—which also echo the calls of other countries including Sudan, Nigeria, and Greece, which have all asked the British Museum to give back stolen artefacts.”(Text 5)
(13) “Egypt has long campaigned for the return of the Rosetta Stone, which was forcibly taken by the British Empire in 1801, and Greece has also requested the return of the Elgin marbles to the Parthenon.”(Text 7)
4.3. How Online Newspapers Reacted to the Vloggers’ Film
(14) “Everyone says we are from a great country, and we Chinese don’t do things covertly. They believe someday we will come home in a glorious and dignified way.”(Text 3)
(15) “Details in the short video series, such as Chinese characters written with ink brush on English newspapers, and conversations between personified artefacts, moved many to tears.”(Text 3)
(16) “A three-episode Chinese internet drama, ‘Escape from the British Museum’, has gone viral on social media platforms in China, sparking widespread discussions online and striking an emotional chord nationwide.”(Text 3)
(17) “First released on China’s version of TikTok, Douyin, the series has been played 270 million times on the platform. It has also seen its creators, who claim to be independent content makers, gaining more than five million followers on Chinese social media apps within one week.”(Text 5)
(18) “Since being published two weeks ago on Douyin—which, like TikTok, is owned by the Chinese developer ByteDance and hosts short-form, user-submitted videos—the series has racked up more than 370 m views.”(Text 6)
(19) “The series has also been strongly endorsed by state media. State broadcaster CCTV gave it a pat on the back this week, saying: ‘We are very pleased to see Chinese young people are passionate about history and tradition …’”(Text 5)
(20) “The plot of Escape from the British Museum, a series made by two social media influencers, echoes Chinese state media calls for the British government to make amends for ‘historical sins’ and return Chinese cultural relics.”(Text 6)
(21) “Cultural heritage and ownership has become a more sensitive topic for the Chinese public in recent years amid rising nationalist sentiment.”(Text 5)
(22) “Although Chinese state media has tried to promote a nationalist line on the issue and accused the British Museum of harbouring ‘stolen cultural property’, Chinese social media users are divided.”(Text 6)
(23) “Another Weibo user replied: ‘There were more cultural artefacts destroyed during the Cultural Revolution than being stored by the British Museum, it is beyond your imagination.’”(Text 6)
(24) “The series has also inspired other influencers to dress up as characters from ancient Chinese paintings and sculptures.”.(Text 5)
(25) “Maybe it is precisely because the British Museum is unlikely to return Chinese treasures in real life that the idea of these objects coming to life and escaping on their own has captured the imagination of the Chinese public.”(Text 4)
(26) “To some Chinese, the video series has been a solace.”(Text 4)
5. Conclusions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
- Abasi, Ali R., and Nahal Akbari. 2013. The discoursal construction of candidates in the tenth Iranian presidential elections: A positive discourse analytical case study. Journal of Language and Politics 12: 537–57. [Google Scholar] [CrossRef]
- Abungu, George Okello. 2022. Victims or victors: Universal museums and the debate on return and restitution, Africa’s perspective. In The Oxford Handbook of Museum Archaeology. Edited by Alice Stevenson. Oxford: Oxford University Press, pp. 271–88. [Google Scholar] [CrossRef]
- Bednarek, Monica, and Helen Caple. 2010. Playing with environmental stories in the news—Good or bad practice? Discourse & Communication 4: 5–31. [Google Scholar] [CrossRef]
- Dafouz-Milne, Emma. 2008. The pragmatic role of textual and interpersonal metadiscourse markers in the construction and attainment of persuasion: A cross-linguistic study of newspaper discourse. Journal of Pragmatics 40: 95–113. [Google Scholar] [CrossRef]
- Duthie, Emily. 2011. The British Museum: An imperial museum in a post-imperial world. Public History Review 18: 12–25. [Google Scholar] [CrossRef]
- Fincham, Derek. 2012. The Parthenon Sculptures and Cultural Justice. Fordham Intellectual Property, Media & Entertainment Law Journal 23: 1–74. [Google Scholar] [CrossRef]
- Fine-Dare, Kathleen Sue. 2002. Grave Injustice: The American Indian Repatriation Movement and NAGPRA. Lincoln: U of Nebraska Press. [Google Scholar]
- Garrett, Peter. 2010. Attitudes to Language. Cambridge: Cambridge University Press. [Google Scholar]
- Glass, Aaron. 2004. Return to sender: On the politics of cultural property and the proper address of art. Journal of Material Culture 9: 115–39. [Google Scholar] [CrossRef]
- Godwin, Hannah R. 2020. Legal complications of repatriation at the British Museum. Washington International Law Journal Association 30: 144. [Google Scholar]
- Gosden, Chris, and Chantal Knowles. 2020. Collecting Colonialism: Material Culture and Colonial Change. London: Routledge. [Google Scholar]
- GT Staff Reporters. 2023. Voices Rise, Resonate Among Countries for Return of Relics from British Museum: Calling from Home. Global Times. August 29. Available online: https://www.globaltimes.cn/page/202308/1297223.shtml (accessed on 21 September 2023).
- Halliday, M.A.K., and Christian M.I.M. Matthiessen. 2014. Halliday’s Introduction to Functional Grammar. London: Routledge. [Google Scholar]
- Harding, Sarah. 1996. Justifying repatriation of Native American cultural property. Indiana Law Journal 72: 723. [Google Scholar]
- Hawkins, Amy. 2023. Viral Series about Chinese Teapot Escaping from British Museum to Become Film Series with 370 m Views Echoes Chinese State Media Calls for Return of Cultural Relics. The Guardian. September 20. Available online: https://amp.theguardian.com/world/2023/sep/20/viral-douyin-series-chinese-teapot-escaping-british-museum-film (accessed on 21 September 2023).
- Herring, Susan C. 2003. Media and language change: Introduction. Journal of Historical Pragmatics 4: 1–17. [Google Scholar] [CrossRef]
- Hongyu, Liang Jun. 2023. Internet Drama about Lost Artifacts Touches Chinese Netizens. People’s Daily Online. September 11. Available online: http://en.people.cn/n3/2023/0911/c90000-20070334.html (accessed on 21 September 2023).
- Hood, Susan, and Gail Forey. 2008. The interpersonal dynamics of call-centre interactions: Co-constructing the rise and fall of emotion. Discourse and Communication 2: 389–409. [Google Scholar] [CrossRef]
- Hood, Susan. 2006. The persuasive power of prosodies: Radiating values in academic writing. Journal of English for Academic Purposes 5: 37–49. [Google Scholar] [CrossRef]
- Huo, Zhengxin. 2023. Return Looted Relics to Countries of Origin. China Daily. September 12. Available online: http://www.chinadaily.com.cn/a/202309/12/WS64ff949fa310d2dce4bb5290.html (accessed on 21 September 2023).
- Jin, Jinxiu. 2019. Political News Discourse Analysis Based on an Attitudinal Perspective of the Appraisal Theory-Taking the New York Times’ Report China-DPRK Relations as an Example. Theory and Practice in Language Studies 9: 1357–61. [Google Scholar]
- King, Ellie, M. Paul Smith, Paul F. Wilson, and Mark A. Williams. 2021. Digital Responses of UK Museum Exhibitions to the COVID-19 Crisis, March–June 2020. Curator: The Museum Journal 64: 487–504. [Google Scholar] [CrossRef]
- Malenkina, Nadezhda, and Stanislav Ivanov. 2018. A linguistic analysis of the official tourism websites of the seventeen Spanish Autonomous Communities. Journal of Destination Marketing & Management 9: 204–33. [Google Scholar] [CrossRef]
- Martin, James R., and Peter Robert White. 2005. The Language of Evaluation: Appraisal in English. Basingstoke and New York: Palgrave Macmillan. [Google Scholar]
- Martin, James Robert, and David Rose. 2007. Working with Discourse: Meaning Beyond the Clause, 2nd ed. London: Routledge. [Google Scholar]
- Merryman, John Henry. 1985. Thinking about the Elgin marbles. Michigan Law Review 83: 1881–1923. [Google Scholar] [CrossRef]
- Obeng, Samuel Gyasi. 2020. Grammatical pragmatics: Language, power and liberty in Ghanaian political discourse. Discourse & Society 31: 85–105. [Google Scholar] [CrossRef]
- Rhee, Bo-A, Federico Pianzola, and Gang-Ta Choi. 2021. Analyzing the museum experience through the lens of Instagram posts. Curator: The Museum Journal 64: 529–47. [Google Scholar] [CrossRef]
- Sabao, Collen. 2016. Arguments for an appraisal linguistic discourse approach to the analysis of “objectivity” in “hard” news reports. African Journalism Studies 37: 40–63. [Google Scholar] [CrossRef]
- Sin, Carmen. 2023. Hit Chinese Video Series Stokes Calls for British Museum to Return Artefacts. The Straits Times. September 7. Available online: https://www.straitstimes.com/asia/east-asia/hit-chinese-tiktok-series-stokes-calls-for-british-museum-to-return-artefacts (accessed on 21 September 2023).
- Vrdoljak, Ana Filipa. 2006. International Law, Museums and the Return of Cultural Objects. Cambridge: Cambridge University Press. [Google Scholar]
- Wan, Yau Ni. 2023a. “But it’s truly aggravating and depressing”: Voicing counter-expectancy in US–Philippines service interactions. Journal of Intercultural Communication 23: 95–106. [Google Scholar] [CrossRef]
- Wan, Yau Ni Jenny. 2017. Construing negotiation: The role of voice quality features in American-Filipino business telephone conversations. Language and Dialogue 7: 137–63. [Google Scholar] [CrossRef]
- Wan, Yau Ni Jenny. 2023b. Structuring logical relations in workplace English telephone negotiation. International Journal of Language Studies 17: 71–96. [Google Scholar] [CrossRef]
- Wang, Fan, and Derek Cai. 2023. British Museum: Chinese TikTok Hit Amplifies Calls for Return of Artefacts. BBC News. September 6. Available online: https://www.bbc.com/news/world-asia-china-66714549.amp (accessed on 21 September 2023).
- Wei, Wei. 2023. If the British Museum Isn’t Taking Good Care of Relics, Chinese want Theirs Back. South China Morning Post. September 10. Available online: https://amp.scmp.com/comment/opinion/article/3233626/if-british-museum-isnt-taking-good-care-relics-chinese-want-theirs-back (accessed on 21 September 2023).
- White, Peter Robert. 2003. Beyond modality and hedging: A dialogic view of the language of intersubjective stance. Text & Talk 23: 259–84. [Google Scholar] [CrossRef]
- White, Peter Robert. 2008. Interpersonal Semantics: Applying Appraisal—Analyzing Attitude, Alignment and Authorial Voice in Student Writing and Mass Communicative Discourse. Paper presented at the Pre-ISFC2008 Winter Institute at the Macquarie University, Sydney, Australia, July 14–18. [Google Scholar]
- White, Peter Robert. 2009. Media power and the rhetorical potential of the “hard news” report–attitudinal mechanisms in journalistic discourse. Käännösteoria, Ammattikielet ja Monikielisyys. VAKKI: N Julkaisut 36: 30–49. [Google Scholar]
- White, Peter Robert. 2012. Exploring the axiological workings of ‘reporter voice’news stories—Attribution and attitudinal positioning. Discourse, Context & Media 1: 57–67. [Google Scholar] [CrossRef]
- Zhong, Hui. 2017. China, Cultural Heritage, and International Law. London: Routledge. [Google Scholar]
Text | Headline | Online News Media Website; Article Type(s); Date of Publication | Country | Words |
---|---|---|---|---|
Text 1 | “Return looted relics to countries of origin” (Huo 2023) | China Daily; Opinion/Op-Ed Contributors; 12 September 2023 | China | 1090 |
Text 2 | “Voices rise, resonate among countries for return of relics from British Museum” (GT Staff Reporters 2023) | Global Times; Arts/Culture & Leisure; 29 August 2023 | China | 1093 |
Text 3 | “Internet drama about lost artefacts touches Chinese netizens” (Hongyu 2023) | People’s Daily Online; News; 11 September 2023 | China | 488 |
Text 4 | “If the British Museum isn’t taking good care of relics, Chinese want theirs back” (Wei 2023) | South China Morning Post; Opinion; 10 September 2023 | Hong Kong China | 1007 |
Text 5 | “British Museum: Chinese TikTok hit amplifies calls for return of artefacts” (Wang and Cai 2023) | BBC; News/World—Asia—China; 6 September 2023 | United Kingdom | 763 |
Text 6 | “Viral series about Chinese teapot escaping from British Museum to become film” (Hawkins 2023) | The Guardian; News/World—China; 20 September 2023 | United Kingdom | 698 |
Text 7 | “Hit Chinese video series stokes calls for British Museum to return artefacts” (Sin 2023) | Straits Times; News/Asia/East Asia 7 September 2023 | Singapore | 648 |
Total | 5787 |
Graduation | Subcategory | Appraisal Item | Example from the Data (Text) |
---|---|---|---|
Force | Intensification | “must” | “The hashtag ‘British Museum must return Chinese cultural relics for free’ had accumulated over 1 billion views on Sina Weibo as of press time.” (Text 1) |
Quantification | “million” | “Estimates show that China has lost about 15 million artefacts, with 10 percent illegally smuggled abroad.” (Text 1) | |
Focus | Specificity | “particular” | “The incident sent shockwaves across the world, particularly in the countries from which the artefacts had been stolen or taken by force and displayed or stored in the British Museum.” (Text 1) |
Fulfilment | “returned” | “In recent years, more lost Chinese artefacts have returned home, thanks to the persistent efforts of various parties.” (Text 3) |
Graduation | Category (Percentage) | Appraising Items (Number of Tokens) | Number (Percentage) |
---|---|---|---|
Force | Intensification (16%) | “law” (9), “legal” (8), “most” (7), “powers” (7), “latest” (5), “should” (5), “best” (5), “importantly” (4), “must” (2), “very” (2), “cannot” (2), “illegal” (2), “peak” (2), “even” (2), “intensified” (1), “finest” (1), “rise” (1), “heated” (1), “serious” (1), “surprised” (1), “surprising” (1), “deepening” (1), “pathetically slow” (1), “rather” (1) | 72 (16%) |
Quantification (45%) | amount: “some” (14), “more” (14), “many” (11), “million” (10), “those” (7), “a number of” (6), “large” (5), “people” (3), “addition” (3), “total” (2), “several” (2), “multiple” (2), “numerous” (1), “what’s more” (1), “thousands” (1), “massively” (1), “as well as” (1), “too” (1) | 85 (19%) | |
extent (scope–time): “years” (9), “long” (9), “short” (7), “week” (6), “within” (3), “so far” (1) extent (scope–space): “only” (10), “huge” (3), “entire” (2), “part of” (2), “a series” (1), “a great country” (1), “limited” (1), “partly” (1), “extinctive” (1) extent (distance–time): “recent” (12), “ancient” (6), “now” (2), “at present” (2), “earlier” (2), “relatively” (2), “here” (1), “earliest” (1) extent (distance–space): “national” (9), “wide” (6), “international” (5), “just” (3), “around the world” (1), “domestic” (1) | 110 (25%) | ||
frequency: “everyone” (1), “every” (1), “each” (1), “often” (1), “always” (1) | 5 (1%) | ||
Focus | Specificity (6%) | “original” (6), “real” (4), “known” (4), “special” (3), “specific” (1), “reality” (1), “clearly” (1), “clear” (1), “particular” (1), “exact” (1), “whatever” (1) | 24 (6%) |
Fulfilment (33%) | completion: “back” (26), “home” (24), “call” (19), “returned” (9), “request” (9), “demand” (9), “get back” (9), “protect” (7), “made” (6), “success” (3), “submitted” (3), “raised” (3), “renewed” (2), “asked” (2), “committed” (1), “tried to” (1) | 133 (30%) | |
actualization: “may” (7), “could” (2), “seems” (2) | 11 (3%) | ||
Total | 440 (100%) |
Disclaimer/Publisher’s Note: The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of MDPI and/or the editor(s). MDPI and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content. |
© 2024 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
Share and Cite
Wan, Y.N. Graduation Resources in News Discourse: Calls for the British Museum to Return Chinese Cultural Artefacts. Journal. Media 2024, 5, 189-202. https://doi.org/10.3390/journalmedia5010013
Wan YN. Graduation Resources in News Discourse: Calls for the British Museum to Return Chinese Cultural Artefacts. Journalism and Media. 2024; 5(1):189-202. https://doi.org/10.3390/journalmedia5010013
Chicago/Turabian StyleWan, Yau Ni. 2024. "Graduation Resources in News Discourse: Calls for the British Museum to Return Chinese Cultural Artefacts" Journalism and Media 5, no. 1: 189-202. https://doi.org/10.3390/journalmedia5010013
APA StyleWan, Y. N. (2024). Graduation Resources in News Discourse: Calls for the British Museum to Return Chinese Cultural Artefacts. Journalism and Media, 5(1), 189-202. https://doi.org/10.3390/journalmedia5010013