Next Article in Journal
Heroes and Cowards: Genealogy, Subjectivity and War in the Twenty-First Century
Next Article in Special Issue
Techno-Ethno Genealogy: An African Ancestry Narrative in the Digital Age
Previous Article in Journal
Using Foucault: Genealogy, Governmentality and the Problem of Chronic Illness
Previous Article in Special Issue
Of African Descent? Blackness and the Concept of Origins in Cultural Perspective
Article Menu

Export Article

Open AccessFeature PaperArticle
Genealogy 2018, 2(2), 14; https://doi.org/10.3390/genealogy2020014

Mythological Recuperation and Performance as Agency for Genealogical Return in Djanet Sears’s Afrika Solo

Department of Creative Arts, University of Lagos, Akoka 23401, Nigeria
Received: 17 December 2017 / Revised: 2 April 2018 / Accepted: 3 April 2018 / Published: 10 April 2018
Full-Text   |   PDF [309 KB, uploaded 3 May 2018]

Abstract

This paper is an examination of Djanet Sears’s Afrika Solo (1990) as a unique example of how Blacks in the global diaspora trace their genealogical roots back to Africa. Drawing from research in anthropology, cultural studies, and performance, the paper purports that Sears’s African-Canadian identity is underlined by her recuperation of a heritage, epistemes and performative aesthetics, and, real or imagined, practices that are not just Afrocentric but specifically Yoruba. Essentially, the paper examines Afrika Solo in the context of Black Aesthetic and more significantly as “text” in a Yoruba sense, which constitutes her own way of “going back to get it.” The paper is divided into two parts: the first part presents a general argument about Sears’s journey back to Africa and the culturally-rooted nature of the performance as opposed to feminist/gender readings of same, while the second part explores ways of understanding the play through the lens of Yoruba ritual and its aesthetics. View Full-Text
Keywords: culture; Ifá; ritual; Sankofa; Sears culture; Ifá; ritual; Sankofa; Sears
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).
SciFeed

Share & Cite This Article

MDPI and ACS Style

Balogun, L. Mythological Recuperation and Performance as Agency for Genealogical Return in Djanet Sears’s Afrika Solo. Genealogy 2018, 2, 14.

Show more citation formats Show less citations formats

Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Metrics

Article Access Statistics

1

Comments

[Return to top]
Genealogy EISSN 2313-5778 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert
Back to Top