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Religions 2013, 4(3), 351-357; https://doi.org/10.3390/rel4030351

End of the Line—A Play in One Act

910 Sabot Street, Richmond, VA 23226, USA
Received: 17 June 2013 / Revised: 16 July 2013 / Accepted: 17 July 2013 / Published: 23 July 2013
(This article belongs to the Special Issue Writers and Critics on Loss, Love, and the Supernatural)
Full-Text   |   PDF [23 KB, uploaded 23 July 2013]

Abstract

In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another. View Full-Text
Keywords: play; playwright; voiceover; drama; one-act play; playwright; voiceover; drama; one-act
This is an open access article distributed under the Creative Commons Attribution License (CC BY 3.0).
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Ziegler, I. End of the Line—A Play in One Act. Religions 2013, 4, 351-357.

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