A Critical and Historical Overview of the Sīrah Genre from the Classical to the Modern Period
Abstract
:1. Introduction to the Sīrah Genre: Its Emergence, Formation and Scope
2. Understanding the Sīrah Genre and Its Evolution
3. Sīrah Literature
The reader should know that with respect to all I have mentioned and made it a condition to set down in this book of ours, I rely upon traditions and reports (akhbar and athar) which I have transmitted and which I attribute to their transmitters. I rely only very exceptionally upon what is learned through rational arguments and produced by internal thought process. For no knowledge of the history of men of the past and recent man and events is attainable by those who were not able to observe them and did not live in their time, except through information and transmission provided by informants and transmitters.(Tabari, al-Tarikh, I/7–8, translation from Rosenthal, pp. 170–71)
4. Works of Sīrah in Western Scholarship
4.1. Medieval Period
4.2. Pre-Modern Period
5. Sīrah Literature in Modern Scholarship
6. Conclusions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
1 | The term sīrah has also been the name given to areas concerning state legislation and books written on this matter, including, in particular, war, hostages and spoils (e.g., al-Siyar al-Kabīr by Muhammad b. Hasan el-Shaybānī). Even though it comprises parts of books on Islamic law, it is beyond the concern of this paper. For the meaning of the word and areas where it is used, see (Fayda 2009, vol. XXXVII, p. 320; Hinds 1998, pp. 5–6; Raven 1997, p. 660; Hinds 1986, pp. 1162–63). |
2 | Hinds states that Wāqidī and Ibn Sa’d have narrowed the meaning of maghāzī, where it relates just to the Madīna period. As an example, he even shows that previous maghāzī works have dealt with the Khulafa al-Rashidīn period (pp. 8–9); see (Hinds 1986, pp. 1161–62). |
3 | |
4 | Sariyya is the word given to forces where the Prophet appoints one of his own companions as leader; ghazwah is the word given where he is part of and leads the forces. |
5 | |
6 | |
7 | It is reported that around 50 companions, who hold an important place in the reporting and determination of hadith, which are the second most important source of sīrah and maghāzī after the Qur’an, wrote hadith on sahifah (epistles) (for their names see Azami (2001, pp. 34–60)) and some, such as Abd Allah Ibn Abbās, gave lessons on sīrah and maghāzī in mosques and wrote works on these matters (Azami 2001, pp. 40–42). |
8 | Ayyām al-Arab is the term used during the age of ignorance (jahiliyyah) and in the early periods of Islam for the wars between Arab tribes. For detailed information see Ali (1997, vol. XII, pp. 14–16). |
9 | The work of M. Mustafa Azami, which is a narration by Abū al-Asad of the first written sīrah by Urwah, collects maghāzī narratives (Urwah ibn Zubayr 1981), but is more a narrative comprising certain topics on this matter, rather than being an independent work on maghāzī. In these narratives on Islamic history, which have reached today through various sources, the tone is clear, strong, unexaggerated and plain. See (Öz 2006, pp. 153–54; Fayda 2009, p. 321). |
10 | His work has been reconstructed by Muhammad Bakhshīsh, under the title al-Maghāzī li Musa b. Uqbah, by collecting the narratives contained in the sources. For detailed information, see (Öz 2006, pp. 246–56). |
11 | Suhayl Zakkār has collected the narratives of Ma’mar in accordance with the 14th chapter of al-Musannaf by Abd al-Razzāq al-San’ānī, and published them under the title of al-Maghāzī al-Nabawiyya (Abd al-Razzāq al-San’ānī 1981). For detailed information, see (Öz 2006, p. 347). |
12 | For information concerning the book’s title, see (Fayda 1999, vol. XX, p. 95; Öz 2006, pp. 299–300; Hinds 1998, pp. 3–4). |
13 | For further details on the Banu Qurayzah incident, see (Kirazli 2019). |
14 | The first, together with various additions, is an incomplete copy, which Ibn Ishāq had written by Yūnus ibn Bukayr (d. 814), who is accepted as a sīrah writer. This copy was published separately by Muhammad Hamīdullah and Suhayl Zakkār, under the title Sīrah Ibn Ishāq (Öz 2006, p. 426; Raven 1997, p. 661). The second is the book known as al-Sīra al-Nabawiyya, narrated by Ziyād ibn Abd Allah al-Bakkāī and written by Ibn Hishām (d. 833), who shortened the famous copy known as Kūfī Baghdādī. Ibn Hishām made this shortened version on taking into account the criticisms made of Ibn Ishāq, and left out some reports on the isrā’īliyyāt, matters that were not contained within the Qur’an nor connected to the Prophet, and the poems that contained obscenities or were written by unknown poets, and made some albeit, few additions, to create this work that is attributed to him. This is a source for later works within the Islamic world and has become famous as the Sīrah Ibn Hishām (Fayda 2009, p. 322; Fayda 2001, vol. XX, p. 72; Öz 2006, pp. 299–303, 430–34; Raven 1997, p. 661; Watt 1986, vol. III, p. 800). |
15 | For detailed information and various opinions on Ibn Ishaq, those who establish his credibility as well as criticisms, see (Ibn Sayyid al-Nas 1999, pp. 54–58; Ibn Hajar 1984, vol. 9, pp. 40–46; Kirazli 2019). |
16 | Arguments concerning plagiarism are contained in articles of Jones (2007) and Lecker (1995, chps. 2 and 3). |
17 | For these types of books and articles, see al-Munajjid (n.d.). |
18 | For detailed information on chronological works concerning the life of the Prophet, see (Noth 1993, vol. VII, pp. 360–87; Görgün 2004, vol. XXX, pp. 476–78; Buaben 1996; Yaşar 2010, pp. 78–110; Sertkaya 2016, pp. 7–30). |
19 | This book, which is said to have been written in the 9th century, was translated into English by Sir William Muir under the title, The Apology of al-Kindy (Muir 1887). However, Muslim scholars believe this book does not belong to him. See (Yavuz 2002, vol. XXVI, pp. 38–39). |
20 | For the motives behind the approach in this period, see pp. 380–81. |
21 | The collected works whose real aim was to gather the refutations of Islam that had been written and place them onto a sound basis is famous today under the title “Toledo-Cluny Collection” (Görgün 2004, p. 476). |
22 | His work is dated 1650 and titled Specimen Historiae Arabūm Sive Gregorii Abūlttasajji Malatiensis de Qrigine et Moribus ArAbūm Succincta Naratio Oxoniae. |
23 | In the foreword to his translation of the Qur’an in 1734 (The Koran), George Sale takes into account the reality of Islam whose existence was for many long years rejected in Europe, and which was denigrated and treated with contempt, by basing his work primarily on Islamic sources, and presented various further positive points of view, but could not obtain any result from this (Yaşar 2010, pp. 260–61). |
24 | In general, the forewords to translations of the Qur’an that were written in this period included a biography of Prophet Muhammad, as the writer of the Qur’an; these include the translations written by George Sale, Alexander Ross and Maracci. |
25 | While Voltaire does not show Prophet Muhammad in a different way than how he has been portrayed in medieval times, in his famous work titled Essai sur les Moeurs, he has depicted the Prophet in a completely different way—as a lawmaker, conqueror and religious leader who can play the biggest role in the world. See (Yaşar 2010, p. 87). |
26 | Goethe (1749–1832) researched Prophet Muhammad and praised him in his poetry and unfinished drama. See (Yaşar 2010, pp. 92–94; Ehlert 1993, pp. 383–84). |
27 | According to Watt, even though research from earlier times was interested in the historical personage of the Prophet, maybe it was Carlyle (who with his conference titled “The Hero as Prophet. Mahomet: Islam” was influential in changing the image of the Prophet to a positive one) who discussed the Prophet as an individual who dealt with the problems of people and took an interest in the problems of all mankind, in a sincere, serious and genuine manner, and presented him in this way, taking a very important step towards destroying the belief in the medieval ages that Muhammad was the biggest enemy and trying to replace this with a real portrait of the Prophet. See (Buaben 1996, pp. 177, 185). |
28 | Shacht has widened Goldziher’s theory that hadith were made up as a result of political developments in the second century of hijra, in a way that included sīrah. |
29 | For the fundamental errors made in this study, see (Robinson 2003, chp. 3). |
30 | The crux of his thesis and main premise for his arguments is the term mu’minun (believers), which is used almost a thousand times in the Qur’an in reference to the original community encountered by Prophet Muhammad, as opposed to Muslims (muslimun), which is far less frequently used. Often the Qur’an appeals to Muhammad and his followers as a community of believers rather than that of Muslims. |
31 | Donner asserts the Islam we know today to a large extent is an Umayyad version. |
32 | Fiqh, lexically, means to know, understand and comprehend something deeply, understanding the ultimate meaning and purpose of something. Thus, it bears a meaning of deep understanding of religious knowledge and comprehension; deep understanding of its sources particularly the Qur’an and Sunnah. (M. Fuad Abd al-Baqi, al-Mu’jam, f-q-h). |
33 | Morrow’s research on covenants attracted serious attention among Western scholars and paved the way for more works to be produced. See, for instance (Morrow 2019; El-Wakīl 2016, 2017, 2019). |
34 | Craig also authored an article on the covenants of the Prophet. See (Considine 2016). |
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Sertkaya, S. A Critical and Historical Overview of the Sīrah Genre from the Classical to the Modern Period. Religions 2022, 13, 196. https://doi.org/10.3390/rel13030196
Sertkaya S. A Critical and Historical Overview of the Sīrah Genre from the Classical to the Modern Period. Religions. 2022; 13(3):196. https://doi.org/10.3390/rel13030196
Chicago/Turabian StyleSertkaya, Suleyman. 2022. "A Critical and Historical Overview of the Sīrah Genre from the Classical to the Modern Period" Religions 13, no. 3: 196. https://doi.org/10.3390/rel13030196
APA StyleSertkaya, S. (2022). A Critical and Historical Overview of the Sīrah Genre from the Classical to the Modern Period. Religions, 13(3), 196. https://doi.org/10.3390/rel13030196