Next Article in Journal
‘In Our Whole Society, There Is No Equality’: Sikh Householding and the Intersection of Gender and Caste
Next Article in Special Issue
“Fantastic Tricks before High Heaven,” Measure for Measure and Performing Triads
Previous Article in Journal
The Burka Ban: Islamic Dress, Freedom and Choice in The Netherlands in Light of the 2019 Burka Ban Law
Previous Article in Special Issue
Bewitching Power: The Virtuosity of Gender in Dekker and Massinger’s The Virgin Martyr
Open AccessArticle

Religion and the Limits of Metatheatre in Our Town and Sunday in the Park with George

Department of Religious Studies, University of Virginia, Charlottesville, VA 22904, USA
Religions 2020, 11(2), 94; https://doi.org/10.3390/rel11020094
Received: 31 December 2019 / Revised: 10 February 2020 / Accepted: 10 February 2020 / Published: 18 February 2020
(This article belongs to the Special Issue Religion and Theatrical Drama)
This essay explores theatrical drama alongside aspects of religious dimensionality David Tracy analyzes in terms of limit experience, limit language, and limit questions. The claim is that metatheatrical forms can correlate with limit dimensions, a correlation which may prove as pertinent as ritual for linking drama with religious experience, thought, and practice. Here, metatheatre and limit dimensions are further defined in respect to Thornton Wilder’s 1938 play, Our Town, and Stephen Sondheim and James Lapine’s 1984 musical, Sunday in the Park with George. The essay identifies distinct though often overlapping forms of metatheatre: plays or performances that (1) explicitly refer to themselves, or (2) represent theatrical or theatre-like works within their stories and expressed worlds (e.g., plays within plays), or (3) dramatize theatre-like and performative aspects of ordinary life. Just as Wilder foregrounds metatheatrical relations to create an impression of the eternal, Sondheim and his collaborators reflect on their work’s ontological conditions of possibility by bringing to life another work, a painting, at distantly separated moments in time. Our Town and Sunday in the Park invite us to enter social and ritualized spaces inhabited by commonplace yet archetypal persons; they culminate in moments where the audience is to discern past, present, and future in simultaneous proximity; and with their different contents and forms, they prove good plays for elaborating relations among theatre, limit experience, and religious dimensionality. View Full-Text
Keywords: metatheatre; limit experience; religious dimensionality; Wilder; Sondheim; Lapine metatheatre; limit experience; religious dimensionality; Wilder; Sondheim; Lapine
MDPI and ACS Style

Bouchard, L.D. Religion and the Limits of Metatheatre in Our Town and Sunday in the Park with George. Religions 2020, 11, 94.

Show more citation formats Show less citations formats
Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Access Map by Country/Region

1
Back to TopTop