From ‘Islamism’ to ‘Spiritualism’? The Individualization of ‘Religion’ in Contemporary Iran
Abstract
:‘Inspired by this fundamental thought [the great significance of mosques in early Islam], with the emphasis of the Leader of the revolution [Ayatollah Khomeini], the Iranian Muslim nation turned mosques back to their fully mobile and vital status as in early Islam during the current of the Islamic revolution, particularly one year before and after the triumph of the revolution. And [using mosques] the combatant [revolutionary] clergy explained the political thought of Islam, disseminated the movement’s goals and disclosed the [pre-revolutionary] regime’s catastrophes, the sinister effects of foreign domination and the global imperialist plots, especially that of the United States and Zionism, in the trench of altar and pulpit… In summary, mosques changed to forceful centers for the support of the revolution and the operation headquarters of the Leader of the Islamic Revolution at that time. And the Islamic Republic of Iran was born in mosques… Against the danger of the separation of the revolution from mosques, which was the Islamic revolution’s new plot, Imam Khomeini (pbuh) said: “Don’t be scared of the enemy’s [military] jets; be scared of [the day when] mosques become empty.”’[Imam Khomeini, Sahifeh-i Imam, vol. 3, p. 21]
‘Islam’ and ‘Islamism’ in the Iranian Context
‘Islam’ in Its Fourth Decade: Methods and Findings
‘In my view, the faithful must choose mosques, which are the houses of God, but the majority of the Iranian people prefer to make pilgrimages to Imams’ or Imamzadehs’ tombs rather than attending mosques these days. Mosque is the house of God and, in my view, is the most sacred place for [having] conversations [with God] [‘raz va niaz’] and for the expression of religious emotions [‘ehsasat-e mazhabi’]’.
‘This shift… is associated with very broad social and cultural changes such as the declining importance of ‘attributed’ identities (or status) and the rising importance of ‘achieved’ identities; the declining importance of membership in all kinds of voluntary organisations (churches, trade unions, political parties, etc.); the growth of ‘identity politics’; and the growing interest in cultivating ‘the self’ as a life-long project which may produce different views of the self at different stages of life. These changes have all accelerated in the global and digital era (especially through social media); and they help to draw a clearer distinction between ‘religion’ (as a matter of collective discipline, regulation, tradition) and ‘spirituality’ (as something that is freely chosen to be cultivated by individuals).’
1. Diversification of ‘Islamic’ Venues
- (i)
- The foremost meaning of ‘spiritualism’ is an ‘expression of personal feelings’ or ‘self-reflection’, especially when a private space at a household is selected, for the purpose of ‘acquiring inner peace’ (frequency = 17).
- ‘The place is not very important. What is important is to be able to express my own [religious or spiritual] sensations. If convenient and on my way, I would rather [go to] Imams’ or Imamzadehs’ mausoleums. If this is not possible, I attend a mosque or any mourning event that takes place in a relative’s or neighbor’s household. In general, it does not make any difference whether it takes place in a household, Imamzadeh or any other place. The expression of my [religious] feeling is important.’ (A 29-year-old woman with a general education background.)
- ‘… Religion [in public life] is entertainment for human beings. I choose my [private] room in order to have [spiritual] self-reflection. Those who participate in [religious] rituals, in my view, lack something psychologically and they fear loneliness and [therefore] they need to fill their psychological vacuum…’ (An educated 25-year-old man.)
- (ii)
- ‘Spiritualism’ is related to the meaning of ‘genuineness’ and ‘coming from the heart’ aspect of so-called ‘religious’ activities, which avoids any form of ‘religious formalism’ and ‘duplicity’ and ‘two-facedness’ (‘ria va tazvir’) (frequency = 5).
- ‘… If I want to choose to attend an event, I will choose one [in a venue] that is more genuine in terms of their [religious] intentions and lacks any religious formalism.’ (A 23 year-old male student.)
- ‘… I choose a place in which there is no duplicity (ri’a) and formalism (zaher-sazi). One that [is genuine and] comes from the heart… I also like to make pilgrimages to the tomb of Imams …’ (An educated 24-year-old man.)
- (iii)
- ‘Spiritualism’ is not just related to other-worldly demands and expectations. It embraces both this- and other-worldly needs (frequency = 3), although some may prefer ‘simple’ places to other venues due to the current difficult economic conditions (frequency = 2). However, this does not mean that their form of ‘spiritualism’ is solely ‘other-worldly’. This was particularly clear when our informants chose Imamzadehs as their ‘religious’ venue. This form of ‘spiritualism’ is particularly related to circumstances when one is ‘depressed of and exhausted by the troubles of [this] world and needs a simple [peaceful] place’ and therefore makes a pilgrimage to Imamzadeh’s tombs as they are ‘easily available’ and they were believed to be ‘simple persons’, suggested an unemployed twenty-five-year-old educated woman. This may sound highly other-worldly. Yet, it is not explicitly chosen, as in Sufism. Rather, it is imposed by the deeply stratified social structure of contemporary Iran, in which some Iranians, such as the above-mentioned woman, resort to ‘spiritualism’ for gaining some peace. This is confirmed by another informant, a forty-five-year-old housewife, when she refers to ‘not returning home with an empty hand’, i.e., being answered to for usually mundane requests, as a reason for attending the tombs of Imamzadehs or mausoleums.
- (iv)
- ‘Spiritualism’ means a direct association and a ‘private conversation with God (raz va niaz ba koda)’ and feeling Him, without any mediation (frequency = 2). This meaning of ‘spiritualism’ may also embrace mundane issues.
- (v)
- The final form of ‘spiritualism’ in association with venues is related to so-called ‘musical’ aspects of ‘Islamic’ festivals, such as playing drums or the flute, requiem (nouheh soraei) or rhythmic recitation of the Qur’an (frequency = 3). It should be noted that playing musical instruments, such as drums and flutes, are considered ‘haram’ or ‘forbidden’ in ‘Islamic’ jurisprudence or shari’a. This will be elaborated on in more detail below.
2. Conceptualizations of ‘Saints’ (awli’a)
- (i)
- ‘Saints’ as ‘ordinary human beings’ (frequency = 6): this group of individuals, who have selected their private spaces in their households for their ‘religious activities’, tended to bitterly desacralize ‘saints’ by calling them ‘ordinary human beings’ and sometimes even insulting them, such as:
- ‘all Imams were cowards, with the exception of Hussain, who was a brave man, and Ali, who considered all people innocent unless their guilts were proven.’ (An educated 24-year-old woman.)
- ‘I don’t even know the Imams’ names, apart from a few… We don’t hear that Hussain was a “free man” anymore … and he had nothing to do with people’s religion… Ali was a violent person… I laugh when I hear “Hidden Imam”… Imamzadehs are tools for entertainment by the government.’ (A 23-year-old male student.)
- ‘I have no imagination about them. I have not experienced them.’ (An educated 24-year-old woman.)
- ‘They were good people, like figures in other religions [implying that they were not special].’ (An educated 30-year-old man.)
- ‘I have nothing to do with Imamzadehs, but I like Imams, especially Ali and Hussain for their spiritualistic and humanistic characters.’ (An educated 45-year-old woman.)
- ‘They have done something that God has asked them to do [implying that they did not choose to do good things independently from God]. [Therefore] they have no superiority over us. They were people like us.’ (A 26-year-old female student.)
- (ii)
- ‘Saints’ as ‘innocents’, ‘examples’, ‘mediators’ and ‘great personalities’ (frequency = 16): these are usually considered ‘classical’ characterizations of ‘Imams’ and/or ‘Imamzadehs’ (without the feature of ‘innocence’ for Imamzadehs). These characterizations were usually used by those who choose mosques, Imamzadehs and those who gave no preference to any particular venue. In contrast to point (i), these features go beyond features of an ordinary person. Having said this, the subjectivized and individualized conceptualizations of these ‘saints’ are noticeable among these informants too, even among those who chose or preferred mosques over other venues:
- ‘Imams are mediators [between God and people]. [However,] despite what many people believe, I do not maintain that they had authority to [conduct] miracles’, an educated 26-year-old Shi’ite woman who preferred mosques stated. This goes against classical and institutional understandings of Shi’ism, and any such suggestion could result in allegations of apostasy and punishment.
- ‘Among Imams, I like Imam Hassan [the second Imam]. He was a peace-maker. He was a calm person and did not want anyone to be hurt.’ (An educated 23-year-old man.)
- ‘I like Imams, especially Imam Hussain. He was a symbol of kindness and sacrifice and fighting oppression. I wish there was an Imam in our time too [implying that the Islamic Leader is not an ‘Islamic’ figure, but a political one]. Ali was strong but he never used his strength in a bad way. He was not violent… Fatemeh [the Prophet’s daughter, who is conventionally believed to be ‘innocent’ but not an Imam] was rich, but she was humble and had a simple life.’ (A 29-year-old woman with a general education background.)
- ‘I respect Imams and their descendants, even an unveiled seyyed [descendant of the Prophet] woman [meaning that she does not care about shari’a]… They are symbols of kindness, calmness, forgiveness and patience. They tolerated a lot of difficulties because they wanted us to live in calmness and establish a [spiritual] relationship with God’, an educated 33-year-old female informant said. It should be noted that she does not mention that Imams tolerated such difficulties because of shari’a or the political rule of Islam.
- ‘I like our Imams and Imamzadehs. Some Islamic beliefs have nowadays changed. People do not respect such figures as much as they did before. They suggest that these saints do not belong to our culture and civilization, as they are Arabs. As we do not have a good relationship with Arabs nowadays, they avoid [respecting] these figures. They have independent personalities and I respect them a lot.’ (An 18-year-old male student.)
- (iii)
- ‘Saints’ as ‘saviors and helpers’ (frequency = 4): this meaning of ‘saints’ seemed to be an emerging trend. Due to perhaps economic difficulties and hardship within society, there was a tendency to the view that there is no use in ‘crying’ for or ‘mourning’ Imams’ death in their commemorations. If one wants to be ‘faithful’ or ‘spiritual’, s/he should help people, as the ‘Imams’ supposedly did:
- ‘They [Imams and Imamzadehs] are good listeners [when one makes a pilgrimage to their tombs] and most hospitable individuals who will help you.’ (A 27-year-old female student.)
- ‘They are good mediators in helping people to sort out their problems.’ (An educated 30-year-old man.)
- ‘They [saints] are like our fathers and can help us… I should submit my project [at the university] by next week and I pray a lot to Imams to assist me in doing so!’ (An 18-year-old female student.)
- ‘I have no special feelings to Imamzadehs, but I have a lot of respect for Imam Reza, who saved my life when I was nine-years-old and suffering from a serious illness. My father vowed when I recovered, we would make a pilgrimage to Imam Reza… He [Imam Reza] is the kindest, strongest, nicest and the most knowledgeable person.’ (An educated 25-year-old woman.)
3. Relationship with ‘Saints’ (awli’a) and ‘Religious’ Experience
- (i)
- ‘Facing social or personal problems’ (frequency = 16): The high frequency of ‘problems’ as a reason for having ‘religious’ or ‘spiritual’ experience among this group of individuals indeed illustrates the contextualized feature of these experiences and the difficult social conditions they lived in. Twelve, out of the sixteen, were women. In addition, these individuals tended not to allocate a specific time or occasion for having their ‘religious experience’ and connecting with the divine or the ‘saints’. They did it as they felt they needed. Interestingly, the majority of these individuals is composed of those informants who suggested that they had no preference in choosing a specific venue. Some examples of the statements in this regard are as follows:
- ‘I see sometimes injustices and I wish Imam Ali was here. Since I have no access to him, I go and talk to his descendants, i.e., Imamzadehs.’ (An unemployed, 24-year-old educated woman.)
- ‘When I face a problem and I need something, I go to Imamzadehs as I am aware that there are more positive vibes there. This is the case with the Imams’ shrines too. There is more hope [in shrines, as opposed to mosques] that your requests will be answered.’ (An educated 33-year-old housewife.)
- ‘When I face an issue or difficulty [and] when I need someone, I think of them [Imams]. I ask for help from them from my heart. I request to them to mediate between me and God in order to respond to my needs and problems.’ (An unemployed 23-year-old educated man in obligatory military service.)
- ‘It [spiritualism] is not easily describable. It usually comes to me when I face a disaster or I am happy with something. [On these occasions] I say ‘al-hamd-o lellah’ (thanks to God) a lot. When I get caught up in a spiritual condition [halat-e ma’anavi], I repeat this word [al-hamd-o lellah]. When I see an ill person in my surrounding, I thank God that I am healthy.’ (A 33-year-old educated housewife.)
- ‘Whenever I have a problem or I have been given something by God, I connect to God by thinking of Him and thanking Him directly. I sometimes ask the Prophet to mediate too.’ (A 24-year-old woman with a National Diploma, who was unemployed.)
- (ii)
- ‘Special occasions’ (frequency = 11): Unlike the above-mentioned informants, these individuals restricted the definition of ‘religious experience’ to specific festivals and occasions. Some of them emphasized that they had a lot to do for the rest of their time. Therefore, they could only afford certain times for such a relationship and experience, i.e., in specific occasions that are ‘religiously’ considered to be important, such as the days of Tasu’a and Ashura (9th and 10th Moharram, when it is believed that the third Imam, Hussain, and his seventy-two helpers were martyred), the Qadr Nights and perhaps the Prophet’s and/or other Imams’ death anniversary ceremonies. These individuals can be found across all selected or preferred venues. In other words, these occasions were considered important for many informants. However, seven informants, out of eleven, belonged to the group of individuals who preferred Imamzadehs for having a ‘religious’ experience on such occasions.
- ‘I get caught up in “religious experience” during [the months of] Moharram and Ramadhan and [Imams or the Prophet’s] martyrdom anniversaries (ayyam-e shahadat). I have no [religious] experience on other days.’ (An 18-year-old female pupil.)
- ‘When I get bored, I get caught up in religious sensations. Of course, it may also occur when I am happy too. On these occasions, I feel that I should be grateful to God by thanking Him. [However,] the months of Ramadhan and Moharram are the occasions when I have the most religious experiences.’ (An educated 30-year-old man.)
- ‘I usually experience a religious feeling during the days of Moharram, especially Tasu’a and Ashura, and the Qadr Nights and perhaps on some other occasions.’ (A female PhD student.)
- ‘I may feel a religious sensation on ordinary days, for example, by thinking about one of our Imams. Yet, it has also happened that I did not have such a sensation even during the [Imams’ or the Prophet’s] martyrdom days. There was no difference between those days and other days for me. It depends on my conditions at that particular time.’ (An educated 25-year-old housewife.)
- (iii)
- ‘No need for special occasions’ (frequency = 3): These individuals’ definitions of ‘religious experience’ may differ from one extreme to another (for example, compare points a and b below). While the former may experience a religious sensation once a year, the latter rules out even a minute for lacking religious experience.
- ‘You cannot allocate a time for such an experience. Whenever your soul needs it, it comes.’ (An educated 32-year-old man.)
- ‘Religious experience has no special time. A human being must see themselves in the presence of God (dar mahzar-e khoda bebinad) all the time. Special days such as those of Moharram are also important because these help us to understand and disseminate the ideas and beliefs of Imams. People get more prepared [for religious experiences] in these days.’ (An educated 48-year-old man.)
- ‘I used to have it perhaps everyday [meaning while performing daily prayers], but it is not the case anymore.’ (An educated 30-year-old man.)
- (iv)
- ‘No religious experience at all’ (frequency = 3): These individuals were very critical of the condition of society and did not consider themselves to be ‘religious’:
- ‘I have no understanding of a religious experience, because I have not experienced it.’ (An educated 30-year-old man.)
- ‘It depends on my [individual] condition [bastagi be halam dard]. In Iran, the so-called ‘religious ceremonies’ (marasem-e mazhabi) are in fact a type of [social] gathering and lack any ‘religious’ or ‘mourning’ (azadari) character. For example, in the day of Ashura, you should either stay at home or come out and observe thousands of these groups. I do not attend them. Each is worse than the other. You can hardly find anyone that is genuinely ‘religious’… I know mourning groups (hey’at-haye azadari) that commit unethical things throughout the year, but they [suddenly] become ‘religious’ in Tasu’a and Ashura… This is why I have a problem with “religious people”. They use “religion” for their own personal and economic interests… I know an owner of a coffee-house, who is the only one in the city who sits behind his desk with a suit. You know why? Because a famous ‘maddah’ [the person who performs Shi’ite requiems] frequents his coffee-house. In this way, the status of his coffee-house goes up and he receives more customers and then charges each person 4000 Tomans, instead of the 1500 Tomans that other coffee-houses charge… This owner respects Ashura more than anyone else. He even gives free food for Imam Hussain’s mourners (azadaran) on the Day of Ashura. Why not? He has already made a lot of money out of it… Religion is an instrument of power to make a lot of money.’ (A 23-year-old male student.)
- ‘I do not need such things [religious experiences]… I could not find anything in them [religious ceremonies] that I was after… Formerly, I used to pray to Imams whenever I was upset or I needed something. But I do not need these things anymore. If I have a word to say, I may say it to God [directly], not to his servants [human beings].’ (A 26-year-old female student.)
4. Constructions of ‘Outward Appearance’
- (i)
- ‘No change’ (frequency = 7): These individuals changed little in terms of their outward appearance for attending a ‘religious’ ritual and/or experiencing ‘Islamic spirituality’:
- ‘I want to be myself all the time, well perhaps 90% of the time. That is, if I make up my hair and face on ordinary days, I do the same on these special ‘religious’ days too. I may wear a black shirt one day in Ashura out of respect to Imam Hussain.’ (An educated 23-year-old man.)
- ‘I do not need to change my outward appearance and wear black clothes [in Moharram due to Hussain’s martyrdom].’ (An educated 24-year-old woman.)
- ‘I do not change my outward appearance. Some people may grow a beard or wear black shirts, but I do not do these things.’ (A 23-year-old male student.)
- (ii)
- ‘Formal, nice and clean’ (frequency = 5): These individuals paid most attention to their appearance on such occasions, as though they were visiting relatives or friends. In fact, it was considered an opportunity to show off, especially when they were attending a ‘religious’ ceremony in a household. It was interesting that most of these informants later mentioned that they would rather use internet and satellite TV for their ‘religious knowledge’ than state TV.
- ‘If there are ceremonies in people’s households, I pay attention to my dress as if I am attending a party. Otherwise, I do not change my outward appearance.’ (An educated 45-year-old woman.)
- ‘I wear pretty and clean clothes as if it is an Eid [she means that she does not change her outward appearance because her religion].’ (An educated 24-year-old woman.)
- (iii)
- ‘Simple and modest’ (frequency = 4): In contrast to the above-mentioned individuals, there were those who wanted to establish a ‘religious’ experience whether privately or publicly in a clean but simple and modest way. Some of these informants criticized those who attended such ‘spiritual’ meetings in ‘posh’ attire ‘as if they are going to a wedding’. This group of individuals were perhaps unwittingly influenced by a non-materialistic Sufi culture of ‘Shi’ism’:
- ‘[Out of respect] if I go to Imamzadehs and mosques, I try to pay more attention to my ‘hejab’ (veiling). Otherwise, I do not make any changes.’ (A 29-year-old woman with an A-level education.)
- ‘[In Ashura and Tasu’a] I try to wear simple clothes, [although] in my view, [the change] of outward appearance is not important.’ (A 27-year-old female student.)
- (iv)
- ‘Appearance in accordance with the character of the religious gathering’ (frequency = 7): For such individuals, outward appearance should be consistent with the aim and nature of such a gathering. For example, if they were to attend an Imam’s or the Prophet’s birthday ceremony, they should appear in bright colors. In the same way, they would choose dark colors, mostly black, and perhaps humble dresses for the commemoration of the death anniversary of the Prophet or an Imam.
- ‘If there is a formal gathering, I dress formally… In general, I choose my dress in accordance with the nature of a gathering.’ (An 18-year-old pupil.)
- ‘Every event requires its own attire. It is not appropriate to wear wedding clothes for mourning and vice versa. I like to choose my clothes accordingly.’ (An educated 25-year-old woman.)
- (v)
- ‘Following “Islamic” orders [mainly meaning shari’a or tradition]’ (frequency = 6): It would not make that much difference for this group of individuals where and in what type of ceremony they wanted to attend. It was just important to objectively observe the appearance requirements of ‘Islam’, such as strict hejab and wearing black shirts, not just for that certain ceremony but for a period of time, ranging from 10 days to two months during the Islamic months of Muharram and Safar. The latter (wearing black clothes) was viewed as a requirement of tradition, but not the shari’a.
- ‘If it was up to me, I would not change my outward appearance. Yet when I consider others, I wear black clothes…’ (An educated 25-year-old woman.)
- ‘… In the martyrdom days, I wear a black shirt. When I was young, I grew a beard too, but I do not do this these days.’ (A 54-year-old man.)
5. The Impact of Mass and Social Media
- ‘[In addition to TV and radio], the internet is also an effective and accessible mass medium in our time and its religious materials are more colorful. For example, our group is active on Facebook and other mass communication apps. We utilize the internet for informing people about our programs or disseminating them. Even those who had already been attending the group’s programs and can no longer do so for some reason are now able to follow our programs virtually.’ (A 26-year-old male student, who was active in the organization of a so-called ‘Mourning Group’ (hey’at-e azadari) in his local area.)
- ‘Since I spend a lot of my time on the internet, I read many things that are disseminated there. For example, I follow the page of a cleric on Facebook, reading his work or watching the videos he disseminates. He does not want to show off. He tries to promote a spiritual Islam by telling the truth. His speeches do not serve the interests of a special group [of clerics] or class. I like such people.’ (An educated 23-year-old man who was an active user of internet.)
- ‘[Satellite] TV and internet have a completely global role. For example, an individual who lives in Paris can also follow all these [religious] ceremonies easily via [satellite] TV or the internet and vice versa. Of course, if the internet carries our national religious characters, they would certainly be more effective than TV. This is because TV has limits but internet has a global and interactive feature that is more effective than TV.’ (An 18-year-old male student.)
- (i)
- ‘Positive and influential’ (Frequency = 11): These informants did not appear to be critical of State-provided programs, especially those broadcast from TV. They enjoyed watching ‘Islamic’ festivals or ceremonies, although they preferred to physically attend their favorite ceremonies in person and to be a part of a particular event.
- (a)
- ‘I would rather satisfy my [religious] emotions by physically attending such ceremonies. However, if the conditions are not there for me, I utilize programs broadcast from radio and TV.’ (A 55-year-old woman from a rural background.)
- (b)
- ‘… TV has an effective role [in the transmission of religious emotions and experiences]. You see that the TV takes a completely religious form during the first ten days of Moharram. Perhaps if this did not happen, we would not have such religious feelings. In addition to its propaganda mission, it has an informative role too. This certainly has an impact on audiences.’ (An 18-year-old male student.)
- (c)
- ‘… [Mass media] is very very effective. They remind us of religion when we forget it. Or they sometimes show an event in such a way that we get provoked. They flip us if we are on our own … Otherwise, these [religious] matters become less colorful and, in my view, gradually disappear. [Having said this] it depends on my state at a certain point whether to physically attend a ceremony and which one to attend or to stay at home and watch a TV program.’ (An educated 25-year-old woman.)
- (ii)
- ‘Negative and/or uninfluential’ (Frequency = 10): These informants were unconditionally critical of any ‘religious’ program broadcast from State media, including TV and radio. They opposed the alleged ‘political agenda’ behind these programs.
- (a)
- ‘Mass media is effective …, especially in countries, such as Iran, where there are no [official] private channels. Programs are broadcast with the authorization of the government… Therefore, they easily gain what they want. For example, compare the news in Iran with Turkey. They are fundamentally different from each other. So are the matters related to religion. The government will not allow an intellectual, like Dr Soroush, to come on to say something different from what the religious authority desires… For example, the series of ‘Mokhtarnameh’ that the TV broadcast was very different from the book. I do not have a positive view of the religious programs on TV in Iran where power is in the hands of a religious government. By propaganda and TV, they manipulate the nation’s thoughts in their own [political] interests.’ (A 23-year-old male student.)
- (b)
- ‘… I do not watch programs that try to instigate crying. I immediately change the channel. I would like to watch programs that contribute to my knowledge… For example, if four, out of five, channels show religious programs in the night of Ashura and say, for example, they show [Yazid, the Umayyad caliph] cut [Abulfazl, Hussain’s brother’s] hands … and do not say why they did so, I watch the fifth channel that is, for example, a documentary about nature…’ (An educated 24-year-old woman.)
- (c)
- ‘I think that I devote three quarters or more of my life for expressing religious feelings. This is because we have Fourteen Innocents (chahardah ma’asoum) [i.e., twelve Imams plus the Prophet and his daughter Fatemeh] and two [Islamic] months of Muharram and Safar as well as the martyrdom of the children of our country [implying the Iraq-Iran war] and other countries [referring to the Middle East]… which has taken place throughout each year. In every ceremony whether happy (shadi) [referring to Imams’ birthdays] or mourning (‘aza), crying is on the agenda. Whenever we turn on the TV, a mourning ceremony is on or a film is shown on war and the martyrdom of our children. All this has made our youth loath war and the majority of them avoid Islamic Republic TV. This is because it shows news of the dead, war, blood and crying. Our children hate crying and sorrow. It is no different on local TV.’ (A 50-year-old with a general education.)
- (iii)
- ‘Both positive and negative or partially influential’ (Frequency = 7): These informants conditionally approved some such programs, but not all of them. For them, some programs can be so ‘negative’ that could even ‘put you off any religious belief’. These informants watched such programs only if they were not able to physically attend ‘Islamic’ ceremonies.
- (a)
- ‘Mass media is very effective in encouraging or discouraging individuals to express their religious emotions. They have both positive and negative roles. I try to be a part of the [religious] ceremony itself as much as I can.’ (An educated 45-year-old man.)
- (b)
- ‘If [programs] are not biased and delivered in the right [non-ideological] way, they will be useful. Otherwise, they will cause people to escape religion…’ (An educated 48-year-old man.)
- (c)
- ‘I may say that they [mass media] are effective forty per cent of the time. They may broadcast something from the religious channel that I do not like. At the end of the day, I am 33 years old and I know what I like about these programs and what I do not…’ (An educated 33-year-old woman.)
6. The ‘Shi’ite Requiem’ (‘Maddahi’) and Language
- (i)
- ‘Shi’ite Requiem’ as ‘knowledge’ (Frequency = 6): There is a considerable trend among Iranian youth or the second generation after the revolution in questioning the emotional aspects of ‘Shi’ite’ festivals, particularly their crying segments. These individuals are more concerned with the ‘reason’ aspects of these festivities than its emotional aspects; e.g., why Hussain ‘chose’ death if he knew that it was going to happen? What was his message? Or did he really choose death? To what extent are the current narratives authentic? These questions go beyond the traditional simple answer of: ‘he sacrificed himself in order to save Islam’.
- (a)
- ‘I would rather know about their [Imams’ or the Prophet’s] lifestyles, conduct, beliefs, how they treated ordinary people, advices that they gave about the treatment of friends and foes… It is not enough to listen to their hardships and cry for them. I would rather know what really happened at that time. I do not like exaggerations… Today’s requiems are similar to popular songs and they often ruin your religious feeling if you had one [to begin with].’ (An educated 25-year-old woman.)
- (b)
- ‘The meanings of requiem lyrics are more important than their tune or how they are sung…’ (An educated 27-year-old man.)
- (c)
- ‘The lyrics of today’s requiems are not similar to those of the past. They have lost their previous forms and contents, although I know which ones to choose and which ones to avoid [implying I will choose whichever I like]… It would be useful if there was a university course in this regard to teach people how to perform a religious requiem academically.’ (An 18-year-old male student.)
- (d)
- ‘What I hear from a [religious] singer (maddah) must correspond to my own personal beliefs. If this is not the case, his requiem will have no effect on me… They keep mentioning different names in their songs, such as Sakineh. If I do not know who Sakineh is, what do you expect me to do? It would be difficult for me to cry for such a person…’ (An educated 33-year-old woman.)
- (e)
- ‘I have lost the religious feeling and beliefs of society partly because of the nonsense that ‘maddahan’ [the performers] present to us. Is it important that Imam Hussain’s eyes were big or his body strong? When I hear these things, I become disgusted of any religious person or religion… I am a living example of the impact of such meaningless things on human beings…’ (A 26-year-old female student.)
- (ii)
- ‘Requiem’ as ‘emotions’ (Frequency = 4): Unlike the above-mentioned individuals, these informants highlight the ‘true’ religious sensations of these festivals which were common mainly during the pre-revolutionary era. Therefore, for them, the state of sorrowness and sadness in these mourning festivals are vital.
- (a)
- ‘… The traditional requiems (nouheh-ha) contained sorrowness and sadness, but these [contemporary requiems] are like popular [non-religious] music. They [traditional or pre-revolutionary ones] were better. They were mourning festivals in real terms, but nowadays they shout ‘Hussain, Hussain…’ and hit their chest, but they are fakes [he meant that they do not believe in what they are saying]. Instead of giving you a religious sensation, mourning like this makes you mad and think that Imam Hussain deserves more than this…’ (A 54-year-old with a primary education background.)
- (b)
- ‘… Today’s requiems no longer give me any religious sensation. They are normal [non-religious] songs. The previous [traditional] ones were full of sorrowness and affected my soul and mind (rouh va ravan). This is why I like them… Today’s requiems are talking about, for example, Imam’s beautiful eyes and eyebrows… What have I got to do with their eyes and eyebrows?’ (A 29-year-old woman with a general education.)
- (c)
- ‘… It is important that the [religious] singer (maddah) becomes attentive and enthusiastic in describing what happened in the [religious] stories… This makes me so attracted to his sayings that I could hardly forget those stories.’ (A 45-year-old woman with primary education.)
- (iii)
- ‘Requiem’ as ‘spirituality’ (Frequency = 6): These forms of Shi’ite requiems literally emphasize the ‘spiritual’ aspects of ‘Shi’ite’ festivals in a way in which they are ‘genuine’ and ‘far from formalism and duplicity’ (ria va tazahor).
- (a)
- ‘Requiems are of little effect for me [due to their emotional aspects]. If you believe in God by following your heart and wisdom, it would be more effective and sensible.’ (An educated 30-year-old man.)
- (b)
- ‘The meanings and content of the lyrics are more important to me. When a [religious] singer (maddah) sings nonsensical poems, I automatically feel repulsed by religion (din va madhab)… Today’s requiems do not transfer to me the degree of spirituality that I need (bar-e ma’anavi-e lazem)…’ (An educated 25-year-old woman.)
- (c)
- ‘… I try to choose festivities from which I can receive the degree of spirituality that I require (bar-e ma’anavi ke lazem daram). Spirituality usually transfers with meaningful lyrics… I would rather listen to requiems that are calm and spiritual.’ (An educated 23-year-old man.)
- (d)
- ‘We need to follow our heart to God. [In this way], we do not even need lyrics to be sung by a [religious] singer, who might not even believe in what he is saying himself.’ (An educated 45-year-old man.)
- (iv)
- ‘Requiem’ as ‘art’ (Frequency = 5): In contrast to the above-mentioned forms, which describe changes in requiem negatively, some of my informants conditionally viewed the recent developments in the phenomenon of ‘requiem’ as positive. For them, the ‘artistic’ aspects of these requiems were attractive. Due to the significant role of art in the subjectivization of ‘Islam’ in the Iranian context, the impact of art on ‘Shi’ite’ festivities, in general, will be discussed separately below.
- (a)
- ‘Art, in general, plays a prominent role in [religious] festivities. Certain poems, paintings, calligraphies, photos and so forth that are related to ‘religion’ have a great impact [on my religious sensations]. I become influenced as soon as I see them and start to think about these pieces of art and their relation to religion. I also praise the director of the ‘Mokhtarnameh’ series. It was influential… I do not like the [traditional] Ta’azieh (shabih-khani) and things like that.’ (An educated 24-year-old woman.)
- (b)
- ‘I would like to listen to calm and cool musical requiems (nouhehs) if they are not accompanied with stamping of the feet on the ground (koubidan-e pa bar zamin)’. (An educated 25-year-old woman.)
- (c)
- ‘I do not like prayers that I do not understand. However, if a [religious] singer (maddah) sings them with a nice voice, I will get influenced.’ (A 27-year-old female student.)
- (d)
- ‘The foundation of requiems are lyrics and words and the ways in which they are expressed. Of course, rhythm and music are so important that without them the words would not be able to bring about the desired effect.’ (An educated 26-year-old man.)
- (v)
- ‘Requiem’ as ‘global Islamism’ (frequency = 1): There was only one informant who thought that Shi’ite festivities are good instruments for converting the world towards the interests of Iranian Shi’ism or ‘Islamism’: ‘If the language of requiems is clear and understandable, it will be excellent. It will attract many audiences. In addition, if they are presented in epic and non-superstitious ways, they will surely be more enjoyable. The advantage of [expressing requiems with] lyrics and words is that if they are translated to other nations’ languages, real Islam will be known and will govern the world.’ (An educated 45-year-old man.)
- (vi)
- ‘Requiem’ as ‘language’ and culture (Frequency = 13): Many of my informants preferred the requiems to be presented in their local language, i.e., Azarian Turkic, rather than Persian or Arabic. They did so not necessarily out of ethnic nationalist desires, which was the case for a few informants, but mainly because of the discourse with which they had grown up.
- (a)
- ‘Of course, I would rather listen [to requiems] in my own language. I relate to them when it is in [Azarian] Turkic.’ (A 54-year-old man.)
- (b)
- ‘Well, our religion has a direct relationship with the Arabic language. Its impact is clear in every festivity… [However] Iranians have also produced many interesting requiems in their own local languages… I believe that religious sensations are different in each language… I would not mind listening to a requiem in the Persian language … but at that particular moment, I would like to listen to it in my own language in order to internalize it.’ (An 18-year-old student.)
- (c)
- ‘… I am not biased towards other languages. But the poetic structure of [Azarian] Turkic music in requiems are Bayat [melody], which is different from other languages. It is called ‘Okhshama’. I really enjoy it…’ (A 26-year-old male student.)
7. The ‘Construction’ of ‘Art’ and ‘Music’
- (i)
- ‘Music’ as part of ‘religion’ (Frequency = 16): Some of my informants used ‘music’ in two different ways: ‘religious’ and ‘non-religious’. The categorization of deeply Shi’ite ‘requiems’ or ‘nouhas’ as part of religiously-prohibited ‘music’ may be considered a sign of ‘disenchantment of the world’ and a new form of ‘spiritualism’, which is consistent with ‘late-modernity’ or ‘post-modernity’. Indeed, some of my informants considered ‘music’, specifically ‘calm’ ones, as part of their subjective ‘spiritual’ developments too.
- (a)
- ‘Music and art embrace all aspects of our life [religious or non-religious]. When we go to a mosque or Hussainiyeh, art is the first thing that we confront… if music was not important, ‘adhan’ [call for pray] would not have been performed in a musical way.’ (A 26-year-old female student.)
- (b)
- ‘Music has a lot of impact on [religious] singing (maddahi), but many of the singers (maddahan) are illiterate about music and just imitate other people’s work. In my view, music has been oppressed [by the government], but we can use it more and in a better way. With the development of an academic study of the art of music, music can surely play a better and deeper role in our religious sensation.’ (A 26-year-old male student.)
- (c)
- ‘Music has a lot of applications to [religious] singing (maddahi and movloud-khani). Still many singers are illiterate in music… You may classify music in terms of religious and non-religious. [However] both of them contribute to human souls and spirituality, but in different ways.’ (An educated 45-year-old man with a degree in Islamic Jurisprudence.)
- (d)
- ‘I listen to ‘nouhehs’ [religious] and music [non-religious] that correspond to my heart. I listen [to them] again and again… I do not unfortunately have much knowledge of music, but I am really keen to learn more about it.’ (An 18-year-old female student.)
- (e)
- ‘Art has a great impact on my [spiritual] thoughts and feelings… I may even be influenced with the wordless music of Beethoven.’ (An educated 24-year-old woman.)
- (f)
- ‘[For me] religious ceremonies and gatherings are kinds of art, carnival and celebration. [However] they are categorized into two kinds: some of them are sad, which we may call religious, and others that are not sad, which we may call non-religious. Depending on the conditions at that time, I like both of them.’ (A 23-year-old male student.)
- (ii)
- ‘Music’ as ‘non-religion’ (Frequency = 12): For these informants, ‘music’ was a ‘non-religious’ part of their life. In other words, they mostly used ‘non-religious music’ in their everyday lives, but they wanted to listen to the ‘religious nouhehs’ on certain days, such as Ashura and Tasu’a. In their view, the latter was distinguished from the former. These informants may be conscious of the prohibition’ of ‘music’ in shari’a but were not bothered by it. For them, ‘non-religious’ music could contribute to ‘spiritualism’ too.
- (a)
- ‘I am not interested in religious music and, in my view, it has no value. When I listen to it, it reminds me of my own problems, rather than the Imams. In my view, music has no place in religion… The difference between religious and non-religious music is that the former is sad, and the latter is happy. When I listen to the latter, I become calm and happy. It is ‘haram’ (forbidden), but it is helpful for me.’ (A 45-year-old woman.)
- (b)
- ‘It is not appropriate to mix music and dance with mourning commemorations all the time, whether they are related to Imams or ordinary people. However, I have no problem with music in ordinary [non-religious] ceremonies and parties. Music is part of our soul and existence. It makes you calm and relaxed. I need it [for this reason]. It can also contribute to your spirituality in a way in which nothing can, but I do not like dancing. I view dancing as a sign of women’s slavery through which they provide happiness for men.’ (A 50-year-old woman.)
- (c)
- ‘Religious music and art are specifically related to Imams and saints. Such art reminds us of them and makes us sad. Other [kind of] music is usually, but not always, happy [non-religious]. [Whatever kind they are] I can tell in general that individuals can gain the spiritual status they wish by listening to and using music, art and theatre. They are indeed very influential.’ (An educated 25-year-old woman.)
- (iii)
- ‘Music’ as ‘destructive’ (frequency = 1): There was only one, out of thirty, informant who described ‘music’ as destructive. Interestingly, he did not oppose it on the basis of the shari’a or objectively: ‘Dance and music have very temporary effects (asar-e lahze’i), [but] they have destructive effects on the unconscious part of the human [mind]. For example, they increase a sense of illusion and phantom. Therefore, I do not agree with the use of music and art in religious ceremonies a lot.’ (An educated 27-year-old man.)
8. ‘Islamic’ Architecture
- (i)
- ‘Spirituality’ (frequency = 19): Nineteen, out of thirty, informants associated ‘Islamic architecture’ with ‘spirituality’ in three different forms:
- (a)
- ‘Simplicity’: Perhaps under the influence of ‘Sufism’, these informants loathed an ‘aristocratic Islam’ and its manifestations in any form, including architecture. (Frequency = 10)
- -
- ‘… When I am attending a [religious] venue that has a lot of luxuries, I do not usually feel relaxed and calm (ehsas aramesh) and my spiritual feeling (hess-e ma’anaviam) vanishes.’ (An educated 25-year-old woman.)
- -
- ‘I would rather not attend a venue that is too sumptuous. But if it has style and I feel that I could have a spiritual experience there, I like to go there.’ (An educated 23-year-old woman.)
- -
- ‘A religious sensation could occur in any venue and time… However, if we consider the simple life of the Prophet, it did not involve exorbitant expenses. The Prophet was the leader of the poor and never pursued luxuries. This differentiates the Prophet’s Islam from that of Saudi Arabia’s rulers.’ (An educated 48-year-old man.)
- (b)
- ‘Old and historical buildings’ (Frequency = 4): These informants associated ‘spiritualism’ with historical buildings that avoided any of the glamorous aspects of today’s world.
- -
- ‘The older the religious buildings are, the more spiritual and attractive they are.’ (An educated 45-year-old man.)
- -
- ‘I am personally attracted to religious buildings with an old architecture, although the quality of ceremonies is more important. This is because I feel that they have been built with more sincerity and genuineness.’ (A 25-year-old female student.)
- (c)
- ‘Luminous and colorful buildings’ (Frequency = 5): For these informants, the brighter and more colorful the buildings are, the more effective they are in inducing ‘spiritual’ feelings.
- -
- ‘I would like to choose a [religious] venue that is luminous and lucid. I feel that the more luminous it is, the more spiritual it is… It need not necessary be luxurious. It can also be a simple place… [Of course] luminosity does not create spirituality in me. Spirituality is something related to my heart and is an inner property. The right architecture for me may increase my sense of spirituality.’ (An 18-year-old pupil.)
- -
- ‘Spirituality is a personal matter. It is related to your heart. However, if I am situated in a venue that is more colorful, stylish and aromatic, I would not mind to stay there longer.’ (A 54-year-old man with a primary education.)
- (ii)
- ‘Identity’ (frequency = 2): For two informants the ‘Islamic’ identity of buildings in terms of their architecture was important.
- -
- ‘I am in favor of positive traditionalism in architecture… The more we distance ourselves from our own customs and culture, the poorer we become in terms of thoughts, beliefs and culture. Our religious identity becomes less colorful too.’ (An educated 26-year-old man.)
- -
- ‘The architecture of a religious building should correspond to Muslims’ lifestyles… The geometric style of Islamic architecture subtilizes and refines my soul.’ (An educated 27-year-old man.)
- (iii)
- ‘Equality’ (frequency = 1): For one of my informants, an observation of gender equality in the ‘religious architecture’ of a building was crucial: ‘… The old mosques were big. I like their entrances, minarets and domes. I like the pools in the middle of their gardens. It relaxes me, like my grandmother’s house. I like the trees in their gardens too. [However] I do not like their discriminatory separate entrance doors for males and females. While men use the main big entrance, women should enter the mosque through a small door in the corner… Even inside the building, women have a smaller space than men… This is not appropriate.’ (A 27-year-old female student in architecture.)
- (iv)
- ‘Subtle architecture’ (Frequency = 3): a few of my informants defined ‘religious architecture’ in terms of their greatness and perhaps luxuriousness.
- -
- ‘The very existence of a large and pretty mosque is indicative of the greatness of my religion… I have seen some mosques in Spain and Turkey to which I was very attracted. Since then, I have been thinking about why we do not pay attention to our religious buildings.’ (A 24-year-old woman with a degree in architecture.)
- -
- ‘I do not like buildings with poor architecture. In fact, when I see Imamzadehs with a poor and simple building, I feel sorry for the saint who is buried there and I become sad.’ (A 45-year-old housewife.)
Conclusions
Funding
Acknowledgments
Conflicts of Interest
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1 | The literal translation of ‘erteja’e siah’ is ‘black reactionary.’ However, ‘radically reactionary’ conveys a clearer contextual meaning of the term in English. |
2 | The Province of Ardabil was a part of the Province of East Azarbaijan until March 1993. The vast majority of these three provinces speak the Azarian Turkic language and are Twelver Shi’ite Muslims. They also border the Republic of Azerbaijan in the north with the same name, language and religion (Shi’ism). The Republic of Azerbaijan, along with other Caucasian territories (namely Georgia, Armenia and the Republic of Dagestan), was a part of Iran until the 19th century, when Iran lost these territories to Russia during two wars (1804–1813 and 1826–1828). Although the Republic of Azerbaijan, on the one hand, and the Iranian provinces of Azarbaijan (along with those of Ardabil, Zanjan and to some extent Hamadan), on the other, share the same language and religion, they are sharply divided in terms of politics and the definitions of what counts as ‘Islamic Shi’ism’. After all, they have historically experienced totally different discourses during the last two centuries. The Republic of Azerbaijan has been subject to Imperial Russian and Soviet rule for around two centuries, with literally little relationship with Iran, including the Azarbaijan provinces. In addition, like other parts of Iran, many Iranian Azarians consider the territory of the Republic of Azerbaijan and others as the lost lands and blame the Iranian Qajar dynasty kings for these losses. Therefore, the ‘religious’ lives of the people of all these three provinces are typical of Iranian society, rather than being similar to those of the Republic of Azerbaijan. Indeed, this is also very clear from the critical roles these provinces have played in Iranian social upheavals such as the Constitutional Revolution of 1905–1909 and the ‘Islamic’ Revolution of 1977–1979 (for more information in this regard, see Abrahamian 1982). |
3 | Many Iranian Shi’ites commemorate three nights of Ramadan (17th, 19th and 21st) by staying up alone or attending gatherings at ‘Islamic venues’ for prayers and reciting the Qur’an as they believe that the Qur’an was revealed to the Prophet on one of these three nights. These nights are called the ‘Qadr Nights’ (the grand nights) or ‘Ahya Nights’ (the awake nights). |
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Godazgar, H. From ‘Islamism’ to ‘Spiritualism’? The Individualization of ‘Religion’ in Contemporary Iran. Religions 2020, 11, 32. https://doi.org/10.3390/rel11010032
Godazgar H. From ‘Islamism’ to ‘Spiritualism’? The Individualization of ‘Religion’ in Contemporary Iran. Religions. 2020; 11(1):32. https://doi.org/10.3390/rel11010032
Chicago/Turabian StyleGodazgar, Hossein. 2020. "From ‘Islamism’ to ‘Spiritualism’? The Individualization of ‘Religion’ in Contemporary Iran" Religions 11, no. 1: 32. https://doi.org/10.3390/rel11010032
APA StyleGodazgar, H. (2020). From ‘Islamism’ to ‘Spiritualism’? The Individualization of ‘Religion’ in Contemporary Iran. Religions, 11(1), 32. https://doi.org/10.3390/rel11010032