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Open AccessArticle

Modal Processor Effects Inspired by Hammond Tonewheel Organs

Center for Computer Research in Music and Acoustics (CCRMA), Department of Music, Stanford University, 660 Lomita Drive, Stanford, CA 94305-8180, USA
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Academic Editor: Vesa Valimaki
Appl. Sci. 2016, 6(7), 185; https://doi.org/10.3390/app6070185
Received: 16 March 2016 / Accepted: 13 June 2016 / Published: 28 June 2016
(This article belongs to the Special Issue Audio Signal Processing)
In this design study, we introduce a novel class of digital audio effects that extend the recently introduced modal processor approach to artificial reverberation and effects processing. These pitch and distortion processing effects mimic the design and sonics of a classic additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. As a reverb effect, the modal processor simulates a room response as the sum of resonant filter responses. This architecture provides precise, interactive control over the frequency, damping, and complex amplitude of each mode. Into this framework, we introduce two types of processing effects: pitch effects inspired by the Hammond organ’s equal tempered “tonewheels”, “drawbar” tone controls, vibrato/chorus circuit, and distortion effects inspired by the pseudo-sinusoidal shape of its tonewheels and electromagnetic pickup distortion. The result is an effects processor that imprints the Hammond organ’s sonics onto any audio input. View Full-Text
Keywords: audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments
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MDPI and ACS Style

Werner, K.J.; Abel, J.S. Modal Processor Effects Inspired by Hammond Tonewheel Organs. Appl. Sci. 2016, 6, 185.

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