Impact of Teaching Palliative Psychology with Psychodrama and Arts Therapies on Psychology Students in Klagenfurt
Abstract
:1. Introduction
2. Method
2.1. Research Design Overview
- Training on death and loss
- Palliative care: where, when, how
- Communication in palliative care
- Advanced care planning (ACP)
- Psychological interventions in palliative care
- Additional module: euthanasia in Austria
- Phototherapy in death education, grief processing, and dealing with continuing bonds
- Psychodrama, social atom, and death
- Intermodal arts therapy with bereaved adults
- Psychodrama for self-care of caregivers
- Discussion on the issues of death and end-of-life and the activities of ANT for assistance to terminally ill people
- Role-playing activity that dealt with the theme of the end of life care
- Accompanying the ANT team in providing home care to terminally ill patients, being able to observe how they work practically in the field
- Creation of a poster that will be presented in the final dissemination meeting
2.2. Participants and Procedure
2.3. Researcher Description
2.4. Recruitment
2.5. Data Collection
2.5.1. Quantitative Data Collection
2.5.2. Qualitative Data Collection
2.6. Instruments
2.6.1. Quantitative Measurement
2.6.2. Qualitative Study
Focus Group Interview
- Experiences with the course (general theme)
- The impact of arts therapies and psychodrama techniques
- The experience of verbal and artistic processing of death anxiety
- The meaning of life and death/representation of death and the feelings associated with it
- Experience of the focus group
Satisfaction questionnaires 1 and 2 (quantitative and qualitative)
- The clarity of how to implement and deliver the arts-based activities taught in the course to patients at the end of life;
- Clarity of the theoretical basis of the arts-based activities taught in the course;
- The variation in the different arts-based activities provided in the course;
- The examples and illustrations of how the arts-based activities can be communicated to patients at the end of life;
- The relevance of the arts-based activities to your future work (as a psychologist/health care provider/psychotherapist);
- The experiential workshop with arts-based activities.
- The arts-based activities I have learned in this course are a valuable contribution to my future work as a psychologist/health care provider/psychotherapist;
- The arts-based activities I have learned in this course are a valuable contribution to my personal development;
- I would recommend this course to colleagues who want to learn how to use arts-based activities with patients at the end of their lives;
- What arts-based activities from the course did you find most relevant to your future work as a psychologist/health care provider/psychotherapist?
- What kind of unclear information regarding the arts-based activities, if any, did you find in the course?
- In what ways, if any, did the arts-based activities help you develop or improve your professional skills?
- What would you recommend we add to the arts-based activities?
- What final recommendations and suggestions would you give us to improve this course?
2.6.3. Implementation Matrix
2.6.4. Recording and Transforming the Data
2.7. Data Analysis
2.7.1. Quantitative Data Analysis
2.7.2. Qualitative Data Analysis
- General question: How did the students perceive the course on death, and what impact did the arts therapies and psychodrama techniques have on them?
- Specific question: How did the students experience the verbal and artistic processing of the fear of death through the arts therapies and psychodrama techniques, and what significance did they attach to them?
- Verbatim transcription of the focus group interview, including descriptions of participants’ tone, pitch, emotions, gestures, and group dynamics, as relevant;
- Giving “voice” to participants’ experiences (Stage I of data analysis):
- -
- Development of emerging themes, patterns;
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- Search for connections between emerging themes;
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- Reading and rereading—initial notes;
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- A master list or table of themes (matrix)—capturing the participants’ experiences/“the voice”. The analysis results were five matrices, which were subsequently collected and linked by the respective project partners;
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- Amalgamating themes and superordinating themes from all focus groups [26];
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- Identifying stand-alone/‘single’ themes and taking them into account;
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- Re-examine the context to understand if the theme holds particular significance for that participant and the relevance of it to our research question and aims, to help to decide if it should be included;
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- Checking the recurrence of superordinate themes and themes [26];
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- The recurrence of superordinate themes and themes [27] was checked at the individual participant level [28] and the focus group level [27] (this was to ensure the individual’s voice and the group’s collective voice were included, to stay close to IPA’s idiographic underpinnings, while also acknowledging the value and merit of the focus group design. Including stand-alone themes, per Tomkins and Eatough’s [27] suggestions).
- Credibility checks [26]:
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- Discuss the development and interpretation of the themes with independent IPA researchers.
- Organizing the superordinate themes into a hierarchy [26]:
- -
- Create a taxonomy of themes/Themes were ordered into a “logical sequence”.
- Writing the report, comprising two levels [26]:
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- First, the analysis section was a substantial narrative account of all themes grounded in verbatim extracts, central to IPA, to bring to the forefront participants’ voices (the basis was the resulting common matrix);
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- Second, a separate section was devoted to making sense of the results from a theoretical position. Each theme was taken in turn, described, and linked to the existing literature [29].
3. Results
3.1. Quantitative Results
3.2. Qualitative Results
3.2.1. Satisfaction Questionnaires 1 and 2
3.2.2. Focus Group Interview
“I think, if that should be possible somehow, to integrate Sheldon Solomon somehow into this project in general, I think that would be really cool because I think he, um, is also really intoxicating in his lecture, and I found that somehow a very, exciting addition to the contents that we have had so far. And also, somehow really, really important what he has presented so far”.
“It is probably super cool to cooperate with different universities”.
“I thought it was a bit of a pity that really so few people, um, took part because I thought that you could tell that Mr NAME had made an enormous effort, and, um, in the end, it was always quite the same people who somehow said something and thought that we were already quite a lot of people and if everyone had contributed something and if it was just a thought then the whole thing might have been a bit more fluid. In the end”; “I found it tough, sometimes, especially at the beginning, because we also got caught up with organisational things, and, uh, also phases in between, uh, which was also due to the participation of us participants, that somehow, from some the willingness or motivation was not so, there, or that, yes, they did not feel comfortable in the setting so”.
“I would have liked it to be a bit more interactive because if there is, in the end, an area in psychology that is really very interactive afterwards, then it is probably palliative psychology, and for that, I found it a bit too, (exhales) yes—I can’t think of the right word right now. So, I would have liked it to be more interactive, a bit more conversation techniques, et cetera”.
“I also found it really good to have been forced to reflect again on everything a little bit (laughs) the contents, uh, I think that one, or I at least, um, generally takes too little time to reflect on contents again, afterwards for oneself or in exchange with others. Um, sometimes you’re also just happy when you can then check off and then finished (laughs), um, insofar I found that actually a cool experience and, yes, I would also like it if that would be done in other seminars, so thank you, and also to the group.”
4. Discussion
5. Limitations and Future Directions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Experimental Group (N = 40) | Control Group (N = 24) | Group Difference p-Value | ||
---|---|---|---|---|
Age: | 21–39; 27.51 (6.57) | 22–51; 29.21 (6.89) | 0.928 | |
Gender: | 0.876 | |||
Male | 9 (23%) | 5 (21%) | ||
Female | 31 (77%) | 19 (79%) | ||
Other | 0 (0%) | 0 (0%) | ||
Religion: | 0.518 | |||
Christian | 19 (49%) | 12 (50%) | ||
Jew | 1 (2%) | 0 (0%) | ||
Buddhist | 0 (0%) | 1 (4%) | ||
None | 19 (49%) | 11 (46%) | ||
Religious level | 1–4; 1.95 (0.86) | 1–4; 2.96 (0.69) | <0.001 | |
Formal caregiver to end-of-life-clients: | 0.494 | |||
No | 37 (95%) | 22 (92%) | ||
Yes | 2 (5%) | 2 (8%) | ||
Lost someone close to you in the last two years: | 0.554 | |||
No | 25 (64%) | 15 (63%) | ||
Yes | 14 (36%) | 9 (37%) | ||
Year of master’s degree: | <0.001 | |||
1st | 26 (67%) | 5 (21%) | ||
2nd | 10 (26%) | 7 (29%) | ||
3rd | 3 (7%) | 12 (50%) |
Session | Date | Module | Format |
---|---|---|---|
1 | 8 March 2021 | Introduction and Pretest of measures (T1) Training on death and loss Palliative care: Where, when, how | 1.5 h live online session Recorded Recorded |
2 | 15 March 2021 | Communication in Palliative Care Advanced Care Planning | Recorded Recorded |
3 | 22 March 2021 | Psychological Intervention in Palliative Care Euthanasia in Austria Satisfaction assessment-I | Recorded Recorded |
4 | 12 April 2021 | Phototherapy in Death Education, Grief Processing, and dealing with Continuing Bonds + explanation of final photovoice assignment | Recorded + 1 h live online session |
5 | 19 April 2021 | Psychodrama, Social Atom, and Death | Recorded + 3 h live online session |
6 | 26 April 2021 | Intermodal Arts Therapy with Bereaved Adults | Recorded + 3 h live online session |
7 | 3 May 2021 | Psychodrama for Self-Care of Caregivers | Recorded + 3 h live online session |
8 | 10 May 2021 | Completion Satisfaction assessment-II Posttest of measures (T2) | 1.5 h live online session |
9 | 17 May 2021 | Focus Group Interview | 3 h live online session with selected students |
Experimental Group (N = 30) | Control Group (N = 20) | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Variable | Time 1 | Time 2 | Time Effect | Time 1 | Time 2 | Time Effect | ||||||
M | SD | M | SD | t | Cohen’s d | M | SD | M | SD | t | Cohen’s d | |
TDRS total | 20.13 | 6.32 | 19.27 | 5.92 | 1.18 | 0.22 | 18.30 | 5.74 | 18.95 | 5.34 | –1.35 | –0.30 |
DAPR Fear of Death | 2.96 | 0.90 | 2.74 | 0.86 | 2.00 | 0.37 | 2.78 | 0.79 | 2.79 | 0.79 | –0.07 | –0.02 |
DAPR Death Avoidance | 2.19 | 0.94 | 2.23 | 0.76 | –0.35 | –0.06 | 1.96 | 0.74 | 2.02 | 0.83 | –0.88 | –0.20 |
DAPR Neutral Acceptance | 4.13 | 0.45 | 4.17 | 0.52 | –0.50 | –0.09 | 4.21 | 0.54 | 4.02 | 0.52 | 2.41 | 0.54 |
DAPR Approach Acceptance | 2.49 | 0.76 | 2.53 | 0.75 | –0.41 | –0.07 | 2.57 | 0.83 | 2.61 | 0.67 | –0.35 | –0.08 |
DAPR Escape Acceptance | 2.94 | 0.96 | 3.01 | 0.83 | –0.73 | –0.13 | 2.85 | 0.92 | 3.03 | 0.84 | –1.21 | –0.27 |
CCS Total | 12.57 | 3.52 | 12.90 | 3.59 | –0.60 | –0.11 | 12.20 | 4.15 | 12.25 | 4.24 | –1.17 | –0.04 |
CSE Total | 12.53 | 3.78 | 15.86 | 4.52 | –4.79 | –0.88 | 12.00 | 4.35 | 12.05 | 4.95 | –0.05 | –0.01 |
CS Greater Kindness | 16.07 | 1.77 | 15.90 | 1.92 | 0.87 | 0.16 | 16.37 | 2.11 | 15.74 | 1.91 | 1.61 | 0.37 |
CS Lesser Indifference | 7.41 | 1.90 | 7.31 | 2.22 | 0.28 | 0.05 | 8.37 | 2.01 | 8.16 | 2.24 | 0.31 | 0.07 |
FATCOD Total | 3.96 | 0.36 | 4.11 | 0.40 | –3.04 | –0.57 | 3.86 | 0.35 | 3.93 | 0.43 | –1.02 | –0.23 |
Theme | Subtheme |
---|---|
1. Positive experiences and sensations | 1.1. Terror management theory was a rousing, exciting addition and important input 1.2. The course was interesting, practical, important, diverse, and new 1.3. The course raised questions in a positive sense and was thought-provoking 1.4. The lecturer put in an insane amount of effort 1.5. Anticipation for more was awakened 1.6. Erasmus’s cooperation |
2. Negative experiences and sensations | 2.1. Lack of willingness and motivation of students 2.2. Online setting was inappropriate 2.3. Contents were partly too theoretical and boring 2.4. Missing conversation techniques and exercises, as well as practical examples 2.5. Topics were mostly treated superficially; more depth would have been desirable 2.6. Lectures in English from partner countries would have been more exciting and interactive |
3. Focus Group | 3.1. Was a perfectly rounded conclusion 3.2. It was very helpful to hear the contributions of the others to stimulate thoughts 3.3. By verbalising the thoughts, everything could be summarised better 3.4. It was fun to talk about it again 3.5. It was nice to hear how the others are doing and how they have been with the course 3.6. It was good to reflect on everything again 3.7. Cool experience |
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Wieser, M.A.; Leitner, A. Impact of Teaching Palliative Psychology with Psychodrama and Arts Therapies on Psychology Students in Klagenfurt. Behav. Sci. 2023, 13, 931. https://doi.org/10.3390/bs13110931
Wieser MA, Leitner A. Impact of Teaching Palliative Psychology with Psychodrama and Arts Therapies on Psychology Students in Klagenfurt. Behavioral Sciences. 2023; 13(11):931. https://doi.org/10.3390/bs13110931
Chicago/Turabian StyleWieser, Michael Alexander, and Alexandra Leitner. 2023. "Impact of Teaching Palliative Psychology with Psychodrama and Arts Therapies on Psychology Students in Klagenfurt" Behavioral Sciences 13, no. 11: 931. https://doi.org/10.3390/bs13110931
APA StyleWieser, M. A., & Leitner, A. (2023). Impact of Teaching Palliative Psychology with Psychodrama and Arts Therapies on Psychology Students in Klagenfurt. Behavioral Sciences, 13(11), 931. https://doi.org/10.3390/bs13110931