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Open AccessArticle
“The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship
by
Silvana Colella
Silvana Colella
Silvana Colella is Vice-Rector of Research and Professor of English Literature at the University of [...]
Silvana Colella is Vice-Rector of Research and Professor of English Literature at the University of Macerata, Italy. She completed her PhD studies in English literature at the University of Genoa. Her current research interests include contemporary novels and AI narratives, representations of human–robot interaction in fiction, AI-generated literature, and the cultural impact of new technologies. She is leading a collaborative project funded by the NextGenerationEU programme. She served as president of the European Alliance for Social Sciences and Humanities (EASSH) (2020-2024) and the European Consortium for Humanities Institutes and Centres (ECHIC) (2016-2023). Both associations are active in the sphere of European science policy, promoting the public value of research in the humanities and the social sciences.
Humanities Department, University of Macerata, Corso Cavour 2, 62100 Macerata, Italy
Humanities 2025, 14(8), 164; https://doi.org/10.3390/h14080164 (registering DOI)
Submission received: 3 June 2025
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Revised: 1 August 2025
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Accepted: 1 August 2025
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Published: 7 August 2025
Abstract
The release of ChatGPT and similar applications in 2022 prompted wide-ranging discussions concerning the impact of AI technologies on writing, creativity, and authorship. This article explores the question of artificial writing, taking into consideration both critical theories and creative experiments. In the first section, I review current scholarly discussions about authorship in the age of generative AI. In the second and third sections, I turn to experiments in literary co-creation that combine the affordances of technology with the human art of prompting and editing or curating. My argument has three prongs: (1) experiments that frame artificial writing as literature (memoir, poetry, autobiography, fiction) are accompanied by enlarged paratexts, which merit more attention than they have hitherto received; (2) paratexts provide salient clues on the process of co-creation, the reconfiguration of authorship, and the production of value; and (3) in the folds of paratextual explanations, one can detect the profile of the author as clever prompter, navigating a new terrain by relying at times on the certainties of conventional authorship. My analyses show that while AI-generated literature is a novel phenomenon worthy of closer scrutiny, the novelty tends to be cloaked in a familiar garb.
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MDPI and ACS Style
Colella, S.
“The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship. Humanities 2025, 14, 164.
https://doi.org/10.3390/h14080164
AMA Style
Colella S.
“The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship. Humanities. 2025; 14(8):164.
https://doi.org/10.3390/h14080164
Chicago/Turabian Style
Colella, Silvana.
2025. "“The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship" Humanities 14, no. 8: 164.
https://doi.org/10.3390/h14080164
APA Style
Colella, S.
(2025). “The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship. Humanities, 14(8), 164.
https://doi.org/10.3390/h14080164
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