Search Results (138)

Wittgenstein had significant religious impulses, from his early Notebooks to his late entries in Culture and Value. Christian religious texts seemed to him to articulate significant human experiences that were worthy of respect. Yet he found himself consistently unable to commit himself to any organized institutional religious life. This essay investigates the reasons (as opposed to psychological peculiarities with causal force) that might lie behind Wittgenstein’s stance. Friedrich Schiller describes modern, socially induced unsatisfiable longings for meaningful life. Northrop Frye describes the rhetorical form of the Christian Bible as having an indispensable role in orienting us toward reconciled life, but in the end more imaginatively than in effective worldly practice. Against this background, Wittgenstein’s combination of passionate attraction to Christianity with an inability to accept it emerges as an exemplary expression of a widely shared modern human condition. Full article

This paper examines local knowledge, perceptions, and responses to changing climes in the Trans-Himalayan region of Dolpa in Nepal. Rooted within the environmental humanities and shaped by emerging understandings of faith-based ecospirituality, our research partnership focuses on the experiences of the indigenous Tarali Magar people of Gumbatara and neighbouring Shaharatara in the Tichurong valley. Through place-based engagements and drawing on various disciplinary threads and intellectual traditions, we review the effects of changing cultural, climatic, and ritual patterns on the lives and livelihoods of the Tarali Magar community. We explore how (i) agricultural practices are changing and adapting in response to wider systemic transformations; (ii) in what ways physical changes in the weather, clime and climate are experienced and imagined by Taralis through the lens of the Tarali concepts of nham (weather) and sameu (time); and (iii) local knowledge and embodied understandings about the natural and cultural worlds are embedded within Tarali spiritual traditions and religious worldviews. In reckoning with shifts in ecological patterns that disrupt long-standing agricultural practices and the cultural and religious knowledge systems that guide them, we demonstrate that Taralis are indigenous environmental humanists and empirical scientists. Through our study, we uplift culturally grounded, location-specific religious practices in the Tichurong valley and show how members of the Tarali community are contributing to global imaginaries for sustainable futures in our more-than-human world. Full article

“If it wasn’t for the women” is a common refrain in Black Church culture, made most popular by Cheryl Townsend Gilkes’ sociology of religion work in the 1990s. As conversations grow around a perceived disconnection from the church—particularly among younger generations—many Black congregations and denominations are asking the following question: Where do we go from here? One possible response is to ask the women. Black women have long been central to the sustenance and theological framing of the Black Church. However, many contemporary Black women theologians and church-adjacent writers are reshaping religious discourse in ways that move beyond traditional ecclesial boundaries and into the interiority of Black womanhood. This turn should be considered essential in any reimagining of the Black Church. This paper employs content analysis to examine five contemporary works by Black women thinkers—Candice Benbow, Lyvonne Briggs, Tricia Hersey, EbonyJanice Moore, and Cole Arthur Riley—whose writings reflect Black women’s embodied spirituality, theological imagination, cultural meaning-making, and institutional critique within Black religious life. Rather than signaling a decline in moral or spiritual life, their work points to the search for sacred spaces that are more liberative, inclusive, and attuned to lived experience. Through a thematic analysis of Power, Authority, and Institutional Critique; Afrofuturistic Visioning of Faith; Sacred Embodiment and Spiritual Praxis; Language and Rhetorical Strategies; Gender, Sexuality, and Sacred Autonomy; and Liberation, Justice, and Social Transformation, this study contributes to the evolving conversation on Black women’s spirituality, leadership in religious spaces, and a possible iteration of the Black Church. Full article

The ideology of nationalism is permeating and ascending across societies, eventually manifesting materially in several nations across the world. In this essay, I analyze the religious manifestation of nationalism within the context of India’s Hindu nationalism. I argue that Modi, in his 2019 election victory speech, constructs a grand narrative of Hindu nationalistic unification by positioning himself as a Hindu sanyasi (ascetic) and by alluding to Hindu mythologies. First, I present the historical context of India’s Hindu nationalism (Hindutva). Second, I explicate the formation of an ideological discourse through Kenneth Burke’s focus on identification and the constitutive rhetoric of calling into being the second and third persona. Third, I critique the ideological formations of Modi’s speech for its grand narrative of Hindu nationalistic unification. Fourth, I conclude within a broader context of national collective imaginings and the ideological formations of nationalistic rhetoric. Full article

This field statement reviews the sources, issues, approaches, and missions of Dunhuang architectural studies from 1926 to the present. The studies of Dunhuang architecture constitute a subfield at the intersection of Dunhuang studies, Silk Road archaeology, and studies of Chinese architectural history. Dunhuang architectural studies primarily investigate three corpses of materials, i.e., the images of architecture represented in mural paintings, the cave typology, and the timber-framed façade screening the caves. This study outlines the three phases in which scholarly concerns evolved from images to their material carriers, from forms to spaces, and from disciplinary to interdisciplinary. The first phase, 1926–1950, features Chinese, Japanese, and German scholars’ early explorations of the images of architecture, mostly based on photographic reproductions of murals and timber façades. They established connections between the Dunhuang materials and the modern studies of art and architectural histories. In the second phase, 1950–2000, scholars, mainly Chinese, explored the majority of the primary materials and managed to establish a research framework for research that is still valid today. Some others conducted refreshing studies from the perspective of spatial conception. The third phase, from 2001 to the present, witnesses the emergence of new materials, perspectives, and technologies, which stimulate interdisciplinary and innovative studies of the Dunhuang materials. Finally, this review reflects on the received conceptions the field has brought us to consider the architecture of a Dunhuang cave temple and points out issues of space for future investigations. Full article

Dongba painting is an ancient art form created by the ancestors of the Naxi people. As a masterpiece of Dongba scroll painting, The Road to Heaven, exemplifies the simplicity and beauty of the primitive Dongba religion and stands as a unique treasure within Naxi painting, possessing significant value for both art and religious research. The Road to Heaven serves as an essential religious ritual artifact in the Dongba religion of the Naxi people. Utilizing the format of a long scroll painting, it depicts the Naxi people’s reflections on the origins of life; the relationships between humans, nature, and society; and the exploration of life’s ultimate destiny, thereby presenting a distinctive worldview. This article constructs a theoretical analysis framework based on an iconographic study of The Road to Heaven, exploring the unique artistic representation, aesthetic spirit, worldview, and religious origins of the Naxi people to gain a deeper understanding of the construction of their spiritual homeland. At the level of pre-iconographic description, this article primarily analyzes the subject matter and contents of The Road to Heaven, the materials employed in the painting, and its artistic features. The iconographic analysis examines the thematic elements of The Road to Heaven; the virtual world structure of the Dongba religion’s imagined realms of gods, humans, and spirits; and its simple, natural, vivid, and imaginative aesthetic style. At the level of iconological interpretation, in this article, the characteristics of the religious beliefs shown in The Road to Heaven and the main factors influencing its aesthetic spirit are analyzed. We reveal that although the Dongba religion intersects and integrates with Tibetan Buddhism, Mahayana Buddhism, Daoism, and other ideologies and cultures, ancestor worship remains a dominant force guiding Naxi behavior. The unique natural environment, historical migrations, and multicultural exchanges of the Naxi people are the primary factors shaping their aesthetic spirit. By systematically analyzing The Road to Heaven from the perspective of iconology, this study provides evidence of its profound connections with Naxi social history, offering a more comprehensive view of the Naxi people’s aesthetic spirit and cultural connotations while presenting new approaches for researching The Road to Heaven. Full article

This article reconsiders literature’s capacity to express and evoke spiritual experiences by turning to William James’s The Varieties of Religious Experience, especially his discussion of mysticism and his suggestion that poetry can bring about such states. James’s ideas are especially promising given recent developments in postsecular and postcritical scholarship that problematize a religious/secular divide and call into question a hermeneutics of suspicion. Bringing James into conversation with Paul Ricoeur, I aim to show how receptivity to spiritual experiences in literature might generate expansive models of both poetics and hermeneutics. To pursue these possibilities, my study analyzes three examples of Victorian lyric poems that probe the edges of wonder: Thomas Hardy’s “The Darkling Thrush”, Gerard Manley Hopkins’s “Nondum” and Dollie Radford’s “A Dream of ‘Dreams’”. These case studies strategically select work by writers of various belief or unbelief positions, highlighting the dynamism of the late nineteenth-century moment from which James’s writings emerged. I argue that this poetry facilitates a re-imagination of hope, beyond a faith/doubt dichotomy, as well as a re-framing of revelation, from proclamation to invitation. Building on insights from both James and Ricoeur, my discussion concludes by making the case for cultivating an interpretive disposition that does not guard against but opens toward poetry’s latent potential to take readers by surprise. Full article

In this article, I argue that Newman’s emphasis on a gestaltic model of reasoning and the role played by the imagination in informal reasoning is a fruitful starting point for an exploration of convergence between the Grammar of Assent and Wittgenstein’s On Certainty. I claim that Wittgenstein, like Newman, challenges both the claim that justification must be neutral and the prejudice according to which any form of persuasion that is not demonstrative is irrational or arational. Arguments are mainly focused on the picture of Newman’s epistemology provided lately by Duncan Pritchard. I argue that Pritchard misrepresents Newman’s conception of the illative sense so as to ascribe to him the thesis that religious belief is evidentially grounded in a broad sense of evidence. This creates a false dichotomy between the arational view of religious principles and the account of religious certainties as epistemically grounded. I suggest that Newman’s reference to both living persuasion and the role played by the will in religious conviction is part of his attempt to expose this false dichotomy. Full article

The impact and influence that a religious tradition can have amongst culturally out-group populations can be quite unexpected and can even “boomerang” back home in equally unpredictable ways. This article explores one example of a Chinese religion’s unexpected cultural influence within the Western psychiatric community using religious Daoism and its appropriation by analytical psychologist Carl Jung. Although elements of religious Daoism, such as Daoist Internal Alchemy or the Yijing, integrated into a system of psychiatric practices, its influence was not straightforward. It will be argued that Jungian ideas such as active imagination, individuation, and synchronicity were directly influenced or inspired by Jung’s exposure to religious Daoism through Richard Wilhelm, Daoist texts, and his own adoption of Daoist Internal Alchemy techniques, an influence which would reverberate through both Western and Chinese popular culture. Full article

An activity that is widespread but rarely closely examined in studies of pilgrimage is the enumeration of pilgrims (and related visitors) to shrines and their environs. Such “biopolitics of hosting” can play a significant role in mobilising the religious imagination of shrine administrators, especially in contexts of apparently growing secularity. Number can be deployed by professional hosts to represent undifferentiated visiting publics in terms of spiritual possibility. In these terms, precision in statistics is likely to be less useful than figures that can be viewed through a distanced lens of potentiality. These ideas are developed through an examination of the Christian pilgrimage site of Walsingham, in eastern England. Full article

In the Yi ethnic group in southwest China, the gourd is a prominent symbol, collectively imbued with imaginative and spiritual significance. It maintains a profound connection to the Yi people’s way of life, manifested in both ancient mythological narratives and contemporary social practices. Given the pivotal role of the gourd in the Great Flood, reconstituting the world and birthing humanity, this study delves into its intricate associations with fertile imagery and thinking, provides an interpretation of the gourd’s mythological archetype, elucidates religious practices, and explores the cultural interpretations conveyed through gourd imagery. The cultural traditions of the gourd within Yi culture operate through both mythological narratives and lived practices, forming an integrated cognitive framework through which people perceived and interpreted the world. Presently, research specifically focusing on the gourd symbol in Yi mythology and rituals is limited. This article, offering a perspective grounded in classical textual interpretation, aims to understand the culture of the Yi people. It provides a comprehensive analysis of the gourd’s symbolic significance and enriches broader discussions on cultural diversity in contemporary society. Full article

This article explores the pressing issue of the re-imagination of Religious Education in today’s Catholic school. It does so within the context of the plenary re-imagination of the contemporary Catholic school itself, a work-in-progress to which it has both a complementary and a symbiotic relationship. In doing so, the author draws upon sources as diverse as the anthropological lessons at the heart of the powerful and inspiring All Blacks Rugby code, the ANZAC Tradition and the narrative of the surprisingly transformative encounter of the Samaritan woman with Jesus at Jacob’s well in the Gospel of John (Jn 4:4–42). The Aparecida Document (2007) issued by the Episcopal Council of Latin American Bishops (CELAM) under the leadership of the then-Cardinal Bergoglio prior to his elevation to the Papacy and his adoption of the Pontifical name, ‘Francis’ (2013) provides a compass to find the way forward, not only for the Church itself but for Catholic Schools within its embrace. This article examines the potential power of the seminal integration of Religious Education within the plenary and daily narrative of the whole school, the liberating perspective gained through the re-defining and re-owning of it as ‘the work of the whole educative village’ and the acceptance of the responsibilities and challenges that this seismically challenging conceptual shift will necessarily bring. Full article

The cultural renaissance in 20th-century India has fostered an aesthetic integration of contemplative mysticism with popular religious practices, influencing various artistic and theological movements. This paper examines Christian artist Joy Elamkunnapuzha’s use of Indian classical and mythical elements in his religious artworks, particularly in two North Indian churches. These intercultural icons, which incorporate symbols from Hindu traditions like mandalas and mudras, have been central to the worship practices of local Catholic communities for over three decades. Through ritual ethnography, the study reveals how these visual representations mediate ritual affectivity and communal imagination, impacting identity formation and spiritual engagement in a multi-religious context. Respondents—including worshippers, ministers, and religious students—attest to the transformative impact of these images, as they negotiate between Christian metaphors and Hindu aesthetic traditions. The research is grounded in practical theology, liturgical theology, and ritual studies, contributing to the works of Indian Christian cultural activists like Jyoti Sahi. By exploring the creative dynamics of visual approach, visual appeal, and visual affinity within worship spaces, the study elucidates the complex processes of meaning making through symbolic mediation in interreligious environments. Full article

This article provides a way to think through the division between religious and secular approaches to contemporary society through the use of rival myths. Myths are narrative structures that invite the interplay of language and the imagination, resulting in the creation of virtual realities and social imaginaries. Strong virtual realities were once premised on myths that guided the imagination to embrace an openness to mystery and the unknowable; however, current technological culture is predicated on a closed imagination that has led to worldwide despair. Religion was originally grounded in the virtual reality inspired by language and the capacity of language to distill and extract the “virtual” from the real. The ability of language to create a virtual reality created the capacity to think of a soul, as well as destinations for the soul. In the twentieth century, Freud found that the notion of “God” that was created had become problematic for humans and so created a modern myth that would provide a secular substitute. After providing a close reading of Freud’s governing myth for modern culture, showing how it inspires the imagination and the ways in which it falls short, this article concludes with an alternative myth—that of the Invisible City—proposed to inspire faith, hope, and love in our modern world. My approach relies on a depth psychological framework, which was formed to interrogate the nature of reality (relative to individuals and culture) at the intersection of myth, religion, language, and imagination. Throughout, I use a hermeneutic methodology, which is consistent with the initial mode of depth psychological exploration as well as the central role language plays in revealing the truth of a reality. This orientation enables an exploration of a deeper sense of virtual realities than what is deployed through current technology. Full article

Anyone specialising in Islamic theology at a Western university is aware of the fact that their teaching and research will either be recognised by the institution as falling under the category of “Islamic Studies” or “Divinity”. In the first case, Islam is predominantly considered a cultural phenomenon and studied as such. In the second case, for reasons that have to do with what Marianne Moyaert in her latest book Christian Imaginations of the Religious Other has conceptualised as “Christian normativity” and the “religionisation” of other faiths, Islamic theology is de facto understood as Islamic speculative theology (kalām). In both cases, the understanding of how Islam theorises and practices theology is significantly restricted, when not altogether ignored. This article unpacks the genealogy of the secular version of a Christian epistemic framework that dominates the study of Islamic theology in the West and engages with the issues related to its application in the field of Islamic theology. In doing so, it opens a critical space for the investigation of Islamic literary productions as both dissensual and consensual theological terrains, through the analysis of the poetry of two theologians and polymathic scholars from two different periods of Islamic history, namely Ibn al-Fāriḍ (d. 632/1235) and Sidi Muḥammad Ibn al-Ḥabīb (d. 1390/1971). Full article