Search Results (3)

The present article is an example of research on the tourism, scientific, and teaching potential of the ultrabasic-alkaline intrusion with perovskite minerals in Afrikanda (Kola Peninsula, North Russia) and the possibility of its development as part of a local geopark site. A proposal to create a protected zone in this site, to expose sites of geological, natural, historical, and tourist interest is presented. Didactic routes and locations of geo-point visitors are proposed. Currently, there are numerous quarries and other mining objects of high historical, technical, and geological value. In the vicinity, there is a trough lake and post-glacial formations that can supplement knowledge about this region and add interest to would-be visitors. The remains of a historical camp for workers and miners are also visible in the intrusion area. In the vicinity of Afrikanda village, there is an international railroad line to Murmansk and St. Petersburg with a working railroad station. The place has high historical and geological potential for tourists and very rare and interesting mineralization. The last is a key value. The location is associated with 30 alkaline intrusions in NE Fennoskandia. There are opportunities to create a museum with a park where, with relatively little funding (most of the existing infrastructure buildings are in good condition), the intrusions can be shown to tourists. We proposed a conservation area with exposures, quarries, mine infrastructure, and historical sites, along with the location of geosites, hiking trails, and a geo-point for visitors. These sites are prospective for the economic revival of Afrikanda village and can protect the unique exposures. Full article

The transformation of mining and industrial spaces into tourist spaces is part of the debate surrounding the profound changes in the contemporary economies of developed European countries. The loss of competitive power of their traditional companies, the obsolescence of many manufacturing facilities, and the take-off of other industrial economies in remote parts of the world have led to the closure of thousands of mines and factories, with the approval of environmental groups. In some privileged places, these ex-industrialized spaces have recovered environmentally, been allocated aid for socio-economic reconversion, and reoriented the old mines and factories (now converted into industrial heritage), towards cultural and tourist uses. The successful examples of Ironbridge, Zollverein or Wieliczka, have created the illusion to managers, owners, and local population of being able to turn almost any ruin of the industrial and mining past into a tourist attraction. Starting in the 1990s, many ex-industrial spaces, which were far from the main urban centres, opted for this tourist transformation as a lifeline to slow down the loss of population and economic activities. Sometime after these projects of industrial tourism, the result can be evaluated with objective data that question the sustainability of the model and the resilience of these places. This paper focuses on questioning the sustainability and resilience of the tourist transformation of two former mining areas located in Spain (Almadén and Sabero), far from the axes of economic development. Full article

One component of the new museology is the ecomuseum, which is intended to preserve cultural/natural heritage and the local landscape in situ, and involves community participation and needs associated with community development. Since the ecomuseum concept originated in Western Europe, ecomuseums must be adapted or localized to various socio-economic environments. In the 2000s, two mining ecomuseums were established in New Taipei City—the Gold Museum and the Houtong Coal Mine Ecological Park. In the early 2010s, two more ecomuseums were established—the Daxi Wood Art Ecomuseum and the Togo Art Museum. More than the mining ecomuseums, the Daxi Wood Art Ecomuseum emphasized community participation and the vision of the Togo Art Museum was led by the community. Based on an analysis of the Houtong Coal Mine Ecological Park, the Daxi Wood Art Ecomuseum and the Togo Art Museum, this study elucidates the various mechanisms of the development of ecomuseums in Taiwan. Ecomuseums should be interconnected with the community and the environment. The three major functions of ecomuseums (community participation, local development, and in-situ preservation) can promote sustainable development. This study uses the “creativity triangle” concept with a three-year cycle of development as an analytical tool. The concept was modified to include three stages of development, which are “estimation”, “preparation”, and “operation”; six steps and 11 tasks are proposed. Despite the unique circumstances of each ecomuseum, this study provides an overview of the development processes and provides a basis for making recommendations for establishing other ecomuseums in Taiwan. Full article