Search Results (2)

An agricultural drought assessment is the basis for formulating agricultural drought mitigation strategies. Traditional agricultural drought assessment methods reflect agricultural drought degree by using the soil water deficit, e.g., Soil Moisture Anomaly Percentage Index (SMAPI). However, due to varying water demands for different crops, a given soil water deficit results in varying crop water deficits and agricultural droughts. This variation often leads to a misinterpretation of agricultural drought classification when one only considers the soil water deficit. To consider the influence of crop growth, this study proposes an agricultural drought assessment method by coupling hydrological and crop models (variable infiltration capacity-environmental policy integrated climate, VIC-EPIC). Agricultural drought in Jiangsu Province, China was evaluated using the VIC-EPIC model and crop water anomaly percentage index (CWAPI). The validation results based on the actual drought records showed that the correlation coefficients (0.79 and 0.82, respectively) of the statistical values and CWAPI simulated values of light and moderate drought area rates were greater than those for SMAPI (0.72 and 0.81, respectively), indicating that the simulation results of the VIC-EPIC model in Jiangsu Province were highly reasonable. The temporal and spatial variation characteristics of the drought grade in typical large-scale drought events in Jiangsu Province were also analyzed. Full article

Lucy Hind is a South African choreographer and movement director who lives in the UK. Her training was in choreography, mime and physical theatre at Rhodes University, South Africa. After her studies, Hind performed with the celebrated First Physical Theatre Company. In the UK, she has worked as movement director and performer in theatres including the Almeida, Barbican, Bath Theatre Royal, Leeds Playhouse Lowry, Sheffield Crucible, The Old Vic and The Royal Exchange. Lucy is also an associate artist of the award-winning Slung Low theatre company, which specializes in making epic theatre in non-theatre spaces. Here, Lucy talks to George Rodosthenous about her movement direction on the award-winning musical Girl from the North Country (The Old Vic/West End/Toronto and recently seen on Broadway), which was described by New York Times critic Ben Brantley as “superb”. The conversation delves into Lucy’s working methods: the ways she works with actors, the importance of collaborative work and her approach to characterization. Hind believes that her work affects the overall “tone, the atmosphere and the shape of the show”. Full article