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Search Results (2)

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Keywords = Nikolai Gogol

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13 pages, 279 KiB  
Article
Viy in Nikolai Gogol’s Novella and Related Mythological Creatures in Ukrainian Folklore
by Kostyantyn Rakhno
Religions 2024, 15(1), 33; https://doi.org/10.3390/rel15010033 - 25 Dec 2023
Cited by 1 | Viewed by 3312
Abstract
This article examines Ukrainian folkloric parallels to Viy, a character in the horror novella of the same name by Nikolai Gogol. It is a formidable chthonic, demonic creature whose eyelids cover the eyes and need to be lifted, and the gaze sees what [...] Read more.
This article examines Ukrainian folkloric parallels to Viy, a character in the horror novella of the same name by Nikolai Gogol. It is a formidable chthonic, demonic creature whose eyelids cover the eyes and need to be lifted, and the gaze sees what is hidden from others. Although the writer claimed that this character, like the entire plot of the story, was taken from Ukrainian folklore, some modern researchers claim that Viy is the author’s own invention. This is contradicted by folkloric data, primarily Ukrainian lore. Demonic characters with different names but with the same appearance and very similar functions as Viy appear in Ukrainian folk tales, legends and beliefs recorded in the 19th and 20th centuries. The plots have various degrees of closeness to the plot of Gogol’s story, showing that Viy is an authentic figure from Ukrainian folklore. Full article
(This article belongs to the Special Issue Slavic Paganism(s): Past and Present)
32 pages, 947 KiB  
Article
Gogol’s “The Nose”: Between Linguistic Indecency and Religious Blasphemy
by Igor Pilshchikov
Religions 2021, 12(8), 571; https://doi.org/10.3390/rel12080571 - 24 Jul 2021
Viewed by 9235
Abstract
Focused on Nikolai Gogol’s absurdist tale, “The Nose” (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the [...] Read more.
Focused on Nikolai Gogol’s absurdist tale, “The Nose” (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the Table of Ranks), and allusions to religious customs and Christian rituals that would have been apparent to Gogol’s readers and shows how some were camouflaged to escape censorship in successive drafts of the work. The research builds on the approaches to Gogol’s language, imagery and plot developed earlier by the Russian Formalists, Tartu-Moscow semioticians, and a few other scholars, who revealed the latent obscenity of Gogol’s “rhinology” and the sacrilegious meaning of the tale’s very specific chronotope. The previous scholars’ observations are substantially supplemented by original findings. An integrated analysis of these aspects in their mutual relationship is required to understand what the telling details of the story reveal about Gogol’s religious and psychological crisis of the mid-1830s and to demonstrate how he aggregated indecent Shandyism, social satire, and religious blasphemy into a single quasi-oneiric narrative. Full article
(This article belongs to the Special Issue East-Slavic Religions and Religiosity: Mythologies, Literature and Folklore: A Reassessment)
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