Sign in to use this feature.

Years

Between: -

Subjects

remove_circle_outline

Journals

Article Types

Countries / Regions

Search Results (2)

Search Parameters:
Keywords = Montague Rhodes James (1862–1936)

Order results
Result details
Results per page
Select all
Export citation of selected articles as:
13 pages, 341 KB  
Article
Dr. Cinderella and the Bronze Artifact, Cardinal Napellus and the Copper Globe: Was Gustav Meyrink an Early Adopter of M.R. James’s Ghostly Fiction?
by Martin Voracek
Humanities 2024, 13(6), 162; https://doi.org/10.3390/h13060162 - 21 Nov 2024
Viewed by 1469
Abstract
Hitherto unnoticed similarities between two short stories by Gustav Meyrink and two of the most renowned and widely read ghost stories of M.R. James are detailed through comparative literary analysis. Specifically, one early occult horror tale of Meyrink, The Plants of Dr. Cinderella [...] Read more.
Hitherto unnoticed similarities between two short stories by Gustav Meyrink and two of the most renowned and widely read ghost stories of M.R. James are detailed through comparative literary analysis. Specifically, one early occult horror tale of Meyrink, The Plants of Dr. Cinderella (1905), shows no less than about 15 congruences beneath the plot level (concerning specific story requisites) with M.R. James’s ‘Oh, Whistle, and I’ll Come to You, My Lad’ (1904), as does, to the same extent, a later, widely known Meyrink tale (The Cardinal Napellus, 1914) vis-à-vis M.R. James’s Mr Humphreys and His Inheritance (1911). Although direct, conclusive evidence is unavailable, a nexus of circumstantial evidence, building on extensive biographical and bibliographical inquiries, convergently attests to these assumed literary influences on Meyrink: for both cases, the chronology is intact and thus possible; Meyrink was expertly fluent in English and well-connected to England and English literature; and, these borrowings are reminiscent of other, already known originality issues surrounding Meyrink’s work. Altogether, these new discoveries shed fresh light on idiosyncrasies of Meyrink’s creative process, imagination, and literary production; on his still under-researched literary inspirational sources; as well as on the early reception of M.R. James’s ghostly fiction beyond the anglophone sphere. Full article
21 pages, 764 KB  
Article
Old English Enigmatic Poems and Their Reception in Early Scholarship and Supernatural Fiction
by Patrick Joseph Murphy
Humanities 2022, 11(2), 34; https://doi.org/10.3390/h11020034 - 28 Feb 2022
Cited by 1 | Viewed by 5152
Abstract
The scholarly reception history of the Old English riddles and adjacent “enigmatic poems” of the Exeter Book reveals a long process of creating intelligibility and order out of a complicated and obscure manuscript context. Understanding this history of reception allows us to see [...] Read more.
The scholarly reception history of the Old English riddles and adjacent “enigmatic poems” of the Exeter Book reveals a long process of creating intelligibility and order out of a complicated and obscure manuscript context. Understanding this history of reception allows us to see the influence of Old English poetry on modern creative medievalism, including the unexpected influence of medieval “enigmatic” poetry on the modern genre of supernatural fiction. Specifically, it is argued that the scholarly reception of folios 122v–123v of the Exeter Anthology was instrumental in inspiring one of the acknowledged classic ghost stories of the twentieth century, M.R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”. Full article
(This article belongs to the Special Issue Old English Poetry and Its Legacy)
Back to TopTop