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Keywords = Gustav Meyrink

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13 pages, 341 KiB  
Article
Dr. Cinderella and the Bronze Artifact, Cardinal Napellus and the Copper Globe: Was Gustav Meyrink an Early Adopter of M.R. James’s Ghostly Fiction?
by Martin Voracek
Humanities 2024, 13(6), 162; https://doi.org/10.3390/h13060162 - 21 Nov 2024
Viewed by 1003
Abstract
Hitherto unnoticed similarities between two short stories by Gustav Meyrink and two of the most renowned and widely read ghost stories of M.R. James are detailed through comparative literary analysis. Specifically, one early occult horror tale of Meyrink, The Plants of Dr. Cinderella [...] Read more.
Hitherto unnoticed similarities between two short stories by Gustav Meyrink and two of the most renowned and widely read ghost stories of M.R. James are detailed through comparative literary analysis. Specifically, one early occult horror tale of Meyrink, The Plants of Dr. Cinderella (1905), shows no less than about 15 congruences beneath the plot level (concerning specific story requisites) with M.R. James’s ‘Oh, Whistle, and I’ll Come to You, My Lad’ (1904), as does, to the same extent, a later, widely known Meyrink tale (The Cardinal Napellus, 1914) vis-à-vis M.R. James’s Mr Humphreys and His Inheritance (1911). Although direct, conclusive evidence is unavailable, a nexus of circumstantial evidence, building on extensive biographical and bibliographical inquiries, convergently attests to these assumed literary influences on Meyrink: for both cases, the chronology is intact and thus possible; Meyrink was expertly fluent in English and well-connected to England and English literature; and, these borrowings are reminiscent of other, already known originality issues surrounding Meyrink’s work. Altogether, these new discoveries shed fresh light on idiosyncrasies of Meyrink’s creative process, imagination, and literary production; on his still under-researched literary inspirational sources; as well as on the early reception of M.R. James’s ghostly fiction beyond the anglophone sphere. Full article
16 pages, 321 KiB  
Article
The “Final Rays” of a Setting Sun: Lenka Reinerová and the Legacy of “Prague German Literature”
by Markéta Balcarová
Humanities 2024, 13(4), 105; https://doi.org/10.3390/h13040105 - 14 Aug 2024
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Abstract
Lenka Reinerová is considered a contemporary witness of both the 20th and 21st centuries and the last German writer in Prague. Indeed, she is the last known prose writer from Prague who wrote in German and boasts a long list of famous predecessors, [...] Read more.
Lenka Reinerová is considered a contemporary witness of both the 20th and 21st centuries and the last German writer in Prague. Indeed, she is the last known prose writer from Prague who wrote in German and boasts a long list of famous predecessors, such as Franz Kafka, Max Brod, E. E. Kisch and others. Interestingly, Reinerová did not only earn a place among the Prague German literature writers because of her mother tongue. In her memoirs, she also engages with literary and academic discourse on the German-language literature coming from Prague. The following article aims to describe this continuity in more detail. Full article
(This article belongs to the Special Issue Prague German Circle(s): Stable Values in Turbulent Times?)
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