Search Results (6)

By examining the Sutta Nipāta, considered one of the collections containing the oldest texts of the Pāli canon, this study aims to reconstruct social, historical, and anthropological aspects of archaic Buddhist doctrine at the time of its definition in dialectic with the forces of orthodoxy and constituted power in 6th century BCE India. This study also provides important insights into the development and definition of contemplative practices devoted to the search for the ‘absolute’ (paramattha and brahmavihāra), which has often received little attention in meditation studies. Full article

When monastics of the Indic North and Northwest around the turn of the Common Era made the decision to introduce art into monasteries, current cultural assumptions regarding the aesthetic experience of such objects, which were axiomatically negated by Buddhist ideology, led to certain confrontations in law and praxis and an attempt to resolve these within certain monastic legal codes (vinaya) redacted during this period. Tracing the historical relation between monasticism and art in this context, this paper focuses on two such uneasy relations. The first deals with an opposition between the worldly aesthetics of pleasure associated with art and fashion and the aesthetics of asceticism as a representation of monasticism’s renunciate ideal. The second considers the aesthetics of fear associated with images of deities, the rejection of such objects as mere signs, and the resulting acts of theft and iconoclasm enacted upon them. It will show that resolution to both was sought in a particular semiotic which negated the aesthetic experience of such objects and rendered them signs with a significance that accorded with Buddhist ideology. Yet the solution remained incomplete, with issues arising when the same ideology was applied to monasticism’s own representation in the art of monasteries, stūpas and Buddha-images. Full article

The focus of this Special Issue is on medieval Japanese religion. Although Kamakura “new” Buddhist schools are usually taken as unquestioned landmarks of the medieval religious landscape, it is necessary to add complexity to this static picture in order to grasp the dynamic and hybrid character of the religious practices and theories that were produced during this historical period. This Special Issue will shed light on the diversity of medieval Japanese religion by adopting a wide range of analytical approaches, encompassing various fields of knowledge such as history, philosophy, materiality, literature, medical studies, and body theories. Its purpose is to expand the interpretative boundaries of medieval Japanese religion beyond Buddhism by emphasizing the importance of mountain asceticism (Shugendō), Yin and Yang (Onmyōdō) rituals, medical and soteriological practices, combinatory paradigms between local gods and Buddhist deities (medieval Shintō), hagiographies, religious cartography, conflations between performative arts and medieval Shintō mythologies, and material culture. This issue will foster scholarly comprehension of medieval Japanese religion as a growing network of heterogeneous religious traditions in permanent dialogue and reciprocal transformation. While there is a moderate amount of works that address some of the aspects described above, there is yet no publication attempting to embrace all these interrelated elements within a single volume. The present issue will attempt to make up for this lack. At the same time, it will provide a crucial contribution to the broad field of premodern Japanese religions, demonstrating the inadequacy of a rigid interpretative approach based on sectarian divisions and doctrinal separation. Our project underlines the hermeneutical importance of developing a polyphonic vision of the multifarious reality that lies at the core of medieval Japanese religion. Full article

This article investigates two issues regarding the Buddhism of premodern Japanese martial arts. The first issue concerns the historical channels through which Buddhist elements were adopted into martial lineages, and the second pertains to the general character of the Buddhism that can be found in the various martial art initiation documents (densho). As for the first issue, while previous scholarship underscored Shugendō (mountain asceticism) as an important factor in the earliest phases of the integration process of Buddhist elements in martial schools, this study focuses on textual evidence that points to what is referred to as “medieval Shinto”—a Shinto tradition that heavily relied on Esoteric Buddhist (Mikkyō) teachings—in scholarship. Regarding the second issue, although numerous studies have already shown the indebtedness of premodern martial schools to Buddhist teachings drawn mainly from the Esoteric Buddhist or Zen traditions, this article sheds more light on the nature of these teachings by drawing attention to the fact that they often emphasize the Buddhist thought of isshin or “One Mind”. The article illustrates how this thought was adopted in premodern martial art texts and in doing so clarifies the reasons why Buddhism was valued in those arts. Full article

Contemporary Buddhist violence against minority Muslims in Myanmar is rightfully surprising: a religion with its particular moral philosophies of non-violence and asceticism and with its functional polytheism in practice should not generate genocidal nationalist violence. Yet, there are resources within the Buddhist canon that people can draw from to justify violence in defense of the religion and of a Buddhist-based polity. When those resources are exploited in the context of particular Theravāda Buddhist practices and the history of Buddhism and Buddhist identity in Burma from ancient times through its colonial and contemporary periods, it perpetuates an ongoing tragedy that is less about religion than about ethno-nationalism. Full article

This article focuses on accounts of bodily asceticism published in Buddhist periodicals in Republican China (1912–1949) in order to explore the mentality and motivation of publicly presenting this seemingly fanatic and backward tradition in an era marked by modernization. By zeroing in on practices of self-immolation, bodily mutilation, and blood writing, as presented in periodicals advocating either reform or preservation of Buddhist tradition, the article reveals that Buddhists with different visions for the modern form of Chinese Buddhism, despite their multifaceted responses, reached a consensus: ascetic practices were part of the tradition worthy of preservation and a strong testament of Buddhist morality. Arguments and eulogies about specific cases, preserved in these periodicals, made Buddhist asceticism an integral part of Chinese Buddhism’s modern transformation, which contributes to the rethinking of religion and modernity discourse. Full article