Search Results (3)

Bagheria, located on the northern coast of Sicily, is home to one of the Mediterranean’s most remarkable ensembles of Baroque villas, constructed between the 17th and 18th centuries by the aristocracy of Palermo. Originally situated within a highly structured rural landscape of citrus groves, gardens, and visual axes, these monumental residences have undergone substantial degradation due to uncontrolled urban expansion throughout the 20th century. This study presents a diachronic spatial analysis of Bagheria’s territorial transformation from 1850 to 2018, integrating historical cartography, aerial photography, satellite imagery, and Geographic Information System (GIS) tools. A total of 33 villas were identified, georeferenced, and assessed based on their spatial integrity, architectural condition, and relationship with the evolving urban fabric. The results reveal a progressive marginalization of the villa system, with many heritage assets now embedded within dense residential development, severed from their original landscape context and deprived of their formal gardens and visual prominence. Comparative insights drawn from analogous Mediterranean heritage landscapes, such as Ortigia (Siracusa), the Appian Way (Rome), and Athens, highlight the urgency of adopting integrated conservation frameworks that reconcile urban development with cultural and ecological continuity. As a strategic response, the study proposes the creation of a thematic cultural route, La città delle ville, to enhance the visibility, accessibility, and socio-economic relevance of Bagheria’s heritage system. This initiative, supported by adaptive reuse policies, smart heritage technologies, and participatory planning, offers a replicable model for sustainable territorial regeneration and heritage-led urban resilience. Full article

Through an interdisciplinary study of the work of Jesuit Athanasius Kircher (1602–1680), the authors investigate the relationship between the cultural policies of the Roman Curia, the Jesuit order, religious diversity, and the aesthetic–spatial configuration of Rome during the early modern age. This paper shares in-depth observations of the recovery of ancient culture and its reworking in a post-reformist Christian age through architectural and spatial elements adopted to endorse the continuity of the ancient past and the Catholic reformistic universalistic aspirations. In this context, Kircher worked to decipher hieroglyphics on obelisks of the Imperial age but from Egyptian times. These defined a specific topography of space as a visual convergence of points: an urban geography of sacral and historical–political value and a connection with the memories of the Roman Empire and the most ancient religions of the ancient times. Full article

The church of St Ignatius of Loyola in Rome, together with the Church of the Gesù, represents the most significant artistic contribution of the Jesuits in the Eternal City. Incorporated in the broader context of the Roman College, and built between 1626 and 1650 following a project by Padre (Father) Orazio Grassi S.J., it is the only one of the great Roman churches without a dome. The projects for the helioscopic dome by Orazio Grassi, the Cortonesque dome by Armando Brasini and the perspective dome by Andrea Pozzo represent the difficult attempt to create a perfectly rational layout for Rome, an ideal scientific and theological city. These projects tell the story of three different ways of conceiving architectural space affecting the city: political manifesto, imaginative introspection and colossal scenography. This paper describes the history of an “impossible” dome, analysing the historical evolution of the project and its three potential authors, three magnificent and idealist designers. Full article