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Keywords = Analívia Cordeiro

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11 pages, 222 KiB  
Article
Machine Bodies: Performing Abstraction and Brazilian Art
by Mariola V. Alvarez
Arts 2020, 9(1), 11; https://doi.org/10.3390/arts9010011 - 19 Jan 2020
Cited by 2 | Viewed by 3162
Abstract
In 1973, Analívia Cordeiro produced the videodance M3x3. Filmed in a Brazilian television studio and choreographed by Cordeiro with a computer, the work explores the limits of the human body through abstraction and its inhabitation of a new media landscape. Tracing the [...] Read more.
In 1973, Analívia Cordeiro produced the videodance M3x3. Filmed in a Brazilian television studio and choreographed by Cordeiro with a computer, the work explores the limits of the human body through abstraction and its inhabitation of a new media landscape. Tracing the genealogy of M3x3 to the history of videodance, German and Brazilian art, and Brazilian politics, the article spotlights the media central for its conceptualization, production, and circulation to argue for how the video theorizes the posthuman as the inextricable entanglement of the body and technology. Full article
(This article belongs to the Special Issue Dance and Abstraction)
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