Search Results (7)

Soundscape planning remains a challenge to many urban practitioners due in part to a scarcity of soundscape design tools. While many sound planning tools exist, they are generally geared towards acousticians rather than professionals of the built environment (e.g., urban designers, planners, or landscape architects). This paper walks through the user-centered design process for the development and evaluation of a new soundscape design tool, City Ditty. A User-Centered Design approach was utilized to identify and develop functionalities that would benefit urban practitioners that do not currently specialize in sound. This began with a literature review of existing soundscape tools, followed by a user needs assessment with professionals of the built environment, consisting of a workshop including focus groups, tech demos, and a collaborative soundscape design exercise. These results funneled into the development of City Ditty: an immersive soundscape sketchpad that facilitates rapid audio-visual prototyping of urban soundscapes. To make City Ditty accessible to users with no expertise in sound, we developed a sound awareness session that walks the user through 36 tasks. These hands-on tasks illustrate soundscape design principles while serving as instructions on how to use the many functions of City Ditty, e.g., listen to the city soundscape at different times of the day, pedestrianize the city centre, modify permissible construction times, and add birdfeeders to attract sounds of nature. A usability study was conducted with six participants to evaluate the tool using Desktop Virtual Reality, determine new functionalities, and determine how to best facilitate user engagement in order to encourage adoption by practitioners. The direction of future soundscape tools is discussed. Full article

Cities struggle to balance vitality and livability, and noise is at the center of many of these debates. Preconceived ideas on the sonic expectations and needs of groups of city users can be misleading, particularly in entertainment districts such as the Quartier des Spectacles in Montreal (CA). We investigated what life was like in QDS for its year-round users during the 2019 festival season (the last before the COVID-19 pandemic), building on insights from residents, workers and visitors collected through online surveys. Respondents described an overall positive view of their district marked by a diversity of experiences and frustrations, with subtle intragroup differences between residents and workers. Age was an important variable framing these experiences, but unexpectedly, older respondents enjoyed their life in QDS just as much as younger users. Dissatisfaction with residing or working in QDS was rarely geared toward the frequency or loudness of festivals, but rather to other everyday life situations. Emergent from the data, we argued for the development of soundscape personas to refer to typologies of users whose experiences differ in terms of sonic priorities and evaluations. Our findings could inform strategies for organizing large events in urban areas, maintaining an awareness of diversity of users. Full article

Developing innovative noise policies that build on international best practices is difficult when policies around the world differ along many dimensions, ranging from different sources covered to different levels of governance involved. This is particularly critical in the context of road traffic, identified as one of the main culprits leading to noise-associated complaints and health issues. In this article, we document the wide range of specifications observed in road traffic policies and propose a methodology to compare noise limits across noise policies. First, we present the responsibilities of administrative governments according to the scope (e.g., emission vs. exposure). Second, we compare noise limits by scope and geographic areas by separating acoustic indicators (overall and event indicators). Third, we convert overall outdoor noise limits into a common basis using the method described by Brink and his associates (2018) and compare them with the World Health Organization (WHO)’s recommendations (2018). Finally, measurement protocols are also compared across outdoor noise policies. This paper shows that road noise is managed at several administrative levels using approaches that are either centralized or decentralized. We also observed disparities in the associated noise limits across geographic areas. The converted outdoor noise limits generally exceeded the WHO’s recommendations (2018). Finally, this paper outlines how outdoor measurement protocols vary across geographic areas. However, similarities were identified between state and provincial noise policies within the same country. Full article

This paper investigates the transformation of urban sound environments during the COVID-19 pandemic in Montreal, Canada. We report on comparisons of sound environments in three sites, before, during, and after the lockdown. The project is conducted in collaboration with the Montreal festival district (Quartier des Spectacles) as part of the Sounds in the City partnership. The analyses rely on continuous acoustic monitoring of three sites. The comparisons are presented in terms of (1) energetic acoustic indicators over different periods of time (L_den, L_d, L_e, L_n), (2) statistical acoustic indicators (L₁₀, L₉₀), and (3) hourly, daily, and weekly profiles of sound levels throughout the day. Preliminary analyses reveal sound level reductions on the order of 6–7 dB(A) during lockdown, with differences more or less marked across sites and times of the day. After lockdown, sound levels gradually increased following an incremental relaxation of confinement. Within four weeks, sound levels measurements nearly reached the pre-COVID-19 levels despite a reduced number of pedestrian activities. Long-term measurements suggest a ‘new normal’ that is not quite as loud without festival activities, but that is also not characterizable as quiet. The study supports reframing debates about noise control and noise management of festival areas to also consider the sounds of such areas when festival sounds are not present. Full article

Following the successful first Urban Sound Symposium held at Ghent University in 2019, the second edition in 2021 had to face the challenges of the pandemic. The symposium turned this challenge into an opportunity for giving easier access to practitioners and experts from around the globe who are confronted with urban sound in their professional activities. It was organized simultaneously in Ghent, Montreal, Nantes, Zurich, London and Berlin by researchers at Ghent University, Mc Gill University, Université Gustave Eiffel, EMPA, University College London and TU Berlin. The online event created opportunities for interaction between participants at poster-booths, virtual coffee tables, and included social activities. Full article

We report on a conceptual framework for describing interactive sound installations from three complementary perspectives: artistic intention, interaction and system design. Its elaboration was informed by a systematic review of 181 peer-reviewed publications retrieved from the Scopus database, which describe 195 interactive sound installations. The resulting taxonomy is based on the comparison of the different facets of the installations reported in the literature and on existing frameworks, and it was used to characterize all publications. A visualization tool was developed to explore the different facets and identify trends and gaps in the literature. The main findings are presented in terms of bibliometric analysis, and from the three perspectives considered. Various trends were derived from the database, among which we found that interactive sound installations are of prominent interest in the field of computer science. Furthermore, most installations described in the corpus consist of prototypes or belong to exhibitions, output two sensory modalities and include three or more sound sources. Beyond the trends, this review highlights a wide range of practices and a great variety of approaches to the design of interactive sound installations. Full article

Decades of research support the idea that striving for lower sound levels is the cornerstone of protecting urban public health. Growing insight on urban soundscapes, however, highlights a more complex role of sound in public spaces, mediated by context, and the potential of soundscape interventions to contribute to the urban experience. We discuss Musikiosk, an unsupervised installation allowing users to play audio content from their own devices over publicly provided speakers. Deployed in the gazebo of a pocket park in Montreal (Parc du Portugal), in the summer of 2015, its effects over the quality of the public urban experience of park users were researched using a mixed methods approach, combining questionnaires, interviews, behavioral observations, and acoustic monitoring, as well as public outreach activities. An integrated analysis of results revealed positive outcomes both at the individual level (in terms of soundscape evaluations and mood benefits) and at the social level (in terms of increased interaction and lingering behaviors). The park was perceived as more pleasant and convivial for both users and non-users, and the perceived soundscape calmness and appropriateness were not affected. Musikiosk animated an underused section of the park without displacing existing users while promoting increased interaction and sharing, particularly of music. It also led to a strategy for interacting with both residents and city decision-makers on matters related to urban sound. Full article