Cross-Borders and Crossroads—Sharing Cultural Memory and Identity Negotiation in South-Eastern European Narratives

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: closed (30 November 2025) | Viewed by 4493

Special Issue Editors


E-Mail Website
Guest Editor
School of Socio-Humanities, “Dunărea de Jos” University of Galati, 800201 Galati, Romania
Interests: literary theory; cultural studies; displacement studies; memory studies

E-Mail Website
Guest Editor
Department of Literature, Linguistics and Journalism, Faculty of Letters, “Dunărea de Jos”University of Galati, 800201 Galati, Romania
Interests: literary theory; cultural studies; comparative literary studies; imagology

E-Mail Website
Guest Editor
Department of Literature, Linguis-tics and Journalism, “Dunărea de Jos” University of Galati, 800201 Galati, Romania
Interests: literary theory; cultural studies; displacement studies; memory studies

E-Mail Website
Guest Editor
Department of Humanities and Social Sciences, “Dunărea de Jos” University of Galati, 800201 Galati, Romania
Interests: cultural studies; contemporary Anglophone literature; translation studies

Special Issue Information

Dear Colleagues,

In the South-Eastern European cultural space, the fall of the communist regimes (1989/ 1991) brought forth problematic, even conflicting, identity negotiations emerging from the history of the previous decades. Such debates on redefining a cultural profile placed at the crossroads of “cultural memory” (Assmann) are at the fore of contemporary hybrid narratives of post-traumatic “retrieval” displayed by different types of identity-focused discourses. These texts share a cultural “fragmented” memory facing multiple cross-border challenges. The “narratives of the Past“, contaminated now by the dislocation/re-location drive of crossing geographical and cultural borders, mirror the South-Eastern authors’ tendency of echoing a double-bind approach, fictionalizing history (meta-history) and historicizing fiction (“the effect of the real“), on which the temptation of identity reconfirmation at the crossroads of cultures overlaps. Thus, the identity-focused literary narratives of the South-Eastern European “margin“ employ fluid strategies of re-legitimization calling for “the soft memory“ (Etkind) now facing Europe under a multicultural lens, opening its mnemonic discourses of post-traumatic “periphery“ to cross-border dialogue and identity renegotiations.

      Rooted in the main research areas developed at the Interdisciplinary Centre for Central and South-Eastern European Cultural

Studies (CISCLE) from Dunărea de Jos”, University of Galati, Romania (CISCLE is founded in partnership with the “G. Călinescu”

Institute of Literary History and TheoryThe Romanian Academy), this Special Issue of Humanities aims to advance scholarly discussions on the current dynamics of the literary field, focusing on necessary redefinitions and reconfigurations. We invite contributors to engage in critical explorations of the following thematic areas:

Ø  The dynamics of contemporary literary and film studiestheoretical and practical (re)approaches to South-Eastern European narratives;

Ø  Cultural and social memory/memory games reflected in South-Eastern European literature;

Ø  Translation as an (inter)cultural mediation;

Ø  Traumatic memory and literary strategies of dislocation and re-location;

Ø  Memory maps, identity-focused literary cartography, and conflicting cultural memories in South-Eastern European literature;

Ø  Displacement, location, and re-location perspectives under a multicultural lens;

Ø  Hybrid identity and “désidentification“ (Muñoz) as a multicultural praxis in South-Eastern peripheral narratives.

For planned papers, please send a 100-word abstract to nicoleta.ifrim@ugal.ro by 7 June 2025. The full article deadline is 30 November 2025

Prof. Dr. Nicoleta Ifrim
Prof. Dr. Simona Antofi
Dr. Iuliana Petronela Barna
Dr. Oana Celia Gheorghiu
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • “cultural memory”
  • post-traumatic “retrieval”
  • cultural borders
  • South-Eastern European narratives

Benefits of Publishing in a Special Issue

  • Ease of navigation: Grouping papers by topic helps scholars navigate broad scope journals more efficiently.
  • Greater discoverability: Special Issues support the reach and impact of scientific research. Articles in Special Issues are more discoverable and cited more frequently.
  • Expansion of research network: Special Issues facilitate connections among authors, fostering scientific collaborations.
  • External promotion: Articles in Special Issues are often promoted through the journal's social media, increasing their visibility.
  • Reprint: MDPI Books provides the opportunity to republish successful Special Issues in book format, both online and in print.

Further information on MDPI's Special Issue policies can be found here.

Published Papers (6 papers)

Order results
Result details
Select all
Export citation of selected articles as:

Research

19 pages, 6046 KB  
Article
Digital Storytelling and Cultural Identity in Romanian Memetic Discourse
by Alexandra-Monica Toma and Mihaela-Alina Ifrim
Humanities 2026, 15(3), 36; https://doi.org/10.3390/h15030036 - 27 Feb 2026
Viewed by 640
Abstract
This article examines Romanian internet memes as cultural micro-narratives that encode social critique, identity negotiation, and emotional response through compressed, multimodal storytelling. Using a mixed-method approach, the study integrates qualitative narrative analysis with quantitative sentiment data drawn from the RoMEMESv2 corpus, comprising 983 [...] Read more.
This article examines Romanian internet memes as cultural micro-narratives that encode social critique, identity negotiation, and emotional response through compressed, multimodal storytelling. Using a mixed-method approach, the study integrates qualitative narrative analysis with quantitative sentiment data drawn from the RoMEMESv2 corpus, comprising 983 Romanian-language memes. The analysis identifies recurrent narrative roles and plot structures adapted from Propp’s morphology and applied to digital contexts, revealing archetypal roles, such as the slacker hero, the bureaucratic villain, the domestic guardian, and the trickster. From a quantitative point of view, the corpus exhibits a dominant negative sentiment, particularly within political memes, which combine systemic critique with affective ambivalence. These findings distinguish Romanian memes from datasets in other languages, suggesting that negativity functions not as deviance, but as a culturally specific narrative and emotional resource. Multimodal analysis demonstrates how visual and textual elements operate through anchorage, intertextuality, and symbolic compression, so as to construct narrative messages within single frames. The study argues that Romanian memes function as digital folklore: they narrate social frustration and institutional distrust through irony, repetition, and archetypal condensation, offering insights into the emotional and narrative logic of post-communist digital culture. Full article
Show Figures

Figure 1

11 pages, 256 KB  
Article
Reconfiguring Biographical Identity Through an Anti-Semitic Lens: The Case of the “Marginal Writer” Mihail Sebastian
by Arthur Viorel Tulus
Humanities 2026, 15(2), 29; https://doi.org/10.3390/h15020029 - 11 Feb 2026
Viewed by 560
Abstract
Personal experiences, even when recounted as autobiographical novels, can deepen our understanding of the past, as they present a lived history of real events. In the novel De două mii de ani (For Two Thousand Years), Iosef Mendel Hechter, using the literary [...] Read more.
Personal experiences, even when recounted as autobiographical novels, can deepen our understanding of the past, as they present a lived history of real events. In the novel De două mii de ani (For Two Thousand Years), Iosef Mendel Hechter, using the literary pseudonym Mihail Sebastian, recounts his experience as a young Jewish intellectual, born and raised in Romania, in a society divided by ethnic tensions driven by ultra-nationalism and anti-Semitism. Our study aims to critically examine, through a historical perspective, the socio-political realities depicted by the author, the collective mentality, and the typological stereotypes of his fictional characters. These reflect the actual choices and paths taken by Romanian Jews in their responses to the anti-Semitic pressures of the era. We believe that adopting this less frequently explored perspective will enrich both our understanding of that period and the depth of the novel itself. Thus, autobiographical literature and history engage in a meaningful dialogue, where microhistory, represented by the individual experience of the main character, Ștefan Valeriu, can verify or refine macrohistory, particularly the social, political, and economic context in which interwar Romanian society developed. Full article
21 pages, 303 KB  
Article
Passports of the Soul: Crossing Borders and Remembering the Self in Post-Communist Europe
by Lidia Mihaela Necula
Humanities 2026, 15(1), 18; https://doi.org/10.3390/h15010018 - 19 Jan 2026
Viewed by 388
Abstract
This article explores how Herta Müller and Paul Bailey transform the apparatus of state bordering, i.e., passports, permits and catechisms, into metaphors for an interior struggle between flight and belonging. In The Passport, The Land of Green Plums and Bailey’s Kitty & [...] Read more.
This article explores how Herta Müller and Paul Bailey transform the apparatus of state bordering, i.e., passports, permits and catechisms, into metaphors for an interior struggle between flight and belonging. In The Passport, The Land of Green Plums and Bailey’s Kitty & Virgil, emigration is portrayed not as departure alone but as a prolonged contest between the body that moves and the spirit that lingers. Those who cross borders geographically remain anchored, often painfully, in the mental and moral landscapes of the home they leave behind. The paper examines how documents, bodies, and languages become shifting frontier zones where identity is repeatedly issued and withdrawn, shaped by the pressures of memory, exile, and biopolitical control. Müller’s vision, written from within Romania’s history, and Bailey’s, refracted through an English consciousness yet partly set in Romania, converge in a poetics of witness that treats exile as both wound and testimony. Ultimately, these works suggest that identity survives in the liminal space between motion and remembrance where thought halts at its own threshold, memory traces its faint watermark, and the self bears its unspoken credential. Full article
19 pages, 247 KB  
Article
Cultural Conceptualisation in Northern Albanian Gheg: Karl Steinmetz in a Diachronic Perspective and Youth Questionnaire Data
by Ilda Hoxha and Edlira Bushati
Humanities 2026, 15(1), 15; https://doi.org/10.3390/h15010015 - 15 Jan 2026
Viewed by 519
Abstract
This article offers an interdisciplinary ethnolinguistic and sociolinguistic reading of Karl Steinmetz’s early twentieth-century travel accounts from the northern Albanian highlands and links them to contemporary Albanian youth’s attitudes toward tradition. Through close analysis of his depictions of space, social organisation and oral [...] Read more.
This article offers an interdisciplinary ethnolinguistic and sociolinguistic reading of Karl Steinmetz’s early twentieth-century travel accounts from the northern Albanian highlands and links them to contemporary Albanian youth’s attitudes toward tradition. Through close analysis of his depictions of space, social organisation and oral practice, the study examines how tower, household, clan, honour, blood, revenge, hospitality and priest are lexically and discursively encoded as “word-concepts” structuring local worldviews. Methodologically, it combines textual analysis with a questionnaire administered to respondents aged 15–17 and 18–21 about the relevance of traditions today. The findings show that Steinmetz’s materials provide an early, systematic corpus on Northern Gheg Albanian, where linguistic variation is closely linked to customary law and collective identity; contemporary youth still value honour, hospitality, family solidarity and “besa”, while distancing themselves from the normative force of the Kanun and reinterpreting traditional codes in more individualised, rights-oriented terms. The article argues that Steinmetz’s work remains a crucial resource for understanding the diachronic interplay of language, culture and identity in northern Albania and for analysing how cultural models are transformed among younger generations. Full article
8 pages, 209 KB  
Article
“Betrayal” and Faithfulness in Translation as Intercultural Mediation. Ethical Dilemmas and Strategies in South-Eastern Literary Discourse
by Carmen Andrei
Humanities 2026, 15(1), 9; https://doi.org/10.3390/h15010009 - 5 Jan 2026
Viewed by 559
Abstract
This paper offers a series of reflections and observations derived from my experience as a (semi-) professional literary translator and as a teacher of translation studies. I openly recognise the subjective nature of any meta-reflection on the ethical challenges faced by the translator [...] Read more.
This paper offers a series of reflections and observations derived from my experience as a (semi-) professional literary translator and as a teacher of translation studies. I openly recognise the subjective nature of any meta-reflection on the ethical challenges faced by the translator as an intercultural mediator. After briefly examining several central theses that have been defended, illustrated, and adopted to produce a translation that is politically correct from both a professional and deontological standpoint, I then list and analyse the major obstacles to the reception of a novel featuring “Romanian subject matter” written by a French author: cultural, historical, and political allusions as well as culinary and civilizational culture-specific elements. The examples come from Lionel Duroy’s novels Eugenia (2018) and Mes pas dans leurs ombres (2023), which revisit the pogroms of Iași, Bucharest, Bessarabia, and Ukraine, leading to the extermination of the Jewish population (1940–1941)—a significant and painful chapter of Romanian history, often overlooked or silenced. These cases enable us to argue more convincingly for the strategies, techniques, and procedures that can be considered when translating a text laden with profound cultural and ideological significance, aiming to help the Romanian/French and Francophone reader to understand sensitive realia and listen to History. Full article
12 pages, 258 KB  
Article
Cultural Memory and Identity in Times of Conflict: Analysing the Bulgarian Campaign of 1913 Through Romanian Soldiers’ Memoirs
by Negoiță Cătălin
Humanities 2025, 14(10), 205; https://doi.org/10.3390/h14100205 - 21 Oct 2025
Cited by 1 | Viewed by 904
Abstract
The formation of collective identity and cultural memory is deeply influenced by the historical context and the area in which they develop. Memorial writing entails the reconstruction of the realities of the age under focus, drawing on the author’s objective and especially subjective [...] Read more.
The formation of collective identity and cultural memory is deeply influenced by the historical context and the area in which they develop. Memorial writing entails the reconstruction of the realities of the age under focus, drawing on the author’s objective and especially subjective memories. It is influenced by the one who analyses the events, the language and the underlying values. Thus, the boundary between fiction and reality is often indistinct, as memory gaps are filled with the aid of imagination, without diminishing the documentary value of the text. Since memoirs represent a crossover between history, identity, and literature, an armed conflict can be narrated in many ways. This is also true for Romania’s military campaign in 1913, a moment that is not sufficiently explored by Romanian historiography and literature. Those who serve as chroniclers of the time, enduring endless marches through hostile environments and encountering a largely unfriendly population, contribute to Romanians’ discovery of a reality of the country south of the Danube River that is both similar to and different from theirs. Writers, historians, and publicists fill their pages with memories of a campaign where almost no shots were fired but which resulted in over 5000 victims killed by cholera. Full article
Back to TopTop