IMAGE-ACTION Embodiment and Videographic Analysis†
Faculty of Education, Free University of Bozen-Bolzano, 39100 Bolzano, Italy
†
Presented at the International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology, Brixen, Italy, 27–28 November 2017.
Proceedings 2017, 1(9), 949; https://doi.org/10.3390/proceedings1090949
Published: 16 November 2017
(This article belongs to the Proceedings of Proceedings of the International and Interdisciplinary Conference IMMAGINI? Brixen, Italy, 27–28 November 2017.)
The following text is part of a doctoral research project entitled “Embodied Education through Art and Theatre. Experimentation of a multimodal interface”. Embodied Education includes the contributions of Embodied Cognition, that is, that area of psychological research that represents a “new paradigm” for psychology, shifting from the abstractness of classic cognitive psychology to physicality. “Art” and “Theatre”, visual and kinesic channels, are the aspects of physicality that Embodied Cognition addresses, based on the discovery of the so-called MNS, Mirror Neuron System. The case study is aimed at reconsidering methodology and on a theoretical-epistemological rethink regarding images.
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited
MDPI and ACS Style
Zambaldi, N. IMAGE-ACTION Embodiment and Videographic Analysis. Proceedings 2017, 1, 949.
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