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Proceedings 2017, 1(9), 871;

Dynamic Perception of Plastic Movements: Biomechanics and Digital Artifacts

Faculty of Education, Free University of Bozen, 39100 Bolzano BZ, Italy
Presented at the International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology, Brixen, Italy, 27–28 November 2017.
Published: 17 November 2017
PDF [9636 KB, uploaded 28 February 2018]


The article offers some reflections on the body-space relationship through images, graphic translations and visual studies that converge into a contemporary digital illuminated avant-garde of the fourth virtual dimension. Starting from the study of the Soviet coreutics of the 1920s and the biomechanics of multimedia performances, it moves on the cinesthetic suggestions and to the dance theorization integrated with the musical score. Finally, some contemporary forms of digital image production are taken into account by addressing a number of issues regarding the exploration of the object-image and its experiential re-elaboration through the production of new graphic knowledge.
Keywords: perception; visual studies; drawing; coreuthics; digital representation perception; visual studies; drawing; coreuthics; digital representation
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).

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Vattano, S. Dynamic Perception of Plastic Movements: Biomechanics and Digital Artifacts. Proceedings 2017, 1, 871.

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