“Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England
Abstract
:1. Literature Review
2. Historical Accounts of Three Remarkable Women
She was of late servant with one Mr. Barber of Marke Lane a widower she said her father’s name was Phyllis of Morisco a blackamore being both a basket maker and shovel maker. This Marye Phyllis being about the age of xx yeares, and having been in England for the part of xii and xiii yeares and as yet was not christened now being bound (?) servant with one Millicent Porter a sempster dwelling in the liberties of east Smithfield and now taking part…of faith in Jesus Christ was desyrous to become a Christian wherefore she made suit…to have sonme conversation with the curat of this the parish of st. buttolph without aldgate London…the curat named Christopher Threlkeld demanding of her certen questions concerning her faith whereunto she answering him quite Christian like; and afterwards she being by the said Mr. Christopher Threlkeld…to say the lord’s prayer and also to repeat the articles of her belief which she did both say and repeat both decently and well. Concerning her faith then the said curat demanded of her if she weare desyrous to be baptized in the said fayth (whereat?) shee said yes. Then the said curat did go with her unto the fonte and desiring the congregation with him to call upon god the father through our Lord Jesus Christ that of his Bownteous mercie he wold graunt to her that thing…by nature she could not have that she may be baptized…”
Written by Edward Terrill, a church elder of the Particular Baptist Church of the Broadmead area of Bristol, the story of Francis, described as a “Blackymore maide”, forms the bulk of a religious memoir recounting the origins of the congregation, which was founded in defiance of the Church of England during the turbulent civil wars of the 1640s. The entire narrative was actually completed over thirty years later as part of a compilation of oral and written testimonies. Terrill calls Francis, an African woman who worked as a servant in Bristol, a “Memmorable member” of the Broadmead Baptist Church. However, it quickly becomes apparent that her memorability is primarily due to her ethnicity. He states that it was “somewhat rare in our dayes and Nation, to have an Ethyopian or Blackmore to be truly Convinced of Sin; and of their lost State without the Redeemer”. Terrill’s shock at the existence of a bona fide African Christian in their midst is heightened by evidence of her sincerity as one “truly Converted to the Lord Jesus Christ”. Thus, she is regarded as a spiritual anomaly in the religious community.5 Terrill repeatedly contrasts what he perceives as the unique juxtaposition of Francis’ ethnicity and her faith, writing “this poor Aethiopian’s soule savoured much of God”. It is implied therefore that due to her ethnicity Francis possessed a nature inherently incompatible with Christianization. Yet through a miracle of God’s grace, she was chosen for election by Christ among Reformed believers. Even as an elect member of the body of Christ, and thus justified by faith, the road to sanctification was somewhat different for Francis as an African Christian. The sinful inclinations of her nature were transformed with great effort through cooperation with Christ, requiring that she present herself deferentially in the midst of the congregation (Habib 2008, p. 214). Terrill esteems her effort, and praises the memory of her “very humble and blamelesse”, demeanor among the sisters and brothers in which she expressed a “holy, childlike fear of the Lord”. Evidence that her living witness of faith was viewed in contradistinction to her color and ethnicity is apparent in Terrill’s description of Francis’ last words of exhortation to the church as, “the dyeing words of a Blackmoore, fit for a White heart to store”. These words suggest that Francis’ blackness, perceived as an essentially corrupt nature, was being transformed to whiteness due to her holiness of life. Further, Terrill writes that at her death, “this Aethiopian yielded up the Spirit to Jesus that redeemed her” to “rest untill our Lord doth come who will bring his Saints with him”. Did Terrill and his community imagine that Francis’ blackness would become literally white in her glorification? And if so, did these implicit theological views associating blackness and whiteness with evil and sin impact the personal faith struggles of African women in early modern English society?By the goodness of God they had one Memmorable member added unto them namely a Blackymore maide named Francis (a servant to one that lived the Back of Bristol) which thing is somewhat rare in our dayes and Nation, to have an Ethyopian or Blackmore to be truly Convinced of Sin; and of their lost State without the Redeemer and to be truly Converted to the Lord Jesus Christ, as she was which by her profession or declaration at the time of reception; together with her sincere conversation; she gave greate ground for charity to believe she was truly brought over to Christ, for this poor Aethiopian’s soule savoured much of God, and she walked very humble and blamelesse in her conversation, to her end; and when she was upon her death bed: she sent a remarkable exhortation unto the whole church with whom she walked as her last request unto them which argued her holy, childlike fear of the Lord, and how precious the Lord was to her soule…it being the dyeing words of a Blackmoore, fit for a White heart to store. After which this Aethiopian yielded up the Spirit to Jesus that redeemed her and was Honourably interred being carried by the elders and the chiefest of note of the brethren in the congregation…to the grave, where she must rest untill our Lord doth come who will bring his Saints with him.(Terrill 1847; Cited in Linebaugh and Rediker 2000, pp. 73–74)
Listed as the “Maid” in dialogue, Dinah is also recorded as “Dinah the Black” in the list of visitors and “a blakmor” in the table of contents of the 1658 edition of Sarah Wight’s memoir.6 In the introduction to the account, Jessey, the transcriber, admits difficulty at times in understanding Dinah’s speech, calling attention to the fact that he was forced to “sometimes guess…the Answers given to [Sara]”. (Jessey 1658, pp. 95–97; Cited in Linebaugh and Rediker 2000, p. 89) This honest rendering thus incorporates Dinah’s voice in a corrupted manner (Habib 2008, p. 210). In the account, Dinah complains of despair and depression leading to suicidal thoughts that she is “a filthy wretched sinner”. (Linebaugh and Rediker 2000, p. 89) Sarah offers spiritual comfort, assuring Dinah of the efficacy of salvation through Christ.7 However, Dinah, evidencing a Reformed understanding of unconditional election, doubts that salvific grace is applicable to her. She states, “He may do this for some few, but not to me”. (Linebaugh and Rediker 2000, p. 89) Why does Dinah suspect she is not elected to salvation? One clue emerges from her statement, “I am not as others are, I do not look so as others do”, which implies that as an African woman arguably forced to endure multiple manifestations of discrimination in early modern English society, she struggled with feelings of inferiority. Renaissance England was a deeply color-conscious culture which stigmatized black Africans in music, literature, and religion (Habib 2008, p. 211). Africans also experienced societal marginalization in politics and the economy. The majority were forced to work in the lowest stratum of society as servants and slaves. Despite her desire for redemption, the pervasive negativity surrounding blackness likely caused Dinah to fear the rejection of Jesus Christ. In the narrative, Sarah attempts to counteract this thinking.Mrs. S. Do you see a want of faith?Maid. I am a filthy wretched sinner.Mrs. S. Are you tempted against your life?Maid. I am often tempted against my life.Mrs. S. Why what causeth it?Maid. Sometimes this, because I am not as others are, I do not look so as others do.
However, in a significant passage, Sarah goes on to associate blackness with evil despite assuring Dinah of God’s love and acceptance. Sarah states, “When Christ comes and manifest himself to the Soul, it is black in itself and uncomely, but he is faire and ruddy and he clothes the Soul with his comeliness…and makes it comely therein”. (Linebaugh and Rediker 2000, p. 89) The fact that Sarah uses the imagery of blackness indicates that Dinah’s African identity was a prominent cultural and social issue. This metaphorical understanding of justification by faith—the covering of black evil with the white salvation of Christ—was prominent in early modern English religious texts and had important implications for the social, political, religious, and personal lives of Africans.9 Importantly, as developed in the next section, the figurative use of blackness and whiteness in Protestant theology, inspired by Renaissance culture, foreshadowed the ideological emergence of race as a social construct used to justify societal hierarchies that denigrated Africans in early modern England and the British empire.[Christ] doth not this to one onely, nor to one Nation onely; for many Nations must be blessed in him. He came to give his life for a ransome for many, to give himself for the life of the world. He is a free agent; and why should you exclude your selfe?8
3. Blackness and the Christian Tradition in Early Modern England
4. African Women’s Spiritual and Religious Determinism
Dinah, having lived in service for years in Bristol, petitioning the city court on her own behalf in order to actively resist her sale and exportation to America (most likely the Caribbean) as a chattel slave. Undoubtedly, she would have known about the hostile conditions of New World plantation slavery, which, in most cases, amounted to a rapid death sentence. Therefore, she refused to capitulate to treatment as a commodity despite its imposition by a former owner. Having been baptized in the Church, Dinah, like the widow who confronted the unjust judge in Luke 18: 1–8, argued her case before the Bristol city magistrates. By appealing to her status as a Baptist Christian, Dinah temporarily won her case to earn an independent living. Although, like so many accounts, the final outcome of the story is unknown, it is evident that Dinah exercised her own sense of self-worth by objecting to mistreatment and refusing to submit to the yoke of slavery. Further, it can be inferred that Dinah likely rejected the theological belief that despite salvation, her external nature was sinful. She refused to willingly submit to the notion of predestined suffering and oppression due to her blackness. Dinah transcended limiting biblical readings handed down to her in order to trust the “inner light” of her soul. Thus, she demonstrated self-determinism. Instead of meekly or blindly accepting her (so-called) fate, and waiting solely for heaven in order to experience freedom, Dinah fought to create her best life in the present. Like Marye and Francis, Dinah exercised spiritual agency by directly engaging contemporary institutions, both legal and ecclesiastical. In the midst of a deeply entrenched racial religion, culture, and society, these women defiantly defined their Divine worth.July 1667: “A curious example of the practice of kidnapping human beings for transportation to America is recorded in the minutes of the Court of Aldermen in July. The justices note that one Dinah Black had lived for five years as servant to Dorothy Smith, and had been baptized, and wished to live under the teaching of the Gospel; yet her mistress had recently caused her to be put aboard a ship, to be conveyed to the plantations. Complaint having been made, Black had been rescued, but her mistress (who had doubtless sold her) refused to take her back; and it was therefore ordered that she should be free to earn her living until the case was heard at the next quarter sessions. The Sessions Book has perished. From the peculiar manner in which she is described, it may be assumed that Dinah was a negro woman captured on the African coast, and had lived as a slave in Bristol.
5. Conclusions
Conflicts of Interest
References
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1 | Registers of St. Botolph, Aldgate, GL. I. 9220; cited in Imtiaz H. Habib, Black Lives in the English Archives 1500–1677 (Habib 2008). |
2 | The account reads “wherefore she made suit…to have sonme conversation with the curat of this the parish”. |
3 | Spain’s black population had originated largely from enslaved Muslim black Moors defeated in the Reconquista. Portugal’s population arose from West Africans stolen in Christian raids against coastal states. Both of these events took place in the later Middle Ages. See Ania Loomba, Shakespeare, Race, and Colonialism (Loomba 2002, pp. 52–53). |
4 | See Peter Linebaugh and Marcus Buford Rediker. The Many Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic (Linebaugh and Rediker 2000, pp. 73–74). Also the Bristol web page: http://www.discoveringbristol.org.uk/showNarrative.php?narId=471&nacId+474: “Many of the black people living in Bristol were Christians, and were baptized, married or buried in church. The church records often refer to their nationality or colour. One individual who appears in the church records of a Baptist chapel was called Frances. She was referred to as ‘an Ethiopian or blackamoor’. Ethiopia was often used to refer to the whole of Africa rather rhan to the country in the North East. So the term Ethiopian probably meant that she was black African, not that she was from Ethiopia. Frances was a servant to a man who lived ‘upon the back of Bristol’ (now known as Welshback). Frances was a valued member of the Baptist congregation in the Broadmead area of Bristol. She died in 1640”. |
5 | The cultural, social, and religious association of evil with black Africans, persistent in early modern English culture, is ironic considering contemporary knowledge of the history of the Christian tradition in Ethiopia, North Africa and Egypt (certainly more ancient than in the British Isles). |
6 | That Dinah was the woman in the 1647 conversation of Sarah Wight recorded by Henry Jessey is plausibly suggested by his description of her as “a Moor” in his introduction to the episode, and is noted by Linebaugh and Rediker, The Many-Headed Hydra (Linebaugh and Rediker 2000, p. 368). Barbara Ritter Dailey points out that Jessey names her as Dinah Black in “The Visitation of Sarah Wight: Holy Carnival and the Revolution of the Saints in Civil War London”, (Dailey 1986). |
7 | Sarah Wight also struggled on her own with depression, suicidal impulses, and spiritual despair. See Lorraine McNeil, Mystical experience and the Fifth Monarchy women: Anna Trapnel, Sarah Wight, Elizabeth Avery, and Mary Cary (McNeil 2001); and Marcus Nevitt, Women and the Pamphlet Culture of Revolutionary England, 1640–1660 (Nevitt 2016). |
8 | Jessey, The Exceeding Riches of Grace (Jessey 1658, pp. 95–97); Cited in Linebaugh and Rediker, Many Headed Hydra (Linebaugh and Rediker 2000, p. 89). |
9 | Winthrop Jordan’s landmark study White Over Black: American Attitudes Toward the Negro (1968) which holds that blackness as a concept is already firmly embedded in medieval English epistemology and associated with dirt, evil, sin, and the devil. This definition was widened to include persons with black skins in the early modern period. According to the Oxford English Dictionary: “Black is deeply stained with dirt; soiled, dirty, foul…Having dark or deadly purposes, malignant, pertaining to or involving death, deadly; baneful, disastrous, sinister…Foul, iniquitous, atrocious, horrible, wicked…Indicating disgrace, censure, liability to punishment, etc”. [Quoted in Jordon, 6]. “In each [European] language the word for “black” carried a host for disparaging connotations. In Spanish, for example, “negro” also meant gloomy, dismal, unfit, and wretched; in French, “noir” also connoted foul, dirty, base, and wicked; in Dutch, certain compounds of “zwart” conveyed notions of anger, irascibility, and necromancy; and “black” had comparable pejorative implications in Elizabethan and Stuart England (Alden T. Vaughan, Roots of American Racism: Essays on the Colonial Experience, (Vaughan 1995, p. 6)). |
10 | Latin re-expressions of the New Testament; the Book of Acts was completed in 1524. An English translation, commissioned by Edward VI overseen by the playwright Nicholas Udall, was published in 1548. |
11 | An England translation, overseen by the playwright Nicholas Udall, was published in 1548. |
12 | Gay L. Byron, Symbolic Blackness and Ethnic Difference in Early Christian literature: Blackened by Their Sins, Early Christian Ethno-Political Rhetorics about Egyptians, Ethiopians, Blacks and Blackness (Byron 2002, pp. 15–52); Apophthegmata partum 5.5. |
13 | Quoted in Ania Loomba and Jonathan Burton, Race in Early Modern England: A Documentary Companion (Loomba and Burton 2007, p. 13). Similarly, in the medieval romance King of Tars, a Christian queen forced to marry a Muslim king has a black child who is whitened upon baptism. |
14 | Frederick A. Youngs, Jr., The Proclamations of the Tudor Queens (Youngs Jr. 1976, p. 38). For additional analysis of the expulsion see Kim F. Hall’s “Guess Who’s Coming to Dinner? Colonization and Miscegenation in The Merchant of Venice”, (Hall 1992) and “Reading What Isn’t There: ‘Black’ Studies in Early Modern England”, (Hall 1993). In 1596, Queen Elizabeth sent two letters to the Lord Mayor of London requesting that “blackamoores” be deported out of England and calling for the merchant Caspar van Senden to take them to Spain and Portugal. (Queen Elizabeth to the Lord Mayor et al., 11 July 1596, in Acts of the Privy Council of England, n.s., 26 (1596–1597), John Roche Dasent, ed. (Dasent 1902, pp. 16–17). Queen Elizabeth to the Lord Mayor et al., 18 July 1596, in (Dasent 1902, pp. 20–21)). Elizabeth’s Proclamation “Licensing Caspar van Senden to Deport Negroes” is listed as a “Draft” endorsed by the Queen in January 1601, on the Calendar, 11, 569; see also Paul L. Hughes and James F. Larkin, eds., Tudor Royal Proclamations, Vol. III: The Later Tudors 1588–1603 (Hughes and Larkin 1969, p. 221). Although it is evident that Queen Elizabeth endorsed the draft with her signature, more than likely one or more of the advisors on the Privy Council authored the royal command. However, with the endorsement, the Queen authorized the symbolic meaning that the language of the edict can be understood to carry. |
15 | Societal perception of the sinful nature of persons with dark skins also overlapped with cultural views that associated these groups with Islam. |
16 | Leo Africanus’ History and Description of Africa (Africanus 1492) and George Abbot’s Briefe Description of the Whole Worlde (Abbot 1599) emphasize the heathenish state of sub-Saharan black Africans being neither Muslims nor Christians and influenced the cultural and ideological climate, which led to the reasoning of the 1601 Elizabethan Edict expelling blacks from England on the basis of their incapability of acquiring true religion. |
17 | For example, see Michael Neill, “‘Mulattos’, ‘Blacks’, and ‘Indian Moors’: Othello and Early Modern Constructions of Human Difference”.(Neill 1998). What Michael Neill has described as a “racialist ideology” was taking place alongside Britain’s nascent imperialism. See also Michael Neill, “Unproper Beds: Race, Adultery, and the Hideous in Othello.”(Neill 1989); Loomba and Burton (2007, p. 8). |
18 | Becoming most prominent during Renaissance England, whiteness was the most dramatic spectacle of beauty; hence blackness was the visual antithesis of that whiteness. |
19 | For example, did Marye even know how the parish register characterizes the event of her baptism? Was she literate? Did the register make her aware of the notation? These are questions difficult to answer beyond speculation. |
20 | The Athenian Editors were John Dunton, a bookseller and publisher; Richard Sault, a mathematician and hack writer; Samuel Wesley, an Anglican clergyman and father of the abolitionists John and Charles Wesley; and John Norris, a neo-Platonist (Molineux 2012, p. 90). |
21 | The Athenian Mercury, London, 23 May 1691; Quoted in (Molineux 2012, p. 99). |
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Lewis, T. “Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England. Religions 2017, 8, 251. https://doi.org/10.3390/rel8110251
Lewis T. “Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England. Religions. 2017; 8(11):251. https://doi.org/10.3390/rel8110251
Chicago/Turabian StyleLewis, Tamara. 2017. "“Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England" Religions 8, no. 11: 251. https://doi.org/10.3390/rel8110251
APA StyleLewis, T. (2017). “Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England. Religions, 8(11), 251. https://doi.org/10.3390/rel8110251