4.1. Mediation Theory
In this subsection, we present a particular mediation theory based on the ideas of Peter-Paul Verbeek, who belongs to the postphenomenological tradition influenced by Husserl and Heidegger. Postphenomenology rejects what has been labeled as the subject/object dichotomy, which claims that one can divide the world into pure subjects and objects while acknowledging the coexistence of subjectivity and objectivity in specific situations and relationships. While traditional phenomenology also criticizes the subject/object-dichotomy, postphenomenology argues that phenomenology fails to comprehend the deeply intertwined nature of the subject-object relationship. Instead, this relationship should be understood as one of mutual constitution (
Verbeek 2005, pp. 108–13).
Verbeek adopts a specific interpretation of Bruno Latour’s actor-network theory to explain the intertwined relationship between humans and the world. According to this view, every member of the network is constituted by other members within the network. Subject and object mutually constitute each other in networks, meaning that the relationship between the subject and the world is always mediated (
Verbeek 2005, p. 168). As these relationships could have been different, the properties and identities of the entities involved in the network could have also been different, as they are constituted through their relationships with others in the network (
Verbeek 2011, p. 15). Mediation, in this context, refers to the specific way in which the relationship between actors (including various entities) is mediated, which could have been different, and this mediation defines the identity of the parties involved in the relationship (
Verbeek 2005, p. 119).
Verbeek provides several examples to illustrate the mediation process. For instance, an author writing a text using a pen or a computer would experience a distinct writing process based on their choice of writing tool. Changing the tool during the writing process would alter the nature of being an author, the act of writing, and the resulting text. This example clearly demonstrates how the pen or computer functions as a mediator, mediating the relationship between the author and the text (
Verbeek 2005, p. 115). However, mediation can also occur in situations without an obvious mediator between the subject and the object. For example, when choosing between a regular chair and a rocking chair, the chosen chair would mediate different relationships and sitting situations. Mediation occurs through how the chair, or any other object, suggests certain actions by making certain actions easy or difficult, expected or unexpected, possible or impossible (
Verbeek 2005, p. 192).
According to Verbeek, mediation holds ethical significance since it can create new possibilities or impose ethical restrictions. Morality should not be reduced to intentional agents and their actions but encompasses anything involved in the mediation process in situations where moral or immoral actions occur (
Verbeek 2011, p. 36). Mediators actively shape agents’ moral decision-making by opening or closing certain possibilities, implicitly recommending or expecting specific actions, and therefore, function as moral agents themselves. Verbeek provides an illustrative scenario wherein a weaker individual seeks revenge against a stronger individual. If the weaker person is provided with a gun, the presence of the gun mediates a new situation that alters the identities and relationships between the two parties. The weaker person becomes a potential killer, the stronger person becomes a potential victim of gun violence, and vengeance can take the form of an act of shooting (
Verbeek 2005, pp. 155–56).
The manner in which a situation is mediated can modify the range of concrete actions available and their moral evaluations within a specific context. Verbeek employs the example of an ultrasound test, wherein a new test has been developed to detect a particular disease in embryos. Suddenly, the ultrasound test assumes a different nature, offering a new alternative for decision-making: whether to be informed about a potential disease in the embryo. Not acting may be understood as irresponsible, and failing to prevent the birth of a child with a disease may incur blame (
Verbeek 2011, pp. 23–27, 38). This moral significance of mediation is the central insight derived from postphenomenological mediation theory, upon which our metaethical theory is based.
2 4.2. An Alternative Theory of God and Morality: Mediated Morality
When discussing why goodness is good, it is important to distinguish between intensional and extensional definitions. An intensional definition provides a general description of the meaning of a term, while an extensional definition lists specific instances that fall under that definition. For example, an intensional definition of “furniture” could be “large movable objects found in many houses to make them livable”, while an extensional definition could be “items like tables, chairs, sofas, etc.” Similarly, an intensional definition of “goodness” could be “actions that bring the most happiness to the most people”, while an extensional definition could be “actions like love, honesty, and others”.
Making this distinction is useful because the question “why is the good good?” can be interpreted in different ways. If we understand the good extensionally, it is like asking “why is love, honesty, etc. good?” and one can answer by saying that they fall under the general description of goodness—for instance, love and honesty are actions that bring happiness to most people. If we understand the good intensionally, it is like asking “why are actions that bring the most happiness to most people good?” In this case, one can respond that it is simply a matter of definition. However, the definition should be justified by demonstrating its coherence and ability to explain why things commonly regarded as good fall under that definition.
In the following discussion, we adopt an intensional understanding of goodness as harmony. Harmony is the opposite of chaos and can be expressed through symmetry, order, wholeness, unity, balance, proportionality, etc. The concept is inspired by the works of Plato and Aristotle and the role they play in harmony in their understanding of both beauty and goodness. Philosopher Alan White has a theory of beauty based on the work of Francis Kovach, where something is beautiful to the degree that it is an integral unity of proportionate constituents (
White 2014, p. 123). This is a good definition of harmony in terms of the aspects of unity, integration, and proportionality, but in order to expand this harmony-theory of beauty into a harmony-theory of goodness, we would like to add the aspect of well-functioning interaction. Hartmut Rosa has conducted much work on the concept of resonance (
Rosa 2019). Resonance is a vague term in the work of Rosa, but we interpret it as describing well-functioning interactions, and thus it can be understood as a form of harmony. There is no room in this article to discuss different understandings of goodness. Instead, our purpose here is to presuppose this understanding of goodness as harmony and demonstrate how it can address the challenges faced by the theories proposed by Adams and Murphy.
3Based on our understanding of goodness as harmony, we aim to establish a relationship between God and the good that makes God central to explaining why the good is good, both intensionally and extensionally. We want to avoid making goodness external to God or beyond God’s control. Simultaneously, we acknowledge the necessary character of the good and that it requires an interaction between God and the world.
Intensionally, we propose that goodness should be understood as harmonious order. Prior to the creation of the world, when only God existed, the goodness present in the world was the harmonious order within God. Drawing upon postphenomenological mediation theory, it follows that God and goodness mutually constitute each other. In this context, the good is constituted in its relationship to God as the harmonious order existing within God, while God is constituted by the relationship to the good through the internal unity of God’s properties. Thus, goodness is not external to God but rather an expression of God’s harmonious unity.
We conceive of God, before creation, as a simple harmonious unity of God’s properties. However, harmony can be increased by incorporating diversity within unity. The more parts integrated into harmony, the greater the overall harmony. When God creates creatures capable of being integrated into a harmonious unity, there is more truth, beauty, and goodness in the world.
God is the sole, sufficient cause of the total being of what is created, but God creates over time. Creation grows in internal complexity, and goodness is to be understood in harmony, which can grow in internal complexity over time. Given our understanding of goodness and how God creates in time, goodness can increase over time even if God is the sole cause of creation. We do not think of God as a timeless, immutable, transcendent being, but instead of God as being itself unfolding itself through ever greater internal complexification over time.
Since God created the world and everything within it, God has a relationship with all that exists. Consequently, God’s relationship with specific goods and actions is constitutive of their nature as good. Extensionally, goodness consists of a list of specific goods, and the goodness of these goods is partly constituted by their relationship to God. Each specific good thing and action is constituted as part of God’s creation and as realizers of the kingdom of God or God’s will. In other words, the identities of specific goods and actions are partially constituted by their relationship to God.
How does God explain why specific items belong to the list of specific goods? The items on the list fall under the intensional understanding of the good, which means that they are good because they contribute to increased harmony. As harmony can manifest in different ways, specific components of a system may relate to one another in diverse ways to create a harmonious whole. Thus, when asked why a particular thing or action is good, the answer is partly dependent on the thing or action itself and how it is constituted, but also partly dependent on the fact that the thing was created by God in a certain way with certain conditions of possibility. If God were to create a universe where only a certain type of Martian existed, the concrete harmonious community in which the Martians would participate would differ from the potential harmonious communities in our world. This difference is partly due to the Martians and their specific properties, and partly due to their relationship with their creator. Consequently, our theory fulfills one of the goals articulated in the debate between Adams and Murphy by positing that the good depends on both God and the created world.
Why are specific goods, such as honesty and love, good in the extensional sense? These specific goods are good because they contribute to increased harmony. However, the manner in which specific things and actions contribute to harmony depends on their constitution and the harmony made possible by God through the creation of this particular universe. Therefore, the good is mediated in the specific relationship between humans and God.
Why is the good, understood intensionally as harmony, good? We have established that goodness is defined as harmony, and this definition can be defended by demonstrating how specific goods contribute to harmony. It may appear that God is excluded from this perspective; however, it is crucial to recognize that harmony always assumes a specific form. The constitution of a harmonious relationship is partially determined by entities’ relation to God. This applies both when God existed alone in the universe when God and goodness were identical, and after God created entities distinct from God.
Our existence encompasses both harmony and disharmony, suffering, and alienation. Something is considered good if it contributes to increased harmony. As theists, we believe that a final harmony will emerge, encompassing all of creation—an arrangement distinct from the harmony that existed in God before creation. In both cases, before creation and at the time of final harmony, the specific form that harmony takes is shaped by the beings that exist. Therefore, these cases exemplify maximal goodness by being the most harmonious configuration of all that exists.
4.3. Comparison with Adams and Murphy
As demonstrated in the exposition of Adams and Murphy’s theories, both scholars strive to grant God a central role in their moral frameworks and in defining why the good itself is good. Simultaneously, they aim to prevent morality from becoming arbitrary but rather want to maintain its necessary character. However, Murphy’s theory encounters challenges in explaining moral necessitation, while Adams’ theory struggles to justify the proposition that God has issued commands pertaining to all deontological states, that goodness resembles God, and that goodness is entirely independent of the world. In this subsection, we will endeavor to demonstrate how our alternative theory accomplishes the objectives of Adams and Murphy while avoiding the problems they face.
By distinguishing between the intensional and extensional aspects of goodness, our theory gives a precise explanation of the centrality of God. Intensionally, goodness is harmony, which manifests as a harmonious relationship among existing entities. Initially, before God created the world, goodness was the specific harmony intrinsic to God. However, with the creation of new entities by God, a more complex harmony can be realized by integrating these creations into a harmonious web of relationships. The particular configuration of this new harmony depends partly on God’s act of creation, which entails that God created the conditions for how everything created could be assembled into a harmonious whole. Simultaneously, the new harmony is dependent on the contributions and properties of the specific creations that actually exist.
Our theory averts the risk of moral arbitrariness by positing that God cannot deem any conceivable thing or action as good. If God were to desire or command something that does not contribute to increased harmony, then, according to our theory, that which God desires or commands would not be good. Hypothetically, as the creator of the universe, God could have been malevolent and caused chaos instead of harmony. We presuppose the commonly accepted theistic notion of God as good, meaning that God acts to increase harmony, although we do not present a theodicy to account for the existing chaos (for such a theodicy, see
Søvik 2011,
2018). The relational focus of our theory also avoids Murphy’s controversial solution to the problem of evil, in which God is “under no obligation to promote creaturely well-being” (
Duncan 2018).
4Our theory allows for the influence of God’s free will to co-determine what is good. Due to the indeterminism of the universe and the free will of human beings, the universe can evolve and transform in various ways. God’s will is an integral component of the harmonious whole in which all existing entities participate, and what God wills is influenced by what happens. What constitutes harmony in a specific context is determined and co-constituted in relation to God’s will with which it should be harmonious. Conversely, God’s will is co-constituted by the properties, desires, and needs of creation since God desires a harmonious (good) world, and what constitutes harmony at any given time is dependent on the specific beings present during that period. The specific manifestation of harmony is mediated through a mutually constituting relationship between God and creation.
According to our theory, morality possesses a necessary character in the sense that good is inherently good in virtue of contributing to harmony. In certain situations, only one alternative or choice contributes to increased harmony, rendering it the sole action that is morally necessary. However, in other situations, the determination of what is good may be contingent, with multiple equally harmonious paths leading to equally harmonious outcomes. It is a strength of our theory that it accommodates the existence of morally good actions that are not morally necessary, as well as morally neutral choices where both options are equally harmonious.
We understand the morally necessary as specific moral actions that are intrinsically good or evil due to their contribution to increased or decreased harmony, respectively. Necessity, in this context, refers to logical necessity. An action is considered good when it contributes to increased harmony because goodness itself is harmony. Thus, it is logically necessary (denying it would entail a contradiction) that an action promoting increased harmony is good. This understanding of the necessity of morality enables our theory to overcome one of the challenges in Murphy’s theory, where the issue of moral necessitation in his concurrentist theory remains unclear (cf.
Section 3.2).
In Adams’ metaethical theory, the world itself holds no relevance in determining right and wrong, as goodness derives from resembling God and rightness or wrongness stems from God’s commands. Contrary to this, our proposed theory addresses this concern by acknowledging the significance of the world and all its beings in determining what is the most harmonious unity. The well-being of children, for instance, partially determines the harmony of a situation, making them and the existence of all other beings and entities relevant in discerning what is good.
Unlike Adams’ theory, which asserts that God must have issued commands encompassing all deontological statuses, our theory contends that something can be morally right without being commanded by God. Right actions, according to our theory, are actions that contribute to harmony. Nevertheless, God’s commands can still hold importance within our framework. If God were to issue a command, that command would become a part of the harmonious whole encompassing everything that exists. Hence, abiding by these commands would increase harmony and be morally good.
Adams argues that goodness consists of resembling God, implying that it is good for humans to mirror God’s omnipotence or independence. Our theory avoids this problem by emphasizing the necessity for all existing beings to find their proper place within a harmonious whole. If all beings were all-powerful creators of everything except themselves, harmony would be unattainable since it would be logically impossible. However, harmony can be achieved if each being finds its suitable place within a harmonious whole, where God represents the ultimate all-encompassing entity.
If perfection is understood as harmony, God can be considered the perfect harmony before creation. After God creates the world, perfection (i.e., maximal harmony) is the state where creation attains the most harmonious relationship with itself and with God. By reinterpreting Adams’ conception of God’s excellence along this harmony-centered perspective, the issue of humans resembling God’s perfect properties might be resolved. In this reinterpretation, the goodness of beings could still involve resembling God’s excellent properties, depending on whether and how it would contribute to increased harmony.
One could question whether our theory is sufficiently theistic, or if morality understood as harmony mediated in relationships makes God’s metaethical role superfluous. If God only partly constitutes what is harmonious in the same way any other being would constitute the specific shape harmony takes, one could have a theory of morality as mediated harmony even in a godless universe.
5 We would answer this question by pointing out two things. Firstly, even if God only partly constitutes harmony, God as the creator has a privileged position in doing so. Since what is morally good in a universe where God exists is decided by the harmony within God Godself (which depends on God’s nature) and the other beings and relationships that exist (which God creates), God shapes harmony in a fundamental way. Secondly, even if God did not exist (if God does not exist necessarily), and harmony could be constituted by the existing beings in a godless universe, harmony could still be understood in a theistic way. Adams suggests that, if God did not exist in an alternative universe, then something else would be the most excellent being in this universe, but this would not be as excellent as God is (
Adams 1999, pp. 46–47). We suggest that harmony could be understood in the same way. If God does not exist in another universe, then the existing beings and relationships in that universe would constitute moral goodness in that universe. The type of harmony that is morally best is, however, the harmony beings could achieve in relationship with God, since the relationship within God, and therefore, God’s nature, is perfectly harmonious. This allows our theory to avoid two extremes. On the one hand, God must obviously have a more central role in morality than other beings. On the other hand, we do not want to make goodness so dependent on God that we must conclude that in a possible universe with no God, nothing could be morally good. For it seems obvious to our moral intuition that there could be a possible universe with no God, but with moral goodness. Thus, we argue that our position is a middle position that avoids both problems. God is central to morality, and more so than other beings, but not so much that a universe without God could not contain goodness at all.
In this subsection, we have endeavored to demonstrate how our theory fulfills the objectives of Adams’ and Murphy’s metaethical theories while overcoming their respective challenges. It may appear that our harmony theory, rather than mediation theory, resolves the issues in their theories. However, we contend that both understanding goodness as harmony and embracing mediation theory are indispensable for addressing the challenges in other metaethical frameworks. This claim stems from the crucial insight of mediation theory, which recognizes the significance of various factors beyond will, motive, intention, pain, and pleasure in shaping and constituting moral goodness and badness—particularly in terms of harmony. The moral value of things and actions should not be reduced solely to their consequences or to motives and rules that determine what is morally good and right. On the contrary, the constitution of things and actions and their participation in well-functioning interactions that create harmony is morally relevant. Mediation theory elucidates why the specific forms of harmony determine the nature of goodness and morality, surpassing other theories’ understanding of moral evaluation.