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Open AccessFeature PaperArticle

Writing the Displaced Person: H. G. Adler’s Poetics of Exile

Faculty of Arts, Humanities and Cultures, School of Languages, Cultures and Societies, University of Leeds, Leeds LS2 9JT, UK
All translations in the text are by the author, unless otherwise noted.
Humanities 2019, 8(3), 148;
Received: 12 July 2019 / Revised: 30 August 2019 / Accepted: 30 August 2019 / Published: 3 September 2019
(This article belongs to the Special Issue Revisiting German Jewish Writing & Culture, 1945-1975)
This article discusses the work of the Prague Jewish writer H. G. (Hans Günther) Adler (1910–1988) as an important contribution to the poetics of German-Jewish displacement in the wake of World War II. It demonstrates the significance of Adler’s early response to questions of refugee status, displacement and human rights in literature. The article argues that Adler’s work can be seen as providing in part a response to the question raised by Hannah Arendt, Joseph Slaughter and other recent theorists of literature and human rights: what poetic form is adequate to give literary expression to the mass displacements of the late twentieth and early twenty-first century? Adler’s short story ‘Note of a Displaced Person’ and his lengthy novel The Wall demonstrate the role that modernist poetics of fragmentation, in particular the legacy of Kafka, can have in bearing witness to this experience. They also demonstrate that the space of exile and displacement provides Adler with a vantage point from which to comment on the rights catastrophe of the twentieth century. Adler’s work develops a theological understanding of the crisis of displacement, a crisis that can only be resolved by restoring a relation between the divine and the human. View Full-Text
Keywords: H. G. Adler; Shoah; displacement; exile; witness; Hannah Arendt H. G. Adler; Shoah; displacement; exile; witness; Hannah Arendt
MDPI and ACS Style

Finch, H. Writing the Displaced Person: H. G. Adler’s Poetics of Exile. Humanities 2019, 8, 148.

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